Written for unison voices and organ.

First performed by Roger Sayer on the organ of Westminster Cathedral on 10th May 2009 as part of the London Festival of Contemporary Church Music.

For SATB Choir A Cappella. Words from 'Songs of the Chase'. For SATB Choir A Cappella. Words from 'Songs of the Chase'.

Patrick Hawes’ Factum Est Silentium was composed in 2013 and is dedicated to Andy Berry.In this five minute piece the SATB chorus and solo Violin combine to create a majestic soundscape. The words speak of the Archangel Michael saving heaven from the serpent with the Violin lines depicting the serpent itself. Patrick Hawes’ Factum Est Silentium was composed in 2013 and is dedicated to Andy Berry. In this five minute piece the SATB chorus and solo Violin combine to create a majestic soundscape. The words speak of the Archangel Michael saving heaven from the serpent with the Violin lines depicting the serpent itself.

Christ's Nativity is a work composed by the late great John McCabe arranged for SATB double choir and Organ Accompaniment. This is the vocal score for this glorious work commissioned by the Hallé Choir and first performed on Sunday the 14th of December 2014 by them at Hallé St Peters conducted by Madeleine Venner. For Christ's Nativity John McCabe set the text of two poems by Henry Vaughan both of which describe the glory of Jesus and his effect on the mortal realm. McCabe 's wonderful music is beautifully fitting for the poetic magic of Vaughan's words making this 12 minute pieceresound in the minds of audiences for a long time after. In the September 2015 issue of Organists' Review David Lindley writes that the work's 'harmonic language is...astringent the vocal lines often rhythmically complex and melodically angular.'

For SATB Choir and Organ. For SATB Choir and Organ.

Written for soprano or tenor solo and SATB choir and organ. Solo melody and German text by Peter Cornelius.

Gloucester Hereford Worcester- Three of the finest of all settings of the English language canticles. Over the past quarter of a century Howells has emerged as among the greatest and certainly most widely performed composers of choral liturgical works of the last hundred years. At last his most important Services appear in a series of four handsome collections that link geographically the cathedral choirs for which they were written newly edited with interpretative notes by David Hill.

POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score . St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score . 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine

Written for SATB choir.

Anthem for SATB Choir and Organ. Text from Psalm 42.

The vocal score for Stuart Thompson 's carol The Holly And The Ivy scored for SATB choir with Organ accompaniment. The words come from a traditional song from the 17th or 18th century and Thompson 's setting of them won him the joint first prize for The Times Carol Competition 2011. The vocal score for Stuart Thompson 's carol The Holly And The Ivy scored for SATB choir with Organ accompaniment. The words come from a traditional song from the 17th or 18th century and Thompson 's setting of them won him the joint first prize for The Times Carol Competition 2011.

From 3 Carols Op.25 for SATB choir. Text by Robert Herrick. From 3 Carols Op.25 for SATB choir. Text by Robert Herrick.

The Great Silence (setting Edward Thomas' poem Snow ) was commissioned by Timothy Brown and the Choir of Clare College Cambridge. It was premiered under the direction of Timothy Brown in St John's Smith Square London on 16th December 2009. For SATB chorus and Harp.

Verse Anthem for SSATB Choir and Organ. Text from the Book of Job.

Come Away Death is a composition by Martin Shaw that sets a song from William Shakespeare's 'Twelfth Night.' The song is arranged for SATB choir. Come Away Death is a composition by Martin Shaw that sets a song from William Shakespeare's 'Twelfth Night.' The song is arranged for SATB choir.

Schubert's The Lord Is My Shepherd arranged for SATB chorus with organ accompaniment.

Three of the finest of all settings of the English language canticles. Over the past quarter of a century Howells has emerged as among the greatest and certainly most widely performed composers of choral liturgical works of the last hundred years. At last his most important Services appear in a series of four handsome collections that link geographically the cathedral choirs for which they were written newly edited with interpretative notes by David Hill.

Composed in 1986 for Solo Piano.

Single sheet music for SSATB with piano accompaniment.