Body Loops

Fantasia for Piano and Wind Orchestra Op. 95

Water Music

Sonata for Two Pianos

Student Concerto No. 2 Op. 13 in G Major

Poeme

Violin Sonata No. 2

Concerto for Violin and Orchestra: Auld Swaara

And All is Always Now

Sonata for Violin and Piano

“The Revival.” commissioned to open the 2017 Shanghai International Music Festival became the composer's ninth symphony. As usual in Gong's works the choral symphony was composed in the Classical-Romantic tradition with a heavy blend of Chinese folk and traditional material. The symphony consists of five movements which include a majestic Overture a song for Baritone (“The Youth”) a song for tenor (“The Workers”) a song for soprano (“Twilight”) and a grandiose choral finale (“The Dream”).

The Trio for Three Flutes here presented appeared in 1964 when Jean-Pierre Rampal acquired a non-original manuscript of this work in the Czech Republic. Attributed to an early period for its light character and instrumentation the Trio was taken into serious consideration by Beethoven scholar and redactor of arguably the most complete of Beethoven's catalogues the chronological and thematic catalogue of all Beethoven's works including the unpublished ones and the unused sketches (1968) whose 849 entries include the opus numbers the Kinsky-Halm the Hess and the Grove catalogues. The Trio for Three Flutes is cited in the Biamonti Appendix II 64 as a work of uncertainauthorship but nonetheless attributed to Beethoven. The first recording of the piece was released by Jean-Pierre Rampal who recorded the complete chamber works with flute by Beethoven for the Club Français du Disque label in 1964 together with Alain Marion and Christian Lardé. In lack of further information able to confirm Beethoven's authorship of this work all that is left to the listener and performer is to enjoy the particularly brilliant vivacity of the composition which may corroborate the hypothesis of a Beethovenian attribution.

for Clarinet in A and Piano-This Dance Sonata for clarinet in A (doubling bass clarinet) and piano is a version of Crockett's Dance Concerto composed in 2013.Originally written for both soloist + eight instruments (commissioned by Frank M. Hudson and the 21st Century Consort) and soloist +wind ensemble (commissioned by a consortium of twenty-two collegiate wind ensembles) they all riff on the theme of the original version's premiere at the Smithsonian Museum of American Art in Washington D.C. 'dancing the night away until dawn.' Movement titles: 1. Might Not Be A Rumba 2. Slow Dance 3. Last DanceThis Dance Sonata for clarinet in A (doubling bass clarinet) and piano is a version of Crockett's Dance Concerto composed in 2013.Originally written for both soloist + eight instruments (commissioned by Frank M. Hudson and the 21st Century Consort) and soloist +wind ensemble (commissioned by a consortium of twenty-two collegiate wind ensembles) they all riff on the theme of the original version's premiere at the Smithsonian Museum of American Art in Washington D.C. 'dancing the night away until dawn.' Movement titles: 1. Might Not Be A Rumba 2. Slow Dance 3. Last Dance

Violin and Piano-Einstein was a violinist all his life. In the motion picture Einstein's Light filmmaker Nickolas Barris and composer Bruce Adolphe set out to communicate Einstein's dedication to the violin and his particular love for the music of Mozart and Bach. This collection of music composed for the soundtrack is based on phrases from those two great masters that spin off into physics-inspired dreams and thoughts. It contains a poignant solo violin piece based on music by Bach and four pieces for violin and piano that are based on phrases from Mozart's music. The composer includes one work in particular the Mozart Violin Sonata No. 34 notable because the only extant recording of Einsteinplaying the violin contains the slow movement from this sonata. The soundtrack to Einstein's Light was recorded by Joshua Bell and Marija Stroke on Sony Classical Records. This edition contains bowings and fingerings by Joshua Bell. Movement Titles: 1. Einstein's Light: Theme (1:44 ) 2. Struggle and Breakthrough (4:34) 3. Einstein's Sarabande: The Loneliness of Genius (4:03) 4. Bending of Space-Time (3:03) 5. Einstein's Harmonic Mind (6:45) Einstein was a violinist all his life. In the motion picture Einstein's Light filmmaker Nickolas Barris and composer Bruce Adolphe set out to communicate Einstein's dedication to the Violin and his particular love for the music of Mozart and Bach. This collection of music composed for the soundtrack is based on phrases from those two great masters that spin off into physics-inspired dreams and thoughts. It contains a poignant solo Violin piece based on music by Bach and four pieces for Violin and Piano that are based on phrases from Mozart's music. The composer includes one work in particular the Mozart Violin Sonata No. 34 notable because the only extant recording of Einsteinplaying the Violin contains the slow movement from this sonata. The soundtrack to Einstein's Light was recorded by Joshua Bell and Marija Stroke on Sony Classical Records. This edition contains bowings and fingerings by Joshua Bell. Movement Titles: 1. Einstein's Light: Theme (1:44 ) 2. Struggle and Breakthrough (4:34) 3. Einstein's Sarabande: The Loneliness of Genius (4:03) 4. Bending of Space-Time (3:03) 5. Einstein's Harmonic Mind (6:45)

Reverie for Cello and String Orchestra was written for cellist Eru Matsumoto. Later the piece was reworked and incorporated into Gong's grand Fourth Symphony as Ode to Limpidity. The complete string orchestra score is available separately. String orchestra parts available on rental only.

Composed for the Amernet String Quartet in memory of the composer's longtime companion Dr. Norma Hynes. Movement titles: 1. AllegroMaestoso 2. Intermezzo 3. Introduction; Theme and Variations. Duration ca. 12'

This four movement work features the clarinet weaving melodies constructed in both Western equal temperenment and Persian modal systems. Most of the ensemble doubles on one or more instruments including the pianist and strings playing the chimes in various passages. Premiered on January 16 2016 at the Segah Festival of Persian and Turkish Music.

The concerti by Wolfgang Amadeus Mozart K 313 in G Major and K 314 in D Major represent two of the most important pieces for the flute. These Carol Wincenc publcations help students in their learning and preparation of these great works by utilizing a second flute part an effective practice introduced by her teacher Marcel Moyse. The second part serves as a useful tool in lessons at which no pianist is present to accompany the soloist and reveals to the student musical subtleties and concepts which would otherwise not have been possible to impart. The arrangements have been carefully written to be playable on historical as well as modern flutes and include Ms. Wincenc's owncadenzas that have been brilliantly honed by years of professional concertizing. The concerti by Wolfgang Amadeus Mozart K 313 in G Major and K 314 in D Major represent two of the most important pieces for the flute. These Carol Wincenc publcations help students in their learning and preparation of these great works by utilizing a second flute part an effective practice introduced by her teacher Marcel Moyse. The second part serves as a useful tool in lessons at which no pianist is present to accompany the soloist and reveals to the student musical subtleties and concepts which would otherwise not have been possible to impart. The arrangements have been carefully written to be playable on historical as well as modern flutes and include Ms. Wincenc'sowncadenzas that have been brilliantly honed by years of professional concertizing.

Full Score-A barcarolle is a musical form which describes a song or instrumental piece in a swaying 6/8 time sugessting the lilting motion of a Venetian gondola. Shcherbakov's Barcarolle for Piano and Orchestra is less a literal interpretation of the traditional form but rather a spiritual one which suggests floating along a winding canal which is at times serene and darkly ominous at others. The premiere was conducted by Volodymyr Sheiko with Maria Vichliaeva on piano.

from Symphonic Scenes of Chacumbele for Orchestra-Drawing on the composer's profound insight into the Cuban mythological and 20th Century historical figure of Chacumbeles this first symphonic scene depicts the main characters of the myth as youths. The work's musical tapestry is woven from the narrative which is rich in Yoruba mythology and leitmotiffs representing characters and events in the epic.