These two Sonatines composed by Schubert in March of 1816 receive relatively little attention from violinists Richard Stoltzman thankfully decided to transcribe them for the clarinet. The felicitous and satisfying qualityof the works is perfect for the clarinet as they are full of memorable melodies contained in a formal claity that is nevertheless full of harmonic surprises. This edition includes a CD recording of Richard Stoltzman andthe pianist Richard Goode performing them. This is a world premiere edition never before published. Schubert Franz 2 Sonatines For Clarinet Op137 (Stoltzman) Clt/Pf Bk/Cd

Work for mixed ensemble of 18 players. Composed for and premiered by the Indiana University New Music Ensemble. Instrumentation: Flute (d Piccolo) Oboe (d English Horn) Bb Clarinet Eb Alto Saxophone Bassoon Horn in F Trumpet in C Trombone Tuba 2 Percussionists Harp Piano (d Celesta) 2 Violins Viola Cello Contrabass.

Piano Quartet-Prologue to a Shadow Play is single movement 'fanfare' -- albeit a rather quiet one -- written in honor of the 20th anniversary of the Music from Angel Fire chamber music festival.

for Solo Viola-Unaccompanied. Also available for cello. Unaccompanied. Also available for cello.

May be performed in traditional Western string quartet configuration or as a quartet of Persian Kamanche. Full performance and tuning instructions included. Premiered in the US and Europe.

2010 release. 2010 release.

for Persian Oud and String Trio-Second movement from Calligraphies (Nos. 1-3). Also available for string quartet or cello quartet.

for Mezzo-Soprano Flute Cello and Harp Score and Parts-The anonymous text was found on a wall of a Jewish safehouse from World War II. The original version of this piece with piano was commissioned by Sharman King for Brenda Fedoruk. This arrangement replaces the piano part with harp.

A Serge Koussevitzky Foundation Commission for Spectrum Concerts of Berlin a Berlin Philharmonie partner featuring Janine Jansen.At the Berlin Philharmonie Kammermusikaal.

Libretto and Music by Juan Orrego-Salas. An opera in a prologue and three acts based on the novel Widows by Ariel Dorfman. The story is set in a Latin American country controlled by a military dictatorship where most of the men from a village have disappeared.

This string quartet in one movement (allegro) is from the late-romantic Italian master. The score is a reproduction of the composer's manuscript recently discovered in the archives at Boston College.

Part of the Richard Stoltzman 21st Century Series for Clarinet this edition includes a CD of the entire performance and an additional track of the Fugue with the 2nd and bass clarinet parts only for solo performances. Part of the Richard Stoltzman 21st Century Series for Clarinet this edition includes a CD of the entire performance and an additional track of the Fugue with the 2nd and bass clarinet parts only for solo performances.

for String Quartet-String quartet based on a striking shape-note hymn of the same title in the Southern Harmony collection. Open string harmonies and double-stop technique contribute to a distinct fiddle-like character.

movements: I. Brisk Driving II. Warmly III. Slow Mysterious. (2012) ca. 23'-Commissioned by the Pittsburgh Symphony Orchestra Manfred Honeck Music Director. In 3 movements: I. Brisk Driving II. Warmly III. Slow Mysterious. (2012) ca. 23'

LKM-Dedicated to and premiered by the Georgian Chamber Orchestra Ingolstadt Germany.

for String Quartet/Quintet Full Score-Calligraphies may be performed as one composition or as separate works. Calligraphies 2 and 3 are for string quartet while Calligraphy No. 1 is scored for string quartet with double bass. (1999) ca. 12'

Open Your Gates-This is the first movement of Jerusalem Open Your Gates. This composition is dedicated to Jerusalem's destiny as a city of peace the place where heaven and earth meet which channels divine energy into the world. Judaism Christianity and Islam consider Jerusalem higher than other earthly places.

Written for and premiered by Soprano Emily Howard. Titles in collection: 1. It Was a Lover and His Lass 2. Come Away Come Away Death (a cappella) 3. Sigh No More Ladies 4. Come Unto These Yellow Sands (a capella) 5. When That I Was and a Little Tiny Boy

Two Performance Scores-Commissioned by flutist Alberto Almarza. Percussion instrumentation: large hanging metal plate small gong glass wind chimes cowbell suspended/ finger/ sizzle cymbals triangle low log drum Indian drum woodblock and maracas. Commissioned by flutist Alberto Almarza. Percussion instrumentation: large hanging metal plate small gong glass wind chimes cowbell suspended/ finger/ sizzle cymbals triangle low log drum Indian drum woodblock and maracas.

Commissioned by the St. Paul Chamber Orchestra this concertino was originally conceived as a part of a complete educational concertprogram. Four concertini each featuring a different instrumental family within the chamber orchestra are played in succession to demonstrate the characteristic sounds of those instruments. The music is thematically related but not identical to the Concertino for Chamber Orchestra (parts available on rental from the publisher) which serves as the program's closer demonstrating all of theorchestral sections playing together. This program is suggested by the composer for orchestra concerts however each instrumental concertino can beperformed individually and stands quite effectively on its own as a short chamber recital piece.