Composed for Henry Meyer. Unaccompanied. Composed for Henry Meyer. Unaccompanied.

Grade V. Grade V.

From a rag circa 1913. Playing time 2.5 minutes.

Alto Saxophone Solo with Keyboard-Grade III. Alto Saxophone Piano Grade III. Alto Saxophone Piano

Lively jazz influenced. Lively jazz influenced.

Unaccompanied. Unaccompanied.

Unaccompanied. Unaccompanied.

A Halloween hit for scary voices and orchestra. A Halloween hit for scary voices and orchestra.

For Meryl Koenig. Unaccompanied. For Meryl Koenig. Unaccompanied.

A logical and thoughtful addition to the previously published 24 Etudes Op. 15 of Joachim Andersen edited by Carol Wincenc and Bryan Wagorn the Op. 33 set of 24 Etudes explores and solidifies the rudimentary building blocks found in Andersen's earlier opus. In this present edition Professor Carol Wincenc and Bryan Wagorn continued in the tradition of Marcel Moyse a pivotal mentor of Professor Wincenc. As a young boy Moyse played for Andersen himself. In lessons Moyse would accompany the student in these etudesby creating a counterpoint to the original study often vocally improvising melodies and or lyrics. This edition contains a flute 2 part with counterpointinspired by Moyse. A logical and thoughtful addition to the previously published 24 Etudes Op. 15 of Joachim Andersen edited by Carol Wincenc and Bryan Wagorn the Op. 33 set of 24 Etudes explores and solidifies the rudimentary building blocks found in Andersen's earlier opus. In this present edition Professor Carol Wincenc and Bryan Wagorn continued in the tradition of Marcel Moyse a pivotal mentor of Professor Wincenc. As a young boy Moyse played for Andersen himself. In lessons Moyse would accompany the student in these etudesby creating a counterpoint to the original study often vocally improvising melodies and or lyrics. This edition contains a flute 2 part withcounterpointinspired by Moyse.

Set of Performance Scores-An adaptation of “Little Red Riding Hood ” this new version for piano and narrator of Gwyneth Walkers “An Adventure at Grannys” is a charming delight for young audiences. Also available for Clarinet or Violin with Cello and Narrator.An adaptation of “Little Red Riding Hood ” this new version for piano and narrator of Gwyneth Walkers “An Adventure at Grannys” is a charming delight for young audiences. Also available for Clarinet or Violin with Cello and Narrator.

Angel's Touch was commissioned for violinist Solomiya Ivakhiv premiered along with pianist Meng-Chieh Liu at Carnegie Hall in November 2013. Yevhen Stankovych is one of the central figures of contemporary EasternEuropean music. Like his Ukrainian born predecessors Igor Stravinsky and Sergei Prokofiev from his very first compositions Stankovych established himself a composer of great dramatic talent.Angel's Touch was commissioned for violinist Solomiya Ivakhiv premiered along with pianist Meng-Chieh Liu at Carnegie Hall in November 2013. Yevhen Stankovych is one of the central figures of contemporary EasternEuropean music. Like his Ukrainian born predecessors Igor Stravinsky and Sergei Prokofiev from his very first compositions Stankovych established himself a composer of great dramatic talent.

for Guitar-Three contrasting character piece for marimba written for percussionist Brett Dietz. References to sports are apparent in the movement titles: 1. Two-Minute Drill 2. Slo-mo 3. Man in Motion. Duration ca. 7'.Three contrasting character piece for marimba written for percussionist Brett Dietz. References to sports are apparent in the movement titles: 1. Two-Minute Drill 2. Slo-mo 3. Man in Motion. Duration ca. 7'.

Off to the Races! is a set of three American songs adapted for woodwind quintet with the common theme of horse racing. The music was created to celebrate the composer's trip to Murray State University in Kentucky a state famous for its races. The movements are based on Stephen Foster's Camptown Races the British folksong Stewball Was a Race Horse and The Home Stretch which is based on two familiar American Songs.

Plenty of Horn was commissioned by the Seattle Symphony as part of its “Echoes” project featuring classical works transformed and reinterpreted by contemporary composers. The 4-minute work is based on the familiar Trumpet Voluntary ofJeremiah Clarke with the melody assembled from fragments and layers of register. Recorded by Seattle Symphony/ Gerard Schwarz Naxos 8.559679.

Written as a memorial to his life partner Norma Hymes Gerber's theme and variations for violin and piano is hauntingly elegaic. Length ca. 4'Written as a memorial to his life partner Norma Hymes Gerber's theme and variations for violin and piano is hauntingly elegaic. Length ca. 4'

Settings of Dylan Thomas poetry for SATB acapella chorus.

May be performed separately: Fanfare (5')

Commissioned by the Chamber Music Conference and Composers? Forum of the East. This piece was written for an amateur ensemble and is suitable for good high school age musicians and above. Commissioned by the Chamber Music Conference and Composers? Forum of the East. This piece was written for an amateur ensemble and is suitable for good high school age musicians and above.

for Violin and Piano (Heifetz Critical Edition)-This Critical Performance Edition is primarily based on the first print by the Russian publisher Jurgenson. In the Andante Funebre and Humoresque the quartet and piano versions respectively were used for comparison. The composer accepted corrections by Leopold Auer and Vassily Bezekirsky which are indicated in the violin part. The Meditation Scherzo and Melodie (collectively named Souvenir d'un lieu cher) and Serenade Melancolique are dedicated to the famed Russian virtuoso and pedagogue Leopold Auer. The Valse Scherzo was dedicated to the budding virtuoso violinist Josif Kotek. The Andante Funebre is dedicated to the memory of Ferdinand Laub perhaps Tchaikovsky'sfavorite violinist. The Humoresque is an irresistible piece for piano transcribed by the composer for violin and piano. No violinist nor indeed any performer has been capable of doing justice to the enormous stylistic and emotional range of these works more than Jascha Heifetz. Mr. Heifetz's enormous repertory included the complete oeuvre of Tchaikovsky. Mr. Heifetz's bowing fingerings and performance suggestions are an integral part of this edition. “This Critical Performance Edition is primarily based on the first print by the Russian publisher Jurgenson. In the Andante Funebre and Humoresque the quartet and piano versions respectively were used for comparison. The composer accepted corrections by Leopold Auer and Vassily Bezekirsky which are indicated in the violin part. The Meditation Scherzo and Melodie (collectively named Souvenir d'un lieu cher) and Serenade Melancolique are dedicated to the famed Russian virtuoso and pedagogue Leopold Auer. The Valse Scherzo was dedicated to the budding virtuoso violinist Josif Kotek. The Andante Funebre is dedicated to the memory of Ferdinand Laub perhaps Tchaikovsky'sfavorite violinist. The Humoresque is an irresistible piece for piano transcribed by the composer for violin and piano. No violinist nor indeed any performer has been capable of doing justice to the enormous stylistic and emotional range of these works more than Jascha Heifetz. Mr. Heifetz's enormous repertory included the complete oeuvre of Tchaikovsky. Mr. Heifetz's bowing fingerings and performance suggestions are an integral part of this edition.”