Fragments Of A Teaching for Baritone String Trio and Percussion (2011). Commissioned by Hans Kristian Kjos Sorensen with financial support from Norsk Kulturrad. Written for Ultron Concept . Premiered at The Bergen International Festival June 2011. Parts available: WH31336A

Wordless-Frise - Cantata Profane Op.103b for Mixed Choir SATB by Vagn Holmboe . Frise - Cantata Profane Op.103b for Mixed Choir SATB by Vagn Holmboe .

Programme note The spectrum of sound the gesticulation - in short the very nature of the strings - has always had a central place in my output demonstrated by the numbers of string quartets concertos with string soloist chamber and solo works. The interest dates back to my school years when I was fortunate to be able to compose for a cello-playing schoolmate and to accompany him on the piano. I discovered then the innumerable nuances of sound and playing varieties offered by just one bow four strings and five fingers.. The bell-like association if the title reflects the special texture of the work. Like thecontinously changing overtones of a struck resonating bell the four parts are unified through one single basic line broken up in a multitude of changing dynamics of a multifacetted rhythm and resulting in an ever transforming harmony. The duration of the work is ca 12 minutes. Per Norgard (1998)

Nirvana For (SSAA) was expertly composed by Michael Bojesen for male A capella. Nirvana af Michael Bojesen. V ersion for lige stemmer (SSAA). Tekst af Ole Hyltoft.

Soren Nils Eichberg's Symphony No. 2 - 'Before Heaven Before Earth' (2010). Commissioned by The Danish National Symphony Orchestra / DR. Parts are available on hire: hire@ewh.dk Programnote Symfoni nr. 2 er kronen pa vaerket af et helt vaerkkompleks som Soren Nils Eichberg har arbejdet med siden 2008. Pa et stipendieophold i Italien fik han sa mange idéer fra handen at selv ikke de tre vaerker han dengang var ved at komponere kunne udnytte dem alle. Stoffet blev brugt til dobbeltkoncerten til en opera og etorkestervaerk bestilt af det tyske Ensemble Modern. Og materialet lever videre i hans Symfoni nr. 2 der afslutter en naermest eksplosiv fase af kreativitet. Man behover ikke kende de tre andre vaerker for at fa udbytte af symfonien pointerer Soren Nils Eichberg. Det materiale som vaerkerne har til faelles fremtraeder da ogsa ogsa pa vidt forskellig made. I stykket til Ensemble Modern (In Circles) virker idéerne som rastlose og flygtige indfald mens de i Symfoni nr. 2 bliver anvendt pa en mere gennemarbejdet facon. Symfonien varer ca. 25 minutter og spilles i ét uafbrudt forlob. Alligevel er den opbygget efter klassisk model hvor man fornemmer en 1. sats en langsom sats og en finale undervejs. Det hele udspringer af to kontrasterende temaer der begge praesenteres to gange i begyndelsen. Det er et symfonisk princip der stammer helt tilbage fra symfonigenrens barndom. Dobbelt-praesentationen er saerlig nyttig i musik som lytterne ikke kender pa forhand. Symfoniens forste tema er en raekke akkorder der spilles af violiner og bratscher. Kontrasttemaet er en hurtig rytmisk basfigur som

Preface: The Bells of Vestervig was originally commissioned for carillon and organ. It was first performed by Peter Langberg and Ivar Mæland in connection with the re-inauguration of the organ in Vestervig Church in Denmark February 27th 2011. The version for organ solo differs somewhat from the original version without the main structure or the theme being altered. The “premiere” of the organ version was performed by Flemming Dreisig March 10th 2012 in The Church of Our Lady Copenhagen. Each movement may be used independently liturgically or in concert. If one wishes to perform them as one piece then it would be recommended to play them in the given order. Kvinesdal mars 2012 Sverre Eftestøl. Preface: 'The Bells of Vestervig' was originally commissioned for carillon and organ. It was first performed by Peter Langberg and Ivar Mæland in connection with the re-inauguration of the organ in Vestervig Church in Denmark February 27th 2011. The version for organ solo differs somewhat from the original version without the main structure or the theme being altered. The “premiere” of the organ version was performed by Flemming Dreisig March 10th 2012 in The Church of Our Lady Copenhagen. Each movement may be used independently liturgically or in concert. If one wishes to perform them as one piece then it would be recommended to play them in the given order. Kvinesdal mars 2012; Sverre Eftestøl.

Tutor- Arranging for voices.

Programnote Cast: Johann Friedrich Struensee: Bass Baritone King Christian VII: Tenor Queen Caroline Mathilde: Mezzo Soprano Ove Høegh-Guldberg: Bass Queen Dowager Juliane Marie: Soprano Count Shack Carl Rantzau: Bass King Frederik V: Tenor Enevoldt Brandt: Tenor Bootee-Cathrine: Soprano Synopsis: The Opera is based on the Swedish writer P. O. Enquist's bestselling historical novel The Visit of the Royal Physician. In 1765 the young German doctor Johann Friedrich Struensee arrives at the Danish Court in Copenhagen as newly appointed Royal Physician for the mentally unstable King Christian the VII. Close to the power and the young Queen Caroline Mathilde Struensee dreamsof making a better world for everyone. As time goes by he usurps still more power and tries to reform Denmark according to the ideas of the Enlightenment. Struensee engages in a fatal romantic relation to Caroline Mathilde and his bold grasp of power ends bloody. Livlaegens Besog (The Visit of the Royal Physician) - an Opera in 2 Acts by Bo Holten (2007-08). Libretto: Per Olov Enquist Dramaturg: Eva Sommestad Holten Vocal score available: WH30885 Cast: Johann Friedrich Struensee: Bass Baritone King Christian VII: Tenor Queen Caroline Mathilde: Mezzo Soprano Ove Hoegh-Guldberg: Bass Queen Dowager Juliane Marie: Soprano Count Shack Carl Rantzau: Bass King Frederik V: Tenor Enevoldt Brandt: Tenor Bootee-Cathrine: Soprano Synopsis: The Opera isbased on the Swedish writer P. O. Enquist's bestselling historical novel The Visit of the Royal Physician . In 1765 the young German doctor Johann Friedrich Struensee arrives at the Danish Court in Copenhagen as newly appointed Royal Physician for the mentally unstable King Christian the VII. Close to the power and the young Queen Caroline Mathilde Struensee dreams of making a better world for everyone. As time goes by he usurps still more power and tries to reform Denmark according to the ideas of the Enlightenment. Struensee engages in a fatal romantic relation to Caroline Mathilde and his bold grasp of power ends bloody.

Opera-RUDERS TYCHO SC (Opera) Poul Ruders ' opera Tycho in 3 Acts was premiered May 15 1987 by Aarhus Symphony Orchestra and Kaare Hansen (conductor) at Helsingor Theater in Aarhus Denmark. Libretto in Danish by Henrik Bjelke. Full score: WH31457 Synopsis: In 1597 the famous Danish astronomer and astrologist the nobleman Tycho Brahe flees his castle cum observatory Uraniburg on one of the small islands off the Danish coast. The newly coronated King Christian the Fourth has a grudge against Tycho who in 1572 discovered a new star Stella Nova by using his naked eye only; the telescopewasn't invented yet. This discovery gained Tycho tremendous fame among his contemporaries within the European scientific circles. The now weakened and embittered old man moves together with his wife Christina whom he raped when she was an adolescent and Jeppe the Dwarf his fool-servant whose life Tycho once saved to the plague-infested city of Prague. There at the Benatky Castle Tycho encounters the main reason for his departure from Denmark: the young German mathematician Johannes Kepler the only scientist among his contemporaries Tycho acknowledges - Tycho is in severe need of intelligent challenge. Which he gets and with a disastrous result for himself. The encouraging encounter with Kepler turns into Tycho's scientific and earthly death verdict. Slowly Tycho realizes that his own conception of the Earth as the indisputable axes of the Universe is shattered by Kepler s theory about Earth encircling the stationary Sun. The ancient picture of the Universe collapses Tycho feels deceived by Kepler who leaves the castle shaken by Tycho's wrath. But they meet again and reunite in a Romanza a Due at Tycho's death bed. The opera hovers above immense sadness and extreme ridicule - the cast is most peculiar indeed - so in many ways 'TYCHO' may be described at the best as a 'Tragic Operetta'

Diafora Op. 118 for String Orchestra (1973-74).

Work for 2 Part Choir with Organ Accompaniment. Danish text which has been taken from Psalm 8:1-5 John 1:14 and Joel 3:1 for each piece respectively.

Version for Accordion with Piano Reduction of Orchestral Parts.

Four Pieces Op. 78 for Violin (or Cello) & Piano by Jean Sibelius. Contents: Impromptu Romance Religioso Rigaudon

Parts for Hans Abrahamsen's String Quartet No.3 (2008). Parts for Hans Abrahamsen's String Quartet No.3 (2008).

For SATB-soli 6-part choir trombone and percussion Parts: WH31387A Choral score: WH31387C Score: WH31387 Regin Der Schmied for SATB-soli 6-part Choir Trombone and Percussion (2007) by Faroese composer Sunleif Rasmussen. Score: WH31387 Parts: WH31387A Chrous score: WH31387C

Samlet og redigeret af Christian Stentoft . Klaverarrangementer af Eyvind Lender. 35 af Stentofts kendteste sange er samlet i dette haefte krydret med fotos og historier fra samtidens og eftertidens revykunstnere. Uundvaerlig for enhver der saetter pris pa klassikere som Den lille lysegronne sang I den mellemste koje Kys hinanden Sad'n var det ikke i halvfemserne Dit hjerte er i fare Andresen og Henne om hjornet.

Exit (Utgang) for Cello Harpsichord and Organ by Norwegian composer Asbjorn Schaathun (1979/rev. 1982). Parts are available: WH31295A

Nordischer Sommer - The Summer Of The NorthNo.1 Abendstück - Evening Piece.No.2 Am Bach - On The Brook.No.3 Tanzstück - Dancing Piece.No.4 Kleine Ballade - Little Ballade.No.5 Hocbzeitsmarsch - Wedding March. Nordischer Sommer - The Summer Of The North Op.39 No.1-5 for Piano solo by Selim Palmgren. Edited and revised by Julia A. Burt No.1 Abendstuck - Evening Piece. No.2 Am Bach - On The Brook. No.3 Tanzstuck - Dancing Piece. No.4 Kleine Ballade - Little Ballade. No.5 Hocbzeitsmarsch - Wedding March.

C.E.F. Weyses Julen Har Bragt Velsignet Bud arrangeret for blandet kor SATB af Rasmus Thaarup. Tekst af B.S. Ingemann. Saertryk fra WH31098

Light Overture - A Symphonic Entertainment was composed by Poul Ruders in 2006. Commissioned by the Alabama Symphony Orchestra and Music Director and Principal Conductor Justin Brown for Alabama Power Company's 100 Year Anniversary Concert. Light Overture subtitled A Symphonic Entertainment is a short piece for symphony orchestra lasting approximately eight minutes. Light Overture is focusing on two interpretations of the word light: light as in the absence of darkness and light as in easily comprehensible in other words a piece with few or no metaphysical connotations. It is just a piece setting a festive mood as is often thecase with this sort of short concert opener . However the journey through Light Overture is not entirely happy-go-lucky. Once in a while slightly darker colours are introduced for the sake of variety and contrast. And formally the composition is quite strict: an outright Prelude and Fugue the former sliding seamlessly into the latter. The Fugue juggles not only its own tune but also picks up stuff from the Prelude. Poul Ruders May 2006 Light Overture - A Symphonic Entertainment was composed by Poul Ruders in 2006. Commissioned by the Alabama Symphony Orchestra and Music Director and Principal Conductor Justin Brown for Alabama Power Company's 100 Year Anniversary Concert. Light Overture subtitled A Symphonic Entertainment is a short piece for symphony orchestra lasting approximately eight minutes. Light Overture is focusing on two interpretations of the word light: light as in the absence of darkness and light as in easily comprehensible; in other words a piece with few or no metaphysicalconnotations. It is just a piece setting a festive mood as is often the case with this sort of short concert opener. However the journey through Light Overture is not entirely happy-go-lucky. Once in a while slightly darker colours are introduced for the sake of variety and contrast. And formally the composition is quite strict: an outright Prelude and Fugue the former sliding seamlessly into the latter. The Fugue juggles not only its own tune but also picks up stuff from the Prelude. Poul Ruders May 2006