4 Scores+CD-Work for Bass Clarinet (Contra-Bass Clarinet) Percussion Cello and Live Electronics. Commissioned by the Jyväskylä Arts Festival. Four player's scores and CD. Work for Bass Clarinet (Contra-Bass Clarinet) Percussion Cello and Live Electronics. Commissioned by the Jyväskylä Arts Festival. Four player's scores and CD.

Score available: KP30120 The composer writes: The slow choral-like music which initiates Adieu was the result of an image or almost a dream that I had. Without being able to explain why I imagined a procession of people maybe medieval munks wearing large gray mantles with Ku-Klux-Klan-like white cowls on their heads something like a funeral procession. The title Adieu is partly a comment on this funeral procession but also used because the piece is split up by three slow-ascending glissandi a kind of farewell glissandi which removes the intervening music. The first absorbing glissando is soft and removes both the slow funeral choral and the agitating figures in the firsthalf of the piece. The second glissando is given only to the cello and crawls out from the elegiac melodies in the middle part. The third and final glissando is intense and agitating and prepares the way for the end of the piece. This end primarily deals with the relationship fast - slow. This relationship is turned topsy turvy: the music gets faster and faster until it is so fast that it suddenly becomes slow so slow in fact that it is very quickly able to become extremely fast again. Score available: KP30120 The composer writes: The slow choral-like music which initiates 'Adieu' was the result of an image or almost a dream that I had. Without being able to explain why I imagined a procession of people maybe medieval munks wearing large gray mantles with Ku-Klux-Klan-like white cowls on their heads something like a funeral procession. The title Adieu is partly a comment on this funeral procession but also used because the piece is split up by three slow-ascending glissandi a kind of 'farewell glissandi' which removes the intervening music. The first absorbing glissando is soft and removes both the slow funeral choral and the agitating figures inthe first half of the piece. The second glissando is given only to the cello and crawls out from the elegiac melodies in the middle part. The third and 'final' glissando is intense and agitating and prepares the way for the end of the piece. This end primarily deals with the relationship fast - slow. This relationship is turned topsy turvy: the music gets faster and faster until it is so fast that it suddenly becomes slow so slow in fact that it is very quickly able to become extremely fast again.

This piece is part of a trilogy of compositions from Poul Ruders all dealing with Latin American rhythms and percussion instruments. The red-thread rhythm of this piece is that of the classic cuban Cha-Cha-Cha but otherwise the piece can be considered a veritable merry-go-round of exciting Latin American rhythm patterns - Sambas Baiao Calypso Mambo and so on. This piece is part of a trilogy of compositions from Poul Ruders all dealing with Latin American rhythms and percussion instruments. The red-thread rhythm of this piece is that of the classic cuban Cha-Cha-Cha but otherwise the piece can be considered a veritable merry-go-round of exciting Latin American rhythm patterns - Sambas Baiao Calypso Mambo and so on.

Sancta Maria by Bjarne Hersbo scored for Soprano Voice and Organ. Sancta Maria by Bjarne Hersbo scored for Soprano Voice and Organ.

Organ-Visby Orgelbok 12 pieces for Organ by Peter Møller. Visby Orgelbok 12 pieces for Organ by Peter Møller.

Jermiins Viser 4 59 songs by Mogens Jermiin Nissen with lyrics by Halfdan Rasmussen. Arranged for Voice and Piano/Chords. Jermiins Viser 4 59 songs by Mogens Jermiin Nissen with lyrics by Halfdan Rasmussen. Arranged for Voice and Piano/Chords.

Violin-Vi Spiller Violin 1 is a Violin tutor for beginners by Carl-Bertil Agnestig . Vi Spiller Violin 1 is a Violin tutor for beginners by Carl-Bertil Agnestig .

Overture to the Comic Opera 'Maskerade' written 1904-06. Overture to the Comic Opera 'Maskerade' written 1904-06.

For Medium Voice and Piano. Text: Frans Michael Franzén For Medium Voice and Piano. Text: Frans Michael Franzén

Scala Revyen 1924 - Regnbuen . Music by Emil Reesen Kai Normann-Andersen Laurits Howalt and C. Rydahl . Text by Carl Arctander Ludvig Brandstrup and Alfred Kjerulf. Scala Revyen 1924 - Regnbuen . Music by Emil Reesen Kai Normann-Andersen Laurits Howalt and C. Rydahl . Text by Carl Arctander Ludvig Brandstrup and Alfred Kjerulf.

Work for Violin and Chamber Orchestra here in Violin with Piano reduction dating from 1914. Work for Violin and Chamber Orchestra here in Violin with Piano reduction dating from 1914.

Work for Solo Piano dating from 1917. Work for Solo Piano dating from 1917.

Carl Nielsen is now widely celebrated as Denmark’s greatest composer particularly for his symphonies which range from late Romantic explorations to more audacious neo-classicism in the later years. In the tone poem Pan and Syrinx Nielsen began to express some of his more adventurous harmonies and timbres which he then expressed more fully and in more abstract form in his masterpiece Fifth Symphony. Nielsen had an obsession with ancient Greece and its myths and the inspiration for Pan and Syrinx is drawn from Ovid’s Metamorphoses. The story concerns the chaste nymph Syrinx who is chased by Pan to the river’s edge where the river nymphs grant her request for assistance bytransforming her into water reeds. From the reeds Pan fashioned his original set of panpipes. Nielsen’s short work expresses the natural world the conflict between the male and female forces the anxiety of chase and transformation and the unsettled ending of the tale. Nielsen frequently chose it for performance when he created a program of his own works. The Orchestral colours are original and striking and display the composer’s restless inventiveness. Carl Nielsen is now widely celebrated as Denmark’s greatest composer particularly for his symphonies which range from late Romantic explorations to more audacious neo-classicism in the later years. In the tone poem Pan and Syrinx Nielsen began to express some of his more adventurous harmonies and timbres which he then expressed more fully and in more abstract form in his masterpiece Fifth Symphony. Nielsen had an obsession with ancient Greece and its myths and the inspiration for Pan and Syrinx is drawn from Ovid’s Metamorphoses. The story concerns the chaste nymph Syrinx who is chased by Pan to the river’s edge where the river nymphs grant her request for assistance bytransforming her into water reeds. From the reeds Pan fashioned his original set of panpipes. Nielsen’s short work expresses the natural world the conflict between the male and female forces the anxiety of chase and transformation and the unsettled ending of the tale. Nielsen frequently chose it for performance when he created a program of his own works. The Orchestral colours are original and striking and display the composer’s restless inventiveness.

For Medium Voice and Piano. Text: Frans Michael Franzén For Medium Voice and Piano. Text: Frans Michael Franzén

Sibelius' Oeillet is the second piece in the 1916 Opus 85 group Five Pieces . Arranged for Solo Piano. Sibelius' Oeillet is the second piece in the 1916 Opus 85 group Five Pieces . Arranged for Solo Piano.

Work for Solo Piano dating from 1916.

Version for Piano of the work for Orchestra dating from 1920. Version for Piano of the work for Orchestra dating from 1920.

Bach inventions represent the height of melodic ingenuity and elegance of the Baroque style presenting the Keyboard-player with substantial and always satisfying technical challenges. This edition contains 15 two-part and 15 three-part inventions suitable for any Keyboard instrument. Bach inventions represent the height of melodic ingenuity and elegance of the Baroque style presenting the Keyboard-player with substantial and always satisfying technical challenges. This edition contains 15 two-part and 15 three-part inventions suitable for any Keyboard instrument.

Edvard Brink 's Saa Vil Jeg Meget Hell're Ha En Bajer from 'Under Dansk Flag eller Sommerrejsen 1921' scored for Voice and Piano. This piece incorporates text by Karl Ewert. Edvard Brink 's Saa Vil Jeg Meget Hell're Ha En Bajer from 'Under Dansk Flag eller Sommerrejsen 1921' scored for Voice and Piano. This piece incorporates text by Karl Ewert.

Kanonsang Til Kirkeåret by Ulrich Teuber - Canon songs for the ecclesiastical year Kanonsang Til Kirkeåret by Ulrich Teuber - Canon songs for the ecclesiastical year