Originally scored for mixed voices as a part of the set Words from Paradise this re-voicing for unaccompanied male chorus is lively and has use both in the church and with some academic ensembles. Use it on Palm Sunday or as a concert opener. Lots of fun!

Afro-American Spiritual-Joe Jennings is a master with this style. With extensive divisi he sets this traditional spiritual in a syncopated rhythmic style that will energize choir and audience. This is an advanced work.

This short (1 min 19 sec) setting of Isaiah 61: 10-11 takes a little work but makes a nice addition to a concert or worship service.

Instrumental Accompaniment Set-Instrumentation: String Quartet Piano (played from the vocal score) Full Score

American Folk Song-Phil Olson indicates that this American folk song has Irish roots and that the names found in the work are taken from the muster rolls and casualty list from the battle of Bunker Hill. A great contest piece for high school voices with lots of opportunity for cross curriculum study.

Czech Folk Hymn-British composer David de Warrenne is well known for his treble voice settings. Here he gives us an arrangement of the popular Czechoslovakian carol set for three-part treble voices with piano. Try it for your lessons and carols or holiday concert.

From the Accent On Youth Series. An accessible anthem in the style of a spiritual a showy piece for SATB with keyboard and optional trumpet and percussion

Brahms' sweetly sad piece likening the autumn of life to the autumn of the year edited by Ray Robinson for the Choral Tradition Series a cappella for medium-advanced secondary level

Philippine composer Alejandro Consolacion gives us this beautiful setting of Our Father set for unaccompanied mixed chorus (divisi) and two solo treble voices. The harmonic language is rich lush and colorful. Try it with your advanced church choir high school or university.

This work for treble choir was originally set for mixed voices (HMC1857). Very successful in this voicing try it with the women of your church choir during a period of revival or renewal. _x000D_ Contains a fantastic accompaniment for piano

From the Accent On Youth series this easy Advent piece features Wesley's familiar words and Bach's Jesu Joy of Man's Desiring arranged for unison voices keyboard and handbells. Includes a general use text. Great choice for the young inexperienced or for choirs with ranks reduced for the holidays.

Looking for something truly unique for Easter morning? This setting mostly in D minor is a marvelous transition from the Passion into the joy of Easter. Scored for brass quartet with organ this melodic work is true to the craft of composer Howard Helvey.

Natalie Sleeth had a melodic gift that is appreciated still today. Here David Giardiniere sets the tune for soprano alto and baritone (SAB) with piano or optional chamber orchestra. It is also available for SATB voices (HMC1980).Instrumentation available (HMC1908a)

Avant-garde when it was written (in the 70's) this spooky piece for advanced groups uses massed whispers and strange tones as well as more traditional techniques to create a melodramatic effect. It definitely stretches the limits for chorus and audience.

This choral prayer was one of the winners of the 2006 Chanticleer Student Choral Composition Competition. For mixed divisi voices a cappella the serene work is harmonically lush and true to the text.

A rousing rendition of this traditional Jewish folksong this setting won the 2014 Chanticleer Student Composer Competition. It is perfect for a festival or honor choir concert.

Fifteenth Century English-A moderately advanced piece for your Good Friday program

Charles Wesley's texts cross nearly all-denominational boundaries. Here Bob Burroughs gives us a rare motet set to familiar Wesley text. Try it on world communion Sunday.

An inspirational work with text by Frederick L. Schuszler incorporating the hymn tune Bradbury try this piece on music ministry Sunday.

Many small choirs extensively use two-part mixed voicings. Here composer Tim Bushong sets his own text for two part mixed choir with piano suitable for All Saints Day or for general use.