Here is an expansive work featuring a wide spectrum of emotional and sonic elements for symphonic band. From striking full band effects to delicate woodwind and percussion writing this is a marvelous showcase for your entireensemble. Featured is an amazing contrapuntal section for the clarinets a flowing chorale powerful fanfare-like passages dynamic full band unisons and soaring melodies. Due to the length of the piece the composer has providedprogramming options for performing shorter versions. (10:20)

Written in 1987 as the accompaniment to New England Time Capsule an Omnimax travelogue and recently recorded by the Boston Pops this three minute concert work adapts wonderfully for band. With true Williams craftmanship itfeatures brassy fanfares and a rich sonorous hymn all based on the same melodic intervals. John Williams' brilliant orchestration is successfully captured making this a superb concert opener for bands.

This lyrical and expressive original by Broadway composer Stephen Schwartz will be a welcome addition to December concerts. A beautiful accompaniment provides the perfect underlay for the message: we are glowing growingmiracles; we are lights . Performance Time: Approx. 3:10.Available separately: SATB SAB SSA and ShowTrax CD.

Here is a terrific arrangement written with a lilting style and lushly scored with rich harmonies. Here is a terrific arrangement written with a lilting style and lushly scored with rich harmonies.

The best-selling feature medley from the Tony Award-winning musical adaptation of Victor Hugo's classic novel. Songs include: At the End of the Day Bring Him Home Castle on a Cloud Do You Hear the People Sing? I Dreamed ADream On My Own Finale. Arranged for SAB Choir and Piano (and optional Instrumental accompaniment) by Ed Lojeski.

Ever since its first appearance in 1940 Earle Hagen's hauntingly beautiful Harlem Nocturne has been one of the most performed pieces in American popular music. This version by legendary arranger John Krance skillfully capturesthe original spirit and mood of this unique American classic.

(based on Bad Romance)-In a recent YouTube moment that went viral Giovanni Dettori created a convincingly traditional Baroque fugue based on the opening strains of Lady Gaga’s hit Bad Romance . Johnnie Vinson has done a marvelous job of adapting this setting for concert band providing a terrific opportunity to teach an important musical form and have some fun at the same time.

Written by Canadian singer-songwriter Leonard Cohen back in the '80s this powerful song has reached almost legendary status with its frequent usage in TV and movies. Recorded by such diverse artists as Bob Dylan Bon Jovi and Justin Timberlake it was also used in the first Shrek movie and most recently during the 2010 Winter Olympics opening ceremony in Vancouver. Here is a terrific setting for band by Michael Brown.

The Louisville Leopard Percussionists an ensemble founded and directed by Diane Downs has been wowing audiences at national and regional PAS and MENC conventions for several years. Using music arranged by Diane these youngstersperform with a degree of enthusiasm and skill that is truly amazing. For the first time these distinctive arrangements are available in print - carefully edited by well-known educator/author Rick Mattingly. Eacharrangement is written with a flexible instrumentation based around mallet instruments drum set and a variety of Latin instruments. If you are looking to start up a percussion ensemble or need some entertaining program piecesfor your existing group this series is definitely for you!

From the Broadway Musical Wicked-From the groundbreaking movie blockbuster Avatar here is the main theme used in the end credits. Johnnie Vinson's sensitive arrangement features light woodwind scoring in the beginning then builds into a powerful setting for the entire ensemble.

Symphonic Band - Grade 4 From the blockbuster movie of 2003 comes a soundtrack filled with excitement drama and power. John Wasson's excellent arrangement authentically recreates these marvelous themes for the matureconcert band. Includes: The Medallion Calls The Black Pearl To the Pirates Cave One Last Shot and He's a Pirate . (6:50) Symphonic Band - Grade 4 From the blockbuster movie of 2003 comes a soundtrack filled with excitement drama and power. John Wasson's excellent arrangement authentically recreates these marvelous themes for the mature concert band. Includes: The Medallion Calls The Black Pearl To the Pirates Cave One Last Shot and He's a Pirate. (6:50) instrumentation number of parts pages per part full score 1 44 piccolo 1 3 flute 1 4 4 flute 2 4 4 oboe 2 4 bassoon 2 4 bb clarinet 1 4 4 bb clarinet 2 4