String Quartet No.3

Transformations

Vigil

A Harvard Musical Association performance of awarded commission. MIT and Premiered by the Arditti 2003 String Quartet.

for Oboe and Piano-MOON SONG VARIATIONS dervies from the oboe solo theme that opens David Liptak's chamber opera THE MOON SINGER. It is composed for and dedicated to friend and colleague Richard Killmer.

This Critical Urtext Edition is by one of the world's foremost authorities on Mozart's Concerto for basset clarinet K. 622. This publication includes Neidich's full orchestra performance recording on period instruments. This edition is a must for any clarinetist who wishes to perform and study one of the most important concertos ever written for the instrument. This Critical Urtext Edition is by one of the world's foremost authorities on Mozart's Concerto for basset clarinet K. 622. This publication includes Neidich's full orchestra performance recording on period instruments. This edition is a must for any clarinetist who wishes to perform and study one of the most important concertos ever written for the instrument.

Movement titles: I. Flexible tempo II. Slowly freely III. Tenderly with a bit of motion IV. Very fast V. Slow mysterious

The concerti by Wolfgang Amadeus Mozart K 313 in G Major and K 314 in D Major represent two of the most important pieces for the flute. These Carol Wincenc publcations help students in their learning and preparation of these great works by utilizing a second flute part an effective practice introduced by her teacher Marcel Moyse. The second part serves as a useful tool in lessons at which no pianist is present to accompany the soloist and reveals to the student musical subtleties and concepts which would otherwise not have been possible to impart. The arrangements have been carefully written to be playable on historical as well as modern flutes and include Ms. Wincenc's owncadenzas that have been brilliantly honed by years of professional concertizing. The concerti by Wolfgang Amadeus Mozart K 313 in G Major and K 314 in D Major represent two of the most important pieces for the flute. These Carol Wincenc publcations help students in their learning and preparation of these great works by utilizing a second flute part an effective practice introduced by her teacher Marcel Moyse. The second part serves as a useful tool in lessons at which no pianist is present to accompany the soloist and reveals to the student musical subtleties and concepts which would otherwise not have been possible to impart. The arrangements have been carefully written to be playable on historical as well as modern flutes and include Ms. Wincenc'sowncadenzas that have been brilliantly honed by years of professional concertizing.

Piano Solo-This set of virtuosic pieces commissioned by Italian pianist Carlo Grante is inspired by philosophical statements from seven historical figures: Heraclitus Rainer Maria Rilke Franz Kafka Ralph Waldo Emerson Novalis Chief Seattle and Shankara.This set of virtuosic pieces commissioned by Italian pianist Carlo Grante is inspired by philosophical statements from seven historical figures: Heraclitus Rainer Maria Rilke Franz Kafka Ralph Waldo Emerson Novalis Chief Seattle and Shankara.

Dedicated to His Majesty Sultan Qaboos bin Said Al Said Sultan of Oman this massive work for large symphony orchestra is comprisedof seven movements: I. Prelude and Variations II. Divertimento III. Fantasy IV. Scherzo V. Interlude VI. Rondo VII.

Stock's single movement elegy for solo timpani is a stirring tribute which utilizes both the melodic capabilities and the power of the instrument. Stock's single movement elegy for solo timpani is a stirring tribute which utilizes both the melodic capabilities and the power of the instrument.

Commissioned by the St. Paul Chamber Orchestra this concertino was originally conceived as a part of a complete educational concertprogram. Four concertini each featuring a different instrumental family within the chamber orchestra are played in succession to demonstrate the characteristic sounds of those instruments. The music is thematically related but not identical to the Concertino for Chamber Orchestra (parts available on rental from the publisher) which serves as the program's closer demonstrating all of theorchestral sections playing together. This program is suggested by the composer for orchestra concerts however each instrumental concertino can beperformed individually and stands quite effectively on its own as a short chamber recital piece.

Two Performance Scores-Commissioned by flutist Alberto Almarza. Percussion instrumentation: large hanging metal plate small gong glass wind chimes cowbell suspended/ finger/ sizzle cymbals triangle low log drum Indian drum woodblock and maracas. Commissioned by flutist Alberto Almarza. Percussion instrumentation: large hanging metal plate small gong glass wind chimes cowbell suspended/ finger/ sizzle cymbals triangle low log drum Indian drum woodblock and maracas.

Written for and premiered by Soprano Emily Howard. Titles in collection: 1. It Was a Lover and His Lass 2. Come Away Come Away Death (a cappella) 3. Sigh No More Ladies 4. Come Unto These Yellow Sands (a capella) 5. When That I Was and a Little Tiny Boy

Open Your Gates-This is the first movement of Jerusalem Open Your Gates. This composition is dedicated to Jerusalem's destiny as a city of peace the place where heaven and earth meet which channels divine energy into the world. Judaism Christianity and Islam consider Jerusalem higher than other earthly places.

for String Quartet/Quintet Full Score-Calligraphies may be performed as one composition or as separate works. Calligraphies 2 and 3 are for string quartet while Calligraphy No. 1 is scored for string quartet with double bass. (1999) ca. 12'

LKM-Dedicated to and premiered by the Georgian Chamber Orchestra Ingolstadt Germany.

movements: I. Brisk Driving II. Warmly III. Slow Mysterious. (2012) ca. 23'-Commissioned by the Pittsburgh Symphony Orchestra Manfred Honeck Music Director. In 3 movements: I. Brisk Driving II. Warmly III. Slow Mysterious. (2012) ca. 23'

for String Quartet-String quartet based on a striking shape-note hymn of the same title in the Southern Harmony collection. Open string harmonies and double-stop technique contribute to a distinct fiddle-like character.

Part of the Richard Stoltzman 21st Century Series for Clarinet this edition includes a CD of the entire performance and an additional track of the Fugue with the 2nd and bass clarinet parts only for solo performances. Part of the Richard Stoltzman 21st Century Series for Clarinet this edition includes a CD of the entire performance and an additional track of the Fugue with the 2nd and bass clarinet parts only for solo performances.