For piano.

Arranged in the key of D Minor for Voice and Piano.

Music for Mixed Chorus Set to a Poem by John Keats

My Sweetheart’s Like Venus (Mae 'nghariad i'n Fenws) is one of the 12 Welsh Folk Songs Gustav Holst arranged for a cappella chorus of mixed Voices (SATB) in 1930-31. Holst's absorption of folksong notonly in the melodic sense but in terms of its simplicity and economy of expression helped to develop a style that many of his contemporaries even admirers found austere and cerebral. Against charges of coldness in his music scholars and critics alike point to the 12 Welsh Folk Songs as works of true warmth. As an experienced instrumentalist and orchestra member Holst understood music from the standpoint of his players and made surethat however challenging their parts were always practicable – a compositional characteristic still well received and appreciated by performers and audiences today.

Grandfathers Clock

Holst 'The Mother-In-Law' arranged for mixed voice choir SAB.

Pastoral Tune

A lively dance in the French style written for four hands at the Piano by Beethoven.

For SATB Choir and Piano.

Windy Nights from the song trio A Child’s Garland of Songs published in 1982 displays both Stanford’s gift for melody and his sensitivity to text as well as his ability to compose music that creates a mood. Windy Nights echoesSchubert’s Erlkönig in its evocation of horse’s hooves wind and menace.Charles Villiers Stanford was an Irish composer music teacher and conductor who was a founder of the Royal Academy of Music teaching composition to some ofthe greatest British composers of the twentieth century among them Gustav Holst and Ralph Vaughan Williams. His own composition always displayed technical mastery and for a while he was a great figure in the world of Britishmusical theatre.

For SATB Choir. Tonic Sol-Fa version.

Four Preludes For Piano

An Anglican Folk Mass

O Come Let Us Sing Unto The Lord

Fill Thou My Life O Lord My God

Laughing Song

Circus Boy

The Pig's Tail

Spring

Thee Will I Love