Instrumental Accompaniment Set-A church musician himself Neil Harmon writes exceedingly well for the church choir and many of his seasonal works are accompanied by a chamber ensemble (here for flute clarinet F horn oboe bassoon and harp). Try a group of his arrangements for your lessons and carols service.

A new setting of the beloved words with a quote from the familiar tunes in the third verse very accessible good for Pentecost or Communion.

For young or beginning chorus a happy piece with a moral: remember those who have less than you

Selections from the letters from John capture the excitement of a first hand account of the good news good chance to highlight the choir.

French Carol-Composer Troy Robertson sets the traditional Burgundian carol for mixed voices with flute and finger cymbals/hand drum. The interesting rhythmic twists make it an excellent choice for high school or college/university voices. Wonderful selection for a holiday concert!

German Traditional Carol-This is an amazing rhythmic setting of the traditional German carol. Scored for SATB mixed voices with piano the 7/8 meter provides new life to a work known to many of us. A good high school choir would really take to this piece!

A 2008 John Ness Beck Foundation winner the piece is set to a William Austin text and is scored for mixed chorus with piano. Excellent for both holiday concert or worship settings.

This anthem by Stan Pethel is scored for mixed voices with piano. It could work on Pentecost Sunday or even Christ the King. Would also make a good piece for capable youth choirs.

Looking for an advanced work for unaccompanied treble chorus? Try this energetic setting for your concert opener. It truly is a new song.

Eleanor Daley is one of Canada's most venerable choral composers. Here she gives us a secular work for unaccompanied divisi mixed chorus. The rhythmic energy will make the work a hit with high school voices.

James Green continues his efforts to keep the Cherokee language alive with this riveting arrangement of a traditional Cherokee hymn. This hymn was sung on the trail of tears and is still a favorite among the Cherokee people. This arrangement features the true Cherokee morning and evening hymns. An authentic performance can be achieved by using the phonetic pronunciation guide that is included. A versatile arrangement with many voicing options this piece would be a great addition to any program it is especially powerful for American music month.

Originally for mixed voices this beautiful work finds especially poignant meaning when sung by treble voices. Scored here for SSAA chorus with piano it can be performed quite successfully a cappella._x000D_The text is taken from the works of Robert Richardson and Mark Twain.

Originally scored for male chorus (HMC1977) this rhythmic unaccompanied Christmas work for mixed voices will be the hit of your holiday concert!

Most of you have known the settings for mixed chorus and male chorus of this masterpiece. Now is it available for treble chorus.Take special note of the information found on the cover page.

Most choral musicians know the setting of this Robert Frost text by American composer Randall Thompson. Here Michael Larkin sets the same text for mixed voices with piano (unlike the Thompson setting for treble voices.) This is an excellent work for high school choirs. Try it for a spring concert.

For mixed divisi chorus a cappella this lovely motet would be a perfect addition to any sacred concert or worship setting. The stepwise movement acknowledges the historical reference to Gregorian chant.

This piece belongs in every church choir library. Based on a 17th century German tune Dan Forrest performs his magic and provides us with a relatively simple arrangement for mixed chorus with piano or organ. This would be excellent for the Sunday following Easter.

English Traditional-Bill Snedden sets the traditional English tune for mixed voices and piano. There are many arrangements of this tune on the market but none as exciting and engaging. Try it with high school college church or community ensembles.

The first piece is an antiphonal chant very flexible could even be done in unison.Verse 1-menVerse 2-womenVerse 3-allVerse 4-soloThe second piece is a simple carol with voice support by the organ.

Instrumental Accompaniment Set-Instrumentation: 2 Oboes Bassoon and Full Score