Arranged for female voice trio (SSA) with piano accompaniment.

With The Swallow-Eva Dell’ Acqua the composer of Villanelle was also the composer of opera and stage piece as well as many works for Orchestra chamber Orchestra and Voice and Piano. Her late Romantic style perfectly suits the pastorally themedvillanelle by Frédéric vander Elst.For the singer the long cadenza sections offer excellent scope for display of Vocal virtuosity.

Written in 1939 the English patriotic song There'll Always Be An England by Ross Parker and Hugh Charles became highly popular during the Second World War. This arrangement is for SSAwith Piano accompaniment.

Book 2 Bwv 889- J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different keyboard instruments. He utilised this knowledge when composing his two volumes of The Well-Tempered Clavier (1722 and 1742) each a collection of 24 Preludes and Fugues in which heexplored the different harmonies of every key. Prelude And Fugue In A Major BMV 889 is No. 20 from Book Two of the Clavier . It is written in a typical Baroque form. This popular edition from thehighly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the best edition available for students today.

A song for unison voices and piano accompaniment using words by Patrick Barrington.

Arranged from a Scottish melody by Henry Geehl for 2-part choir and piano.

When To The Temple Mary Went' scored for mixed voice choir SATB with piano accompaniment.

Version for Voice and Piano.

For Voice and Piano in the key of F.

For SSA Choir and Piano.

Arranged for SSA Choir and Piano by Henry Geehl.

Arranged for SATB with optional accompaniment. Words by Herrick.

Arranged by Henry Geehl for SA chorus and piano accompaniment. Words by Kay Foster.

Si Mes Vers Avaient Des Ailes!-Arranged for 2-Part Choir and Piano by Henry Geehl.

Organ work dating from 1956 based on 'Lobet den Herren'.

Taken from the original collection Songs Of A Roving Celt this is Stanford's setting of a folk text by Murdoch Maclean for Voice and Piano.