Choir Rocks! You Can't Always Get What You Want is an upbeat arrangement of The Rolling Stones' classic song from their 1969 album Let It Bleed. The original song which featured the London Bach Choir has become an abiding hymn for our time. An ideal choice for school and community choir this arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includeschord symbols.

Andrew Clements of the Guardian newspaper says 'Maw is a composer who has been at pains to remake connections with the late-romantic tradition and Odyssey is a convincing reassertion of its continuing relevance a demonstration that long-range harmonic thinking and thematic development can be still potent resources for the right composer. . .the five-part structure of the work holds together more eloquently than one could possibly imagine; at times the musical language is close to early Berg at others it recalls the English tradition of the same period. It is a tapestry of long-limbed melodies pregnant with thematic possiblities and often punctuated with timpani motifs magical horn solos suspended in space massive climaxes crowned by flaring trumpets lush minutely detailed string writing and intricate webs of woodwind tracery'

Composed for one of the world’s leading saxophonists John Harle on the occasion of his sixtieth birthday Charlie’s Flea Circus is a delightful 5-minute work for saxophone and piano by Carl Davis. Taking in waltzes and mazurkas this characterful and witty work makes a wonderful addition to the repertoire and is presented here in a versions for alto saxophone and piano or alto doubling sopranino saxophone and piano. Composed for one of the world's leading saxophonists John Harle on the occasion of his sixtieth birthday Charlie's Flea Circus is a delightful 5-minute work for saxophone and piano by Carl Davis. Taking in waltzes and mazurkas this characterful and witty work makes a wonderful addition to the repertoire and is presented here in a versions for alto saxophone and piano or alto doubling sopranino saxophone and piano.

Muse The Easy Piano Songbook contains 23 great Muse songs specially arranged for the intermediate pianist (grades 3 to 5) including Starlight Feeling Good and Uprising. Muse: The Easy Piano Songbook contains 23 great Muse songs specially arranged for the intermediate pianist. British rock royalty Muse are renowned for their epic style merging genres from rock to glam with a little bit of electronica thrown in for good measure. Now you can buy the first ever collection of the best Muse songs made easier for the intermediate level pianist. Featuring massive hits spanning their career to date including Plug In Baby Supermassive Black Hole Muscle Museum and Uprising all arranged for Piano solo with lyrics and Guitar chords. This artist-approved songbook also features acollection of live shots of the band from their 2012/13 tours. Makes ideal alternative repertoire for rock and pop examinations at grades 3 4 and 5.

An Opera in Three Acts-Adès’s third opera The Exterminating Angel premiered at the Salzburg Festival in July 2016. Based on Luis Buñuel’s surrealist classic El ángel exterminador the opera sees a collection of society’s grandees inexplicably trapped in a room. The libretto adapted from the original Buñuel-Alcoriza screenplay by the composer together with the director Tom Cairns brilliantly captures their descent into anarchy. Featuring a jaw-dropping 15 principals (who remain on stage for the majority of the piece) The Exterminating Angel is a true ensemble opera and the skill with which Adès delineates the many intricacies and undercurrents present over its densely-packed span (just under twohours plus interval) is breathtaking. Like the shipwrecked characters of The Tempest the cast of this new opera are held in a state of entrapment and dramatic stasis. Like the glittering high-society world of Powder Her Face the dinner party guests are denizens of a nightmarish world of aristocratic pretension. Adès’s third opera The Exterminating Angel premiered at the Salzburg Festival in July 2016. Based on Luis Buñuel’s surrealist classic El ángel exterminador the opera sees a collection of society’s grandees inexplicably trapped in a room. The libretto adapted from the original Buñuel-Alcoriza screenplay by the composer together with the director Tom Cairns brilliantly captures their descent into anarchy. Featuring a jaw-dropping 15 principals (who remain on stage for the majority of the piece) The Exterminating Angel is a true ensemble opera and the skill with which Adès delineates the many intricacies and undercurrents present over itsdensely-packed span (just under two hours plus interval) is breathtaking. Like the shipwrecked characters of The Tempest the cast of this new opera are held in a state of entrapment and dramatic stasis. Like the glittering high-society world of Powder Her Face the dinner party guests are denizens of a nightmarish world of aristocratic pretension.

Thomas Adès’s second work for string quartet The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement Days is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour the glittering finale which swings and dances in the unusual time signature of 25/16. Thomas Adès’s second work for string quartet The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement Days is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour the glittering finale which swings and dances in the unusual time signature of 25/16.

SATB divisi a cappella-From the Cantiones sacrae of 1575 this reflective Renaissance motet displays the choral art of Thomas Tallis through long sustained phrases chromaticism and striking dissonances. Ideal for madrigal groups and advanced ensembles. Available: SATB.

Technique Flies High! is an exciting book of new performance studies for the intermediate to advanced level of violinist. In using baroque romantic contemporary and folk styles these studies makes these studies ideal for unaacompanied concert repertoire. The book includes practice and performance tips to guide the student and outlines the technical and musical goals. The grade standard is approximately 6-8.

Benjamin Britten wrote his 'String Quartet in F' in April 1928 shortly after he began lessons with Frank Bridge. He was fourteen at the time and it is thought that this piece was set as a homework exercise by this new teacher.This study score is in four parts.

To some the tragic story of the Penlee lifeboat Solomon Browne would need no introduction and to some the pain felt is still very much a reality. The composer born just a few weeks before that fateful night on the 19th December 1981 has created this work as a musical homage to the bravery of the souls who lost their lives and has dedicated it to their memory. Penlee was commissioned by the Cornwall Youth Brass Band using funds bequeathed by Michael Pickett. The first performance was given by the Cornish Youth Brass Band conducted by Ian Porthouse at St. Michael's Church Newquay on 30th December 2008. Penlee has been voted into the Classic FM Hall of Fame 2011 at No.106. Not only is it the first time a brass work has been featured in the Hall of Fame but it was also the highest new entry. The work has subsequently been recorded by the Leyland Band conducted by Jason Katsikaris on the CD entitled Penlee . Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 13 minutes

Eight of their Greatest Songs-Take over from Duff McKagen and be the Bassist for Guns N' Roses. Containing eight of their biggest songs this book includes specially recorded sound-alike CD with full performance demonstrations by Neil Williams and backing tracks to play and sing along to. Transcribed from the original recordings for Bass Guitar in standard notation and tablature with melody line and chord symbols.

French Romantic Repertoire' introduces the pianist to a fascinating world of charm and sophistication; a music distinguished by its balance of logic and clarity with emotion. Here the piano works of the country’s great masters including Debussy Delibes Massenet Franck and Saint-Saëns are brought together with lesser-known composers such as Godard Alkan and Chausson. Meticulously selected and edited these books range from intermediate to moderately difficult. Stephen Coombs has established an enviable reputation as a player of romantic piano music; his numerous recordings for Hyperion records have been met with terrific acclaim. Also edited by Stephen Coombs are the two volumes of Russian Romantic Repertoire. French Romantic Repertoire introduces the pianist to a fascinating world of charm and sophistication; a music distinguished by its balance of logic and clarity with emotion. Here piano works of France's great masters including Debussy Delibes Massenet Franck and Saint-Saëns are brought together with lesser-known composers such as Godard Alkan and Chausson. Meticulously selected and edited these books range from intermediate to moderately difficult. Stephen Coombs has established an enviable reputation as a player of romantic piano music and his numerous recordings for Hyperion records have been met with terrific acclaim.

Piano/vocal arrangement for this classic song. Includes guitar chord symbols and full lyrics.

Better known in the UK as Harry Potter and the Philosopher's Stone this is the first of JK Rowling's Harry Potter novels - the seven-part tale of Harry Potter's training as a wizard and his coming of age. This arrangement by Steve Sykes includes some of the best-known themes from the film score. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 8 minutes

Vocal and Piano reduction of the classic musical from Stephen Sondheim and George Furth that was first performed in 1970. Set in New York Company deals with adult problems in an adult city and the twists and turns in the life of a young middle-class New Yorker.

The Victorian Music Hall era yielded some of the most enduring popular songs ever. Jonathan Rathbone's brilliant arrangements perfectly capture the inimitable style of the period bringing this repertoire into the realm of today's mixed-voice choirs. Ideal for use in programmes and musical evenings with a Victorian theme as popular items within any choral concert or simply as evergreen encores.

'The Keystone Kops' was a series of silent comedies featuring an incompetent group of policemen. They first appeared in the 1912 film Hoffmeyer's Legacy but it was the 1913 feature The Bangville Police that confirmed their popularity. 'The Keystone Kops' were renowned for making mistakes particularly with a great deal of energy and activity and all done with a major lack of coordination. Carl Davis's 3 minute tour de force is a fine encore piece!

Expand your musical scope and your performance repertoire in new worlds of expression with a special selection of 14 contemporary works all written by some of today's celebrated composers. Here's your chance to learn some music by real living composers - not just those only known by their surnames who dies long ago! The musical styles are diverse and exciting from elements of ragtime and dance to a sombre and gently sad melody and each piece features a full Piano accompaniment. ...Perhaps you might even be inspired to start composing some new music of your own!

The unparalleled teen rock opera which catapulted singer Meat Loaf and composer Jim Steinman to Rock'n'Roll stardom. All the songs from the album arranged for piano and voice with full lyrics and guitar chords.

For Soprano and Orchestra. Andrew Clements says 'None of the four songs lasts more than a few minutes yet they pack in an astonishing range of emotional and vocal nuance. . .with wonderfully lucid colours drawn from a vast ensemble; each song seems to define its sound world within a couple of bars compressed into a phrase or a couple of chords. They are beautifully achieved little songs brought off with the lightest of touches'. Financial Times 10 March 1992