This is the 2013 version (reduced strings) of Per Nørgård's Remembering Child - Viola concerto No. 1 (1986) - Two Movements for Viola Solo (or Cello solo) and Chamber Orchestra. Programme Note: The title refers to the original meaning of the word remembering: Making whole. The work should not be considered as a sort of requiem for Samantha Smith - the late 13 years old fighter for nuclear disarmament - but as an evocation of the childish creative forces in all people young and old. Therefore the work applies thematic material of a certain dawning quality including two Gregorian chants appearing intertwined in the beginning of the 2. movement. And therefore the workalso may be considered as a tribute to the still living child-heretics fighting against the global lunacy of grown-up such as Eamon Burke the Australian boy continuing independently the work of Samantha. REMBERING CHILD was commissioned by St. Paul Chamber Ochestra and dedicated to Pincas Zuckerman soloist at the premiere performance (Sept. 12 1986). Per Nørgård This is the 2013 version (reduced strings) of Per Norgard 's Remembering Child - Viola concerto No. 1 (1986) - Two Movements for Viola Solo (or Cello solo) and Chamber Orchestra. Programme Note: The title refers to the original meaning of the word 'remembering': Making whole. The work should not be considered as a sort of requiem for Samantha Smith - the late 13 years old fighter for nuclear disarmament - but as an evocation of the childish creative forces in all people young and old. Therefore the work applies thematic material of a certain 'dawning' quality includingtwo Gregorian chants appearing intertwined in the beginning of the 2. movement. And therefore the work also may be considered as a tribute to the still living child-heretics fighting against the global lunacy of grown-up such as Eamon Burke the Australian boy continuing independently the work of Samantha. REMBERING CHILD was commissioned by St. Paul Chamber Ochestra and dedicated to Pincas Zuckerman soloist at the premiere performance (Sept. 12 1986). Per Norgard

Niels Viggo Bentzon: Alleluja for Sopran Og Orgel is a piece for Soprano Voice and accompanying Organ. This piece has been expertly composed by Niels Viggo Bentzon . Alleluja for Sopran Og Orgel Op. 135 is a piece for Soprano Voice and accompanying Organ. This piece has been expertly composed by Niels Viggo Bentzon . Manuscript copy.

Scherzo (2001) for Marimba Violin Viola Cello and Tuba by Anders Koppel (2001). Scherzo (2001) for Marimba Violin Viola Cello and Tuba by Anders Koppel (2001).

I Greet You A Thousand Times for amplified orchestra with video projection audio playback sampler and lighting (2005). Video by Joachim Koester. I Greet You A Thousand Times was commissioned by Odense Symphony Orchestra.

Work for Organ dating from 1988. Work for Organ dating from 1988.

Dar Es Saalem Op.331 was expertly composed by Danish composer Niels Viggo Bentzon for Violin and Piano. Dar Es Saalem Op.331 was expertly composed by Danish composer Niels Viggo Bentzon for Violin and Piano.

The full score for the 1998 work Blæs På Odysseus by Danish composer Pelle Gudmundsen-Holmgreen written for SATB chorus with 6 Trombones and Percussion. The full score for the 1998 work Blæs På Odysseus by Danish composer Pelle Gudmundsen-Holmgreen written for SATB chorus with 6 Trombones and Percussion.

Den Blå Kanin er en mini-musical af Gerda Eggli og Jørgen Wedege . Medvirkende: Børn fra Helsingør Lille Skole 1970. Den Blå Kanin er en mini-musical af Gerda Eggli og Jørgen Wedege . Medvirkende: Børn fra Helsingør Lille Skole 1970.

2006for Overtone Singer and String QuartetEnsembleOvertone Singer (Chanter)(this part may be performed by the Viola Player from the String Quartetor by a Singer alone ad lib.)Violin 1Violin 2Viola(the Viola player also performing the Overtone singing part ad lib.)Violoncello Only The Wind (2006) for Overtone Singer and String Quartet by Soren Nils Eichberg . The Ovetone Singer part part may be performed by the Viola Player from the String Quartet or by a singer alone ad lib. Parts are available: WH31535A

Parts for Sonatine for Wind Quintet by Anders Koppel . Dedicated to the Danish Wind Quintet. Programme note: My Sonatina for wind quintet was written in January 2002. The three movements of the work (Moderato Andante Sostenuto and Allegro con brio) are very much based in both structure and idiom on the classical tradition and gesture - the transformations in the first movement everything kept in place in a tight classical form. The wind quintet’s many commedia dell’arte masks are presented with humour and the work recalls works from musical history where composers have been inspired by spontaneous popular gaiety. Anders Koppel 2003Parts for Sonatine for Wind Quintet by Anders Koppel . Dedicated to the Danish Wind Quintet. Programme note: My Sonatina for wind quintet was written in January 2002. The three movements of the work (Moderato Andante Sostenuto and Allegro con brio) are very much based in both structure and idiom on the classical tradition and gesture - the transformations in the first movement everything kept in place in a tight classical form. The wind quintet’s many commedia dell’arte masks are presented with humour and the work recalls works from musical history where composers have been inspired by spontaneous popular gaiety. AndersKoppel 2003

Stadier / Stadia / Stages - Three small inventions for Piano by Per Nørgård dating from 2002. Dedicated to Ane Dorthe Roel. Stadier / Stadia / Stages - Three small inventions for Piano by Per Norgard dating from 2002. Dedicated to Ane Dorthe Roel.

Pelle Gudmundsen-Holmgreen's Symphony for Orchestra.

1999-For mezzo clarinet harp percussion and cello. Text by William Heinesen Score: WH31383 Set of parts for Sunleif Rasmussen 's Arktis (1999) for Mezzo-Soprano Clarinet Harp Percussion and Cello. Text by William Heinesen . Score: WH31383

The Old Chevalier (2005) - A Gothic Tale for Bass Trombone and Ensemble . Piano reduction: WH30854 Version for Tenor Trombone available: WH30941 Programme note The Old Chevalier for Trombone and Ensemble is the second of a series of seven compositions named after Karen Blixen 's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themesand motivs from one piece appears in others in new and surprising shapes and combinations. Karen Blixens The Old Chevalier begins with an old man talking to a youth about obl igation and passion. The old man tells a story about a beautiful woman who wanted tomake her husband jealous and cheated on him with a young man who admired him. After discovering the truth the young man meets a prostitute on her very first job. The girl is an innocent trading favors for shelter. The young man falls in love but she remains oblivious to his passion. She leaves after their encounter without emotional involvement. Many years later the young man - the old man telling the tale - recognizes the girl in a beautifulskull he's holding in his hand. The Old Chevalier isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression... except one might say that the trombone makes love to the piano and at the very end - just like the old man in the story is left contemplating its remains. The piece is written for the trombonist Jens Vind.

Dem Licht Entgegen for Saxophone and Orchestra was composed by Sunleif Rasmussen in 2001. Programnote: Mit samarbejde med Jeanette Ballands straekker sig helt tilbage til begyndelsen af halvfemserne. Hun havde dengang en duo med slagvaerkspilleren Christian Utke. De bestilte et vaerk for Saxofon og slagtoj kaldet 'From the Sea's Garden'. Dette vaerk havde de meget succes med at spille og det blev godt modtaget af publikum. Sa da jeg blev hovednavn pa Musikhost i Odense i 2001 besluttede jeg at skrive en Saxofonkoncert til Jeanette. Jeg havde erfaret at hun i ensjaelden grad var i stand til at mestre Baryton Tenor Alt og Sopran saxofonerne med lige stor virtuositet og dette er en sjaeldenhed for en saxofonspiller. Hun saetter ogsa meget hoje krav til sig selv som musiker og er derfor altid i stand til at lose en musikalsk opgave pa hojeste plan. (Sunleif Rasmussen) Vaerkbeskrivelse: Koncerten begynder som et vulkansk udbrud. Orkester og solist buldrer frem som fra en mork og stenet undergrund og bevaeger sig i en naesten konstant bevaegelse frem mod lyset. Gennem de fire satser far solisten muligheden for at udfolde alle sider af sit instrument - eller rettere: sine instrumenter: et sted folder en laengselsfuldt naervaerende melodi sig langsomt ud et andet hamrer musikken lynende virtuost afsted og alt fra de store saxofoners tyngde til de mindre instrumenters lethed og fleksibilitet far lov at fremtraede engagerende og vedkommende. Det er musik der med farverige klange og stor diversitet og livlighed er bade imodekommende og intens.

For ensembleDuration: 8 MinutesOrchestration: 1010/0000/perc/pf/str 1.1.1.1.1Parts are for hire: hire@ewh.dk A Quiet Place for Ensemble by Henrik Hellstenius (2008).

Jouni Kaipainen's Sonata for 2 Violins Op. 94 dating from 2011. Dedicated to Minna Pensola and Antti Tikkanen. Player's score.

Set of parts for Together Apart/Apart Together for Saxophone Accordion and Double Bass by Karsten Fundal (2004). Written for and commissioned by Poing. Set of parts for Together Apart/Apart Together for Saxophone Accordion and Double Bass by Karsten Fundal (2004). Written for and commissioned by Poing.

For 8-Part Chorus with Piano Reduction of Instrumental Parts. For 8-Part Chorus with Piano Reduction of Instrumental Parts.

Bent Lorentzen's Tristan Und Die Konigin - Version for Mezzo-Soprano & Ensemble. Aria from the Opera 'Eine wundersame Liebesgeschichte'. Text by Gottfried von Strassburg.