Work for Accordion and Orchestra.

For Cornet Trumpet in Eb Horn in F Tenorhorn in Bb and Tuba. For Cornet Trumpet in Eb Horn in F Tenorhorn in Bb and Tuba.

There are 4 versions: Flute and organ WH31848 Oboe and piano WH31849 Clarinet and piano WH31850 Oboe and organ KP00674 Niels Rosing-Schow's Twining dating from 1997 - Version For Clarinet and Piano. There are 4 versions: Flute and Organ WH31848 Oboe and Piano WH31849 Clarinet and Piano WH31850 Oboe and Organ KP00674

For choir and ensemble. For choir and ensemble.

Set of parts for Nacht Und Trä ume by Per Nørgård (2005). Set of parts for Nacht Und Träume by Per Norgard (2005).

Parts available = WH31374A Sunleif Rasmussen's Sunshine And Shadows (2000) for String Quartet. Parts available = WH31374A

Rosette Op.41 - '3 vekselsange' for Soprano Tenor and Piano by Vagn Holmboe composed 1946 / rev. 1980. Text: Frederic Mistral (trans. by Johannes Jorgensen).

Time Is A River Without Banks (Chagall says...) - Passage for violin mirror and electroacoustical equipment (1970).

Danish songs - Danske Sange gathers the core repertoire in the Danish song tradition. It covers the Danish song from ballads to the traditional Danish songs till Danish pop and rock. It's all the well known songs and song we'll never get tired of singing. Not just because the songs are Danish but because of the wonderful melodies and lyrics have a special quality and speaks to the heart . The songs are annotated to include origin historical and cultural background. In this way there is also the opportunity to learn more about the context in which the songs were originally written. Edited by Inge Marstal and Kaj Nørholm. 'Danish songs' - Danske Sange gathers the core repertoire in the Danish song tradition. It covers the Danish song from ballads to the traditional Danish songs till Danish pop and rock. It's all the well known songs and song we'll never get tired of singing. Not just because the songs are Danish but because of the wonderful melodies and lyrics have a special quality and speaks to the heart . The songs are annotated to include origin historical and cultural background. In this way there is also the opportunity to learn more about the context in which the songs were originally written. Edited by Inge Marstal and Kaj Norholm.

INSTRUMENTATIONSOLOVIOLIN6 VIOLIN I (4. and 5. also suspended finger cymbal)4 VIOLIN II(3. and 4. also suspended finger cymbal)4 VIOLA4 CELLI2 DOUBLE BASS(2. with C string attachment)PERCUSSION3 woodblocks1 guiro2 sandpaper blocks3 metal bars6 suspended metals (windchimes fingercymbals etc.)3 tuned gongs ( #1 e1 c1 Bb) Vibraphone Tubular bells2 bongos1 conga2 tomsGrand Cassa score in C durata: ca 20 minutes Henrik Hellstenius: In Memoriam - Violin Concerto No. 2 (2012) - for Violin solo String Orchestra and Percussion. Orch. parts are available on hire: hire@ewh.dk

For SSAATBBBB Choir and Bells. For SSAATBBBB Choir and Bells.

POD-Musikbogen by Linda Lehun. Pa en enkel og overskuelig made praesenterer Musikbogen en raekke grundlaeggende temaer og begreber inden for musikteori og -historie: Nodesystemet tonearter symfoniorkesteret musikhistoriske perioder og markante komponister. Bogen suppleres desuden af ekstra materiale i form af plancher spillekort og en cd med de seks sange der er skrevet specielt til bogen (det supplerende materiale kobes separat: WH31204).

5 Sange for lige stemmer af Vagn Norgard med tekster af Poul Feldvoss. Arrangeret til DR Radiopigekoret. Version for blandet kor: WH30545

Tears for Accordion solo by Bent Lorentzen. Dedicated to Geir Draugsvoll. Edited by Mogens Ellegaard and Geir Draugsvoll.

Aubade Beninoise Op. 86b - Ouverture for Small Orchestra by Jouni Kaipainen (2008-09). Reduced version: WH31092

Work for Guitar Solo. Work for Guitar Solo.

Ruders writes: There's a solid tradition in the history of Western music of turning the theme of Nicolo Paganini's 24th Caprice for soloviolin into a set of variations endemic to the time and style of each individual composer Liszt Brahms Rachmaninov and Lutoslawsky being the most prominent names. When asked by David Starobin to write a concerto for him I though well why not have a go at it? - bearing in mind that not only is Paganini the most celebrated violin-wizard of all times but he was also a more than accomplished guitarist. There are 22 variations in all numbers 1 to 16 all adhering strictly to the 16-bar pattern laid down by Paganini himself. From variation17 though the writing becomes more symphonic and the rigid 16-bar regime is being lossendes up a bit. However the last variation 'Finale Prestisimo' is a 6 x 16 bars white-knuckle ride in which the hitherto soloistic role of the guitar gives way to that of 'primus interpares' i.e. 'first among equals'. As with another set of variations of mine 'Concerto on Pieces' (based on a tune by Purcell) the nature and shape of the 'Pagannini-Variations' may be compared to a stroll through a hall of mirrors: the portrait - the theme is gradually being distorted out of all recognition - but it's still the same original walking by. Ruders writes: There's a solid tradition in the history of Western music of turning the theme of Nicolo Paganini's '24th Caprice' for soloviolin into a set of variations endemic to the time and style of each individual composer; Liszt Brahms Rachmaninov and Lutoslawsky being the most prominent names. When asked by David Starobin to write a concerto for him I though 'well why not have a go at it?' - bearing in mind that not only is Paganini the most celebrated violin-wizard of all times but he was also a more than accomplished guitarist. There are 22 variations in all numbers 1 to 16 all adhering strictly to the 16-bar pattern laid down by Paganini himself. From variation17 though the writing becomes more symphonic and the rigid 16-bar regime is being lossendes up a bit. However the last variation 'Finale Prestisimo' is a 6 x 16 bars 'white-knuckle ride' in which the hitherto soloistic role of the guitar gives way to that of 'primus interpares' i.e. 'first among equals'. As with another set of variations of mine 'Concerto on Pieces' (based on a tune by Purcell) the nature and shape of the 'Pagannini-Variations' may be compared to a stroll through a hall of mirrors: the 'portrait' - the theme is gradually being distorted out of all recognition - but it's still the same 'original' walking by.

Haeftet indeholder 10 kendte filmmelodier i becifrede klaverarrangementer og henvender sig til dem der har spillet klaver et stykke tid. Du far bl.a. To be or not to be Er du dus med himlens fugle Lad os flyve til en stjerne Den allersidste dans Lille Froken Himmelbla og Hvorfor er lykken sa lunefuld .

Stemmesaet til Gabriel Og Maria af John Hoybye . Juleoratorium for blandet kor (SATB) recitator soli flojte orgel klaver og bas (trommer/percussion ad lib.). Partitur: WH31081 Korpartitur: WH31081B Tekster af Britt G. Hallqvist.

Kantate Til Jul - Christmas Cantata for Soprano SATB Choir and Organ by Søren Birch (2008). Full score available: WH31565 Version for SOP/SSA/SATB/ORG: WH31076 Kantate Til Jul - Christmas Cantata for Soprano SATB Choir and Organ by Soren Birch (2008). Full score available: WH31565. Version for SOP/SSA/SATB/ORG: WH31076