for SATB double choir unaccompanied Giovanni Da Palestrina 's Stabat Mater for SATB double choir unaccompanied.

for SATB unaccompanied This is a simple attractive folk-song setting of Shakespeare's 'O mistress mine' from Twelfth Night. Each of the two verses begins with double counterpoint between tenor and bass and soprano and alto and builds chromatically to a resounding cadence. The optional humorous ending provides a fitting conclusion to this delightful paean to love. This is a simple attractive folk-song setting of Shakespeare's 'O mistress mine' from Twelfth Night. Each of the two verses begins with double counterpoint between tenor and bass and soprano and alto and builds chromatically to a resounding cadence. The optional humorous ending provides a fitting conclusion to this delightful paean to love.

for unison voices (with optional second part) and piano or orchestra Words and music by John Rutter. Orchestral material is available on hire. With words and music by John Rutter this gentle and moving carol features simple melodic lines and a delightful nursery-style Christmas text. For unison voices with an optional second part and full Piano accompaniment.

for SATB (with divisions) and organ This jubilant carol sets a fifteenth-century text that rejoices in the birth of the baby Jesus. An ideal opener for any Christmas Carol concert the work is featured on the Choir of Truro Cathedral's CD A Year at Truro (Regent Records). This jubilant carol sets a fifteenth-century text that rejoices in the birth of the baby Jesus. An ideal opener for any Christmas Carol concert the work is featured on the Choir of Truro Cathedral's CD A Year at Truro (Regent Records).

for SATB and organ Thomas Mudd 's Let Thy Merciful Ears O Lord for SATB choir and Organ.

for SATB (with divisions) unaccompanied This festive arrangement of a traditional German carol features an English text translated and adapted by John Rutter. The first two verses are sung by soloists (or alternatively by a semi-chorus) over a background of choral hums before all singers come together in the final verse. John Rutter 's Still Still Still for SATB choir (with divisions) unaccompanied. This festive arrangement of a traditional German carol features an English text translated and adapted by John Rutter . The first two verses are sung by soloists (or alternatively by a semi-chorus) over a background of choral hums before all singers come together in the final verse.

for SATBarB and optional organ William Byrd's Vigilate set here for SATBarB choir with organ reduction for rehearsal only. Edited by John Morehen.

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring smooth vocal lines and well-judged splashes of harmonic colour allow the simple beauty of the tune to be heard. A highly accessible and mellifluous arrangement for unaccompanied mixed voices. The delicate scoring smooth vocal lines and well-judged splashes of harmonic colour allow the simple beauty of the tune to be heard.

for SATB congregation & organ Glory To Thee My God This Night arranged by John Rutter for SATB choir congregation and Organ.

for SATB and organ In this arrangement of the hymn tune St Clement traditional verses alternate with those newly arranged by John Rutter. The piece is part of a wider collection of hymn arrangements which have been recorded by the Cambridge Singers on the Collegium CD Sing ye heavens (COLCD 126). The Day Thou Gavest arranged by John Rutter for SATB Choir and Organ. In this arrangement of the hymn tune St Clement traditional verses alternate with those newly arranged by John Rutter . The piece is part of a wider collection of hymn arrangements which have been recorded by the Cambridge Singers on the Collegium CD Sing Ye Heavens (COLCD 126).

for SATB (with divisions) and piano This prayer for freedom was composed in 1990 in response to the demolition of the Berlin Wall and the release of Nelson Mandela from prison. An orchestral accompaniment is available on hire/rental and a version of the piece for orchestra only is available on hire. John Rutter 's Distant Land for SATB choir (with divisions) and Piano. This prayer for freedom was composed in 1990 in response to the demolition of the Berlin Wall and the release of Nelson Mandela from prison. An orchestral accompaniment is available on hire/rental and a version of the piece for orchestra only is available on hire.

for mixed chorus and organ or brass and percussion or orchestra Orchestral material is available on hire Composed for the Coronation of King George the Sixth and first performed at Westminster Abbey on 12th may 1937. For mixed chorus and organ or brass and percussion or orchestra.

for unison or two-part voices and piano or orchestra Orchestral material is available on hire. The Cowboy Carol a brilliant alternative to the traditional Christmas carol is written here for Unison voices and Piano accompaniment.

for SATB and organ or piano This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody it has broad appeal and is suitable for choirs of all abilities. This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody it has broad appeal and is suitable for choirs of all abilitiies. Scored for SATB and Organ or Piano accompaniment.

for mixed chorus with piano or orchestra This chorus also appears in the anthology Opera Choruses. Orchestral material is available on hire. This version edited by John Rutter for mixed chorus with Piano or Orchestra. This chorus also appears in the anthology Opera Choruses . Orchestral material is available on hire.

for SATB (with divisions) unaccompanied A dramatic and colourful setting of Psalm 81:3 and 4 which is an ideal introit or anthem for festive occasions or for the opening of a choral concert. A setting of Psalm 81:3 and 4 for unaccompanied SATB chorus with divisions.

These songs are among Berkeley's earliest compositions written in the mid-1970s at the suggestion and encouragement of Peter Pears. The poems by Thomas Hardy were chosen for various treatments of one theme - death and the grave. Some are wistful some tragic some humorous.

Setting two verses of the Irish traditional carol Wilberg's version opens simply with unaccompanied unison men before the Piano creeps in gently. The carol melody's haunting modal qualities are complemented by colourful harmonic touches.

for SATB and piano McDowall's setting is optimistic and appealing with charming interplay between the voices and piano. The inspirational words are by Marie Curie. Cecilia McDowall 's Now Is The Time for SATB choir with Piano accompaniment. Written for the 2016 'Requiem to Cancer' event at St Paul's Church Covent Garden Now Is The Time sets hopeful and inspirational words by Marie Curie . McDowall 's setting is optimistic and appealing with charming interplay between the Voices and Piano.

David Bednall 's The Scholar for SATB unaccompanied. The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting this piece will provide a moment of quiet reflection in a concert programme.