Water Like A Stone for Ensemble (1996). Parts are available on hire: hire@ewh.dk

SAB-Bogen 1 - Popular European and American folksongs arranged for Mixed Choir SAB. Edited by Thomas Alvad & Svend-G Asmussen . SAB-Bogen 1 - Popular European and American folksongs arranged for Mixed Choir SAB. Edited by Thomas Alvad & Svend-G Asmussen .

From The Carl Nielsen Edition CN 00045 Incidental Music I Text: Jeppe Aakjær From The Carl Nielsen Edition CN 00045 Incidental Music I. Text: Jeppe Aakjaer.

Godmorgen Lille Land was expertly composed for TTBB a capella by Carsten Johs. Mørch with lyrics written by Niels Brunse . Godmorgen Lille Land was expertly composed for TTBB a capella by Carsten Johs. Morch with lyrics written by Niels Brunse.

Day's Nightmare' - Symphony No. 3 Op. 57 in one movement by Ib Nørholm dating from 1973. 'Day's Nightmare' - Symphony No. 3 Op. 57 in one movement by Ib Nørholm dating from 1973.

Mitternacht Mit Mignon for Piano solo was composed by Bent Sørensen in 2012. Dedicated Katrine Gislinge. Mitternacht Mit Mignon for Piano solo was composed by Bent Sorensen in 2012. Dedicated Katrine Gislinge.

Second Piano Concerto-Commissioned by Det Norske Kammerorkester (Norwegian Chamber Orchestra). 2007-2009. Bent Sorensen's La Mattina (Second Piano Concerto) 2007-2009. Commissioned by the Norwegian Chamber Orchestra.

Carl Nielsen (1865-1931) was a Danish musician often seen as his country’s greatest composer who now occupies a distinguished platform in the national and cultural heritage of his native Denmark. The Carl Nielsen Edition is an independent project which aims to publish all of his finished works in the version last approved by the composer. His Sonata No.2 for Violin and Piano (Op. 35) was composed in 1912 for a concert the following year by two of the composer's friends. It is scored in three movements: Allegro con Tiepidezza - Molto Adagio - Allegro Piacevole . Despite a poor critical reception after its first performance itwas for a while one of the composer's most popular works with the general public.

Programme Note During the composition of my tenth string quartet a flower-name høst-tidløs came to my mind - and it would not me leave again. [høsttidløs is actually autumn crocus in English but the composer prefers harvest-timeless to maintain some of the associations of the Danish flower-name red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time and I decided to tentatively stick to that title for the work-in-progress and now having finished the piece I can say that is is still a fitting title - and it stands. Enough about the title I will go on to describe themusic a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed: melodically - and in sound - it employs the naturally based overtones and undertones (perceived at major and minor respectively) and rhythmically it is based on growth on the principles of the Golden Section and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However Melos melody is definitely the dominating aspect of my STRING QUARTET NO. 10: behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet. Programme Note During the composition of my tenth string quartet a flower-name høst-tidløs came to my mind - and it would not me leave again. [høsttidløs is actually autumn crocus in English but the composer prefers harvest-timeless to maintain some of the associations of the Danish flower-name red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time and I decided to tentatively stick to that title for the work-in-progress and now having finished the piece I can say that is is still a fitting title - and it stands. Enough about the title I will go onto describe the music a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed; melodically - and in sound - it employs the naturally based overtones and undertones* (perceived at major and minor respectively) and rhythmically it is based on growth on the principles of the Golden Section and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However Melos melody is definitely the dominating aspect of my STRING QUARTET NO. 10; behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet.

For mixed voices a cappella Lyrics: Ellen Heiberg For mixed voices a cappella Lyrics: Ellen Heiberg

John Frandsen: REQUIEMStrumenti2 fl. grande1 fl. picc.2 oboi1 c. ingl.2 cl. in Bb1 cl. basso in Bb2 fagotti1 contrafag.4 corni in F3 trombe3 tromboni1 tubaarpapercussione (4 musici)Tubular bells4 chinese temple bellsTamtamCrotalesTuned gongsMarimbaGran cassaGlockenspielSnare drumLarge church bell in AThunder plateCymbals - 2Suspended cymbal2 x 5 tom-toms (in left & right side of the stage)CelestaXylophoneTringletimpaniarchiorgano Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloists (SATB) Chorus (SATB) Girl's Chorus (SSAA) and Orchestra (2010). Latin Texts and texts by Simon Grotrian. 'In memory of the victims from the Utoya massacre 22 July 2011' Commissioned by The Danish National Symphony Orchestra / DR The texts by Simon Grotrian are sung by a Rock Singer accompanied by Organ. Parts are available on hire: hire@ewh.dk Score: WH31253

Near Still Distant Still - Version 2 for Flute Viola and Harp was composed by Pelle Gudmundsen-Holmgreen in 2005. The orginal version is for Violin Horn and Piano (WH30680). Danish title: Stadig nær stadig fjern. Near Still Distant Still - Version 2 for Flute Viola and Harp was composed by Pelle Gudmundsen-Holmgreen in 2005. The orginal version is for Violin Horn and Piano (WH30680). Danish title: Stadig naer stadig fjern.

Piano Solo-Berceuse No. 2 for Piano solo was composed by Bent Sørensen in 2007. For Peter Asmussen on his 50th Birthday. Berceuse No. 2 for Piano solo was composed by Bent Sørensen in 2007. For Peter Asmussen on his 50th Birthday.

Music by Povl Hamburger with lyrics by Halfdan Rasmussen; arranged by Michael Bojesen.

All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2013 (String Quartet No.12 13 and 14 played simultaneously). Gudmundsen-Holmgreen has written a collection of three new string quartets: String Quartet no. 12 Each in Each'; String Quartet no. 13 Mutual Ordering' and String Quartet no. 14 Well-Tuned Sounds'. Each quartet can be played on its own; they can also played simultaneously in any combination. When all three quartets are played together as they are tonight the combined work is titled All in One. About this collection Gudmundsen-Holmgreenwrites: 'Some years ago Kronos and the vocal group Theatre of Voices performed three new pieces which I had written for the two groups: one for Theatre of Voices (Green) and two for Kronos (New Ground and No Ground). They were played and sung by each group independently - but also both groups together concurrently on top of each other as a final gesture. The combined pieces were called New Ground Green and No Ground Green. 'David liked the idea (and the result) of pairs of quartets that could be played both independently and simultaneously and asked me if the vocal quartet could be transformed into a string quartet. It could not. He then asked me to repeat the whole set-up with a new pair of quartets adding also some percussion instruments as was the case with Green for Theatre of Voices. Of course this was tempting. Furthermore David asked me to make one of the two new quartets a little easier to play. 'I began to work. The Kronos part of the pair of quartets turned out to be tough to play as David puts it. Unfortunately the easier' one was tough to play also! So I had to write one more which was then a little easier still (but still not easy). 'The three new works can be played separately and on top of each other in many different combinations resulting in different kinds of

Holiday Snapshots - 35 Miniatures For Piano Solo-Feriedage (Holiday Snapshots) - 35 Miniatures For Piano Solo by Matti Borg. Feriedage (Holiday Snapshots) - 35 Miniatures For Piano Solo by Matti Borg.

Work dating from 2000 for Accordion Solo. Work dating from 2000 for Accordion Solo.

Alverden God Nat is strong but beautiful opera composed by Peter Bruun . Alverden God Nat (2013) - An Opera by Peter Bruun. Commissioned by the FIGURA Ensemble.

Organisazione Populare Nr.1 Op. 349 was composed by Niels Viggo Bentzon . Organisazione Populare Nr.1 Op. 349 for Organ solo by Niels Viggo Bentzon. Manuscript copy.

Commedia - Symphony No.4 Op.93 was composed by Jouni Kaipainen in 2010. Scored for Baritone and Soprano soloists Male Choir TTBB and Organ. Text by Dante. Commedia - Symphony No.4 Op.93 was composed by Jouni Kaipainen in 2010. Scored for Baritone and Soprano soloists Male Choir TTBB and Organ. Text by Dante.