Réduction pour piano & chant-Francis Poulenc's 6 movement Gloria for Soprano and Mixed Choir with a Piano reduction of the original orchestral material. Francis Poulenc's 6 movement Gloria for Soprano and Mixed Choir with a Piano reduction of the original orchestral material.

Pour Choeur Mixte A Cappella-In 1936 attempting to overcome his reputation for musical flippancy Poulenc began studying the motets of Montverdi with Nadia Boulanger. Around the same time his close friend and contemporary Pierre Octave Ferroud had died. Amidst this personal crisis Poulenc was led back to the Catholicism of his youth and this confluence of spiritual and musical interests led him to compose the Messe en Sol Majeur (Mass in G) . Available here is the vocal score for SATB Choir a cappella.In 1936 attempting to overcome his reputation for musical flippancy Poulenc began studying the motets of Montverdi with Nadia Boulanger. Around the same time his close friend and contemporary Pierre Octave Ferroud had died. Amidst this personal crisis Poulenc was led back to the Catholicism of his youth and this confluence of spiritual and musical interests led him to compose the Messe en Sol Majeur (Mass in G) . Available here is the vocal score for SATB Choir a cappella.

Study Edition Commented By Alfred Cortot - Score-Twelve studies for Piano by Frederic Chopin in an authoritative Critical Study Editon edited and commented by Alfred Cortot. This English language version translated by M. Parkinson.

Frederic Mompou's Suite Compostelana written for guitarist Andre Segovia in 1962 (Segovia revised the piece in 1963) is one of only a handful of instrumental works he wrote for instruments other than the Piano. Frederic Mompou's Suite Compostelana written for guitarist Andre Segovia in 1962 (Segovia revised the piece in 1963) is one of only a handful of instrumental works he wrote for instruments other than the Piano.

The Piano reduction of Georges Auric's ballet Les Facheux .

Motet Pour Les Fêtes Solennelles-In 1936 Poulenc began creating the more sombre austere tones of religion after returning to his Catholic faith including Exultate Deo a motet for SATB a cappella. Poulenc’s setting of the Psalm 81 Exultate Deo ‘Sing aloud unto the Lord’ is both reverent and vivid and his harmonic tricks are used to dramatic ends. In 1936 Poulenc began creating the more sombre austere tones of religion after returning to his Catholic faith including Exultate Deo a motet for SATB a cappella. Poulenc’s setting of the Psalm 81 Exultate Deo ‘Sing aloud unto the Lord’ is both reverent and vivid and his harmonic tricks are used to dramatic ends.

Réduction pour chant & piano-The vocal score of Francis Poulencs Stabat Mater setting originally composed in 1950 for soprano solo mixed chorus and orchestra. This edition features a Piano reduction of the orchestral material. The vocal score of Francis Poulenc's Stabat Mater setting originally composed in 1950 for soprano solo mixed chorus and orchestra. This edition features a Piano reduction of the orchestral material.

Pour Choeur D'Hommes A Cappella-Scored for a cappella men’s choir (TTBB) Poulenc’s Quatre Petites Prieres de St Francois d’Assise were composed for and dedicated to the monastery choir at Champfleury (and in particular a certain monk there named Frere Jerome who happened to be the composer’s great-nephew). With the use of archaic textures of plainchant and Poulenc’s own harmonic colourings these four pieces create a unique reverence and solemnity.

For SATB a cappella. Second extract from Quatre Motets pour le temps de Noël .

Pour Violon Seul-Arthur Honegger's four movement Sonata for Solo Violin with fingerings by Ginette Neveu.

The second volume of Francis Poulenc's Douze Melodies (Twelve Melodies) for medium voice and piano.

Réduction pour piano & chant-Francis Poulenc's 6 movement Gloria for Soprano and Mixed Choir with a Piano reduction of the original orchestral material. Francis Poulenc's 6 movement Gloria for Soprano and Mixed Choir with a Piano reduction of the original orchestral material.

Pour Choeur Mixte A Cappella-In 1936 attempting to overcome his reputation for musical flippancy Poulenc began studying the motets of Montverdi with Nadia Boulanger. Around the same time his close friend and contemporary Pierre Octave Ferroud had died. Amidst this personal crisis Poulenc was led back to the Catholicism of his youth and this confluence of spiritual and musical interests led him to compose the Messe en Sol Majeur (Mass in G) . Available here is the vocal score for SATB Choir a cappella.In 1936 attempting to overcome his reputation for musical flippancy Poulenc began studying the motets of Montverdi with Nadia Boulanger. Around the same time his close friend and contemporary Pierre Octave Ferroud had died. Amidst this personal crisis Poulenc was led back to the Catholicism of his youth and this confluence of spiritual and musical interests led him to compose the Messe en Sol Majeur (Mass in G) . Available here is the vocal score for SATB Choir a cappella.

Study Edition Commented By Alfred Cortot - Score-Twelve studies for Piano by Frederic Chopin in an authoritative Critical Study Editon edited and commented by Alfred Cortot. This English language version translated by M. Parkinson.

Frederic Mompou's Suite Compostelana written for guitarist Andre Segovia in 1962 (Segovia revised the piece in 1963) is one of only a handful of instrumental works he wrote for instruments other than the Piano. Frederic Mompou's Suite Compostelana written for guitarist Andre Segovia in 1962 (Segovia revised the piece in 1963) is one of only a handful of instrumental works he wrote for instruments other than the Piano.

The Piano reduction of Georges Auric's ballet Les Facheux .

Motet Pour Les Fêtes Solennelles-In 1936 Poulenc began creating the more sombre austere tones of religion after returning to his Catholic faith including Exultate Deo a motet for SATB a cappella. Poulenc’s setting of the Psalm 81 Exultate Deo ‘Sing aloud unto the Lord’ is both reverent and vivid and his harmonic tricks are used to dramatic ends. In 1936 Poulenc began creating the more sombre austere tones of religion after returning to his Catholic faith including Exultate Deo a motet for SATB a cappella. Poulenc’s setting of the Psalm 81 Exultate Deo ‘Sing aloud unto the Lord’ is both reverent and vivid and his harmonic tricks are used to dramatic ends.

Réduction pour chant & piano-The vocal score of Francis Poulencs Stabat Mater setting originally composed in 1950 for soprano solo mixed chorus and orchestra. This edition features a Piano reduction of the orchestral material. The vocal score of Francis Poulenc's Stabat Mater setting originally composed in 1950 for soprano solo mixed chorus and orchestra. This edition features a Piano reduction of the orchestral material.

Pour Choeur D'Hommes A Cappella-Scored for a cappella men’s choir (TTBB) Poulenc’s Quatre Petites Prieres de St Francois d’Assise were composed for and dedicated to the monastery choir at Champfleury (and in particular a certain monk there named Frere Jerome who happened to be the composer’s great-nephew). With the use of archaic textures of plainchant and Poulenc’s own harmonic colourings these four pieces create a unique reverence and solemnity.

For SATB a cappella. Second extract from Quatre Motets pour le temps de Noël .