Concertino for 12 Instruments . Arrangement of the original work for a string quartet (1920) made by Igor Stravinsky in 1952. Study score also available: WH27104B Parts are for hire: hire@ewh.dk

Franzosische Suite-The French Suites were written in 1722. But it was not until Bach biographer Johann Forkel prepared an edition in the early nineteenth century that the pieces became known by the collective title French . It is true that Bach gave each of the dance movements a French title but it was Forkel who declared that they were 'written in the French taste with an emphasis on tunefulness and consonant harmony rather than German structure and counterpoint'. The French Suites were written in 1722. But it was not until Bach biographer Johann Forkel prepared an edition in the early nineteenth century that the pieces became known by the collective title French . It is true that Bach gave each of the dance movements a French title but it was Forkel who declared that they were 'written in the French taste with an emphasis on tunefulness and consonant harmony rather than German structure and counterpoint'.

Vocal score for More Fair Than The Sun - arhus Fanfare (Concert Band Version) by Sunleif Rasmussen . Scored for Choir SATB and Concert Band. Text: Voluspa / Volvens spadom / Prophecy of the Volva. Commissioned by Fonden Aarhus 2017 for the opening of Aarhus 2017 - European Capital of Culture.

Din Tavshed (Your Silence) by the Danish composer Pelle Gudmundsen-Holmgreen scored for Soprano and Ensemble. Din Tavshed (Your Silence) by the Danish composer Pelle Gudmundsen-Holmgreen scored for Soprano and Ensemble.

Anders Nordentoft's Gospel for Clarinet in Bb and Organ (2017). Anders Nordentoft 's Gospel for Clarinet in Bb and Organ (2017). This six-minute work for clarinet and organ is a modest homage to Gospel music based on an instantly recognisable cliché. Is this sincerity or irony? Playful rather than satirical Nordentoft launches the motif on an unpretentious journey taking it for a gentle sometimes energetic stroll which allows the listener to make of it what they will and create their own narrative. Neither the clarinet nor the organ parts make demands in this easy-going work. - Organists' Review

10 Forårssange +1 af Erling Lindgren. For sang med becifret klaverakkompagnement. Sangene findes tillige i en udgave for blandet kor SATB a cappella: WH33023. Forord: Foråret er altid vellykket. Høsten kan skuffe men foråret aldrig. Når det efter vinterens kulde og mørke endelig folder sig ud med gule mælkebøtter og grønne marker og solsortefløjt i haverne kan det kun kaldes et under. Foråret overvælder os hver gang og derfor må det have en sang. Her er så en lille buket af dem som begynder med snefnuggenes sidste dans og slutter med den lyse nat hvor drøm og virkelighed mødes i øjeblikke vi får trang til at kalde evige. Først kommer ordene – og så er foråretssanseindtryk blevet til digte. Dernæst kommer tonerne – og så er forårsdigtene blevet til sange! Og på den måde kan vi i et fællesskab – om det er et sangkor eller ”blot” en flok sangglade mennesker – opleve forårets fortællinger. Og hvis ord og toner går op i en højere enhed og så at sige trækker på samme hammel – ja så kan vel både forfatter og komponist føle at arbejdet er fuldført. Og ligeledes brugerne håber vi! Den sidste i buketten (+ 1) er ikke nogen egentlig forårssang men en kærlig familiær hilsen til den egn hvor de øvrige er blevet til. Lars Busk Sørensen og Erling Lindgren (2017). 10 Forarssange +1 af Erling Lindgren. For sang med becifret klaverakkompagnement. Sangene findes tillige i en udgave for blandet kor SATB a cappella: WH33023. Forord: Foraret er altid vellykket. Hosten kan skuffe men foraret aldrig. Nar det efter vinterens kulde og morke endelig folder sig ud med gule maelkebotter og gronne marker og solsorteflojt i haverne kan det kun kaldes et under. Foraret overvaelder os hver gang og derfor ma det have en sang. Her er sa en lille buket afdem som begynder med snefnuggenes sidste dans og slutter med den lyse nat hvor drom og virkelighed modes i ojeblikke vi far trang til at kalde evige. Forst kommer ordene - og sa er forarets sanseindtryk blevet til digte. Dernaest kommer tonerne - og sa er forarsdigtene blevet til sange! Og pa den made kan vi i et faellesskab - om det er et sangkor eller blot en flok sangglade mennesker - opleve forarets fortaellinger. Og hvis ord og toner gar op i en hojere enhed og sa at sige traekker pa samme hammel - ja sa kan vel bade forfatter og komponist fole at arbejdet er fuldfort. Og ligeledes brugerne haber vi! Den sidste i buketten (+ 1) er ikke nogen egentlig forarssang men en kaerlig familiaer hilsen til den egn hvor de ovrige er blevet til. Lars Busk Sorensen og Erling Lindgren

Orchestral Version-More Fair Than The Sun - Århus Fanfare (Orchestral Version) by Sunleif Rasmussen. Scored for Choir SATB Recorder and Symphony Orchestra. Text: Völuspá / Vølvens spådom / Prophecy of the Völva. Commissioned by Fonden Aarhus 2017 for the opening of Aarhus 2017 - European Capital of Culture. More Fair Than The Sun - arhus Fanfare (Orchestral Version) by Sunleif Rasmussen . Scored for Choir SATB Recorder and Symphony Orchestra. Text: Voluspa / Volvens spadom / Prophecy of the Volva. Commissioned by Fonden Aarhus 2017 for the opening of Aarhus 2017 - European Capital of Culture.

Britta Byström's Nachtstück for Soprano Countertenor and Piano (2017). Lyrics by Johann Baptist Mayrhofer. Commissioned by Morten Grove Frandsen and Liv Oddveig Midtmageli for the project Den Moderne Romantiker. Britta Bystrom's Nachtstuck for Soprano Countertenor and Piano (2017). Lyrics by Johann Baptist Mayrhofer. Commissioned by Morten Grove Frandsen and Liv Oddveig Midtmageli for the project 'Den Moderne Romantiker'.

From Tchaikovsky's Letters for Bartione and Guitar composed by David Starobin with text by Pyotr Ilyich Tchaikovsky. From Tchaikovsky's Letters for Bartione and Guitar composed by David Starobin with text by Pyotr Ilyich Tchaikovsky.

Dansen Mellem Stjerner- Sol Moder Mane - Dansen Mellem Stjerner for Percussion af Per Norgard (2005). Fra borneteaterforestillingen Dans og Manespil af Maria Lal ander og Corona La Balance. For 1-3 arige. Manuskopi.

Musik For 13 Strygere/Music For 13 Strings was composed by Pelle Gudmundsen-Holmgreen in 2014. Musik For 13 Strygere/Music For 13 Strings was composed by Pelle Gudmundsen-Holmgreen in 2014.

Ved Solnedgang Op.46 for SATB choir and Piano. Chorus Score. Ved Solnedgang Op.46 for SATB choir and Piano. Chorus Score.

Inverno d'Amore (2016-17) by Bent Sørensen. Scored for Viola d’Amore solo and 5 players (Piano Accordion Violin Cello and Double Bass). Inverno d'Amore (2016-17) by Bent Sorensen . Scored for Viola d'Amore solo and 5 players (Piano Accordion Violin Cello and Double Bass). Written for Garth Knox & VINTERFESTSPILL. Commissioned by VINTERFESTSPILL I BERGSTADEN and supported by Norsk Kulturrad / Arts Council Norway.

Edited by Vagn Nørgaard Jens Povlsen and Jakob Faurholt. Includes 250 of the best songs. Sangbogen Greatest indeholder de 250 bedste sange fra SANGBOGEN 1-4 inden for emnerne DANSK POP·ROCK·BEAT DANSKE EVERGREENS UDENLANDSK POP·ROCK·BEAT UDENLANDSKE EVERGREENS Becifret melodilinje med underlagt tekst. Konceptet i Sangbogen Greatest er anderledes i forhold til de foregaende bind i serien da her udelukkende er tale om sange som allerede indgar i Sangbogen 1-4. Sangbogen Greatest indeholder helt nyredigerede versioner efter samme principper som i Sangbogen 4 ligeledes med fokus pa den rytmiske musik: pop rock beat og evergreens. Evergreenkategorienindeholder sange fra blandt andet operetter musical og film.

Drømte Mig En Drøm I Nat by the Danish composer Povl Hamburger arranged for Alto Recorder and SATB Choir by Michael Bojesen . This piece incorporates words by Erik Bertelsen . Drømte Mig En Drøm I Nat by the Danish composer Povl Hamburger arranged for Alto Recorder and SATB Choir by Michael Bojesen . This piece incorporates words by Erik Bertelsen .

Whispering for Recorder and Strings was composed by Bent Sørensen in 2014. Whispering for Recorder and Strings was composed by Bent Sørensen in 2014.

Den store Mester kommer [III]. Instrumentation: Voice pf . BVN368 Den store Mester kommer [III]. Instrumentation: Voice pf . BVN368

With English and Danish text. With English and Danish text.

For Solo Piano. For Solo Piano.

This pocket sized book contains Humoresques I - II Op.87 Nos.1/2 the first two of Jean Sibelius' Humoresques for Violin solo and Orchestra. This handy study score can be easily referenced. Duration 3 minutes.