For SATB and 5 soloists unaccompanied This simple and appealing arrangement of a well-known 15th-century text alternates a gentle full-choir refrain with five verses for solo treble voices. As an optional ending all verses may be sung together before one final refrain sung pianissimo. 'Lullay my liking' was written for John Rutter on the occasion of his 60th birthday. This simple and appealing arrangement of a well-known 15th-century text alternates a gentle full-choir refrain with five verses for solo treble voices. As an optional ending all verses may be sung together before one final refrain sung pianissimo. Lullay My Liking was written for John Rutter on the occasion of his 60th birthday.

10 carols for mixed voices-for SATB accompanied and unaccompanied This wonderful anthology of ten carols by Alan Bullard includes new material written specially for the collection as well as favourites from the Oxford catalogue some of which are presented for the first time with SATB scoring. Orchestral material is available on hire for each accompanied piece. The Oxford Choral Composers series brings together anthems and carols by some of Oxford's leading choral composers. Together these collections offer a kaleidoscope of musical styles and texts including unique arrangements of popular classics alongside some of the composers' finest original works to date. This wonderful anthology of ten carols by Alan Bullard includes new material written specially for the collection as well as favourites from the Oxford catalogue some of which are presented for the first time with SATB scoring. From the ethereal And all the stars looked down to the upbeat Glory to the Christ Child Alan BullardCarols showcases an attractive and varied selection of Christmas works that will appeal to all mixed-voice choirs.

for SSAA and piano or chamber orchestra This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated with simple vocal harmonizations alongside unison singing and the accompaniment creates a lush bed of sound over which the voices resonate. Will L. Thompson 's Softly And Tenderly arranged for SSAA and Piano or Orchestra by Mack Wilberg . This gentle arrangement of Thompson 's original words and melody (1880) is ideal for upper-voice Choirs of all levels of experience. The melody is sympathetically treated with simple vocal harmonisations alongside unison singing reflecting the humble message of the text: 'Jesus is calling come home'. The accompaniment for Piano or small Orchestra creates a lush bed of sound over which the voices resonate.

Paperback-for SATB with optional bass solo and piano or orchestra Orchestral material is available on hire. For SATB Chorus and optional Bass Solo with a Piano reduction of the original Orchestral Score.

for a solo boy's voice (or small group of boys) or a solo contralto voice and SATB There is also a version for SSA. A gorgeous carol arranged for SATB Choir a cappella with a solo for a Treble voice or Contralto.

The Latin text from the Ordinary of the Mass for mixed voices brass (4 trumpets 2 tenor trombones bass trombone tuba) percussion and organ An accompaniment for orchestra without organ is also available. Full scores vocal scores and instrumental parts are available on hire. The first movement of Gloria is available separately under the title Gloria 1. This work was commissioned by the Voices of Mel Olson and first performed on 5th Masy 1974 in Omaha U.S.A. under the direction of the composer. The work is scored for mixed voices with brass percussion and organ or orchestra.

Full score for John Rutter's joyful sprightly carol Rejoice and sing! which has been offprinted from Sir David Willcocks: A Celebration in Carols. Full score for John Rutter 's joyful sprightly carol Rejoice And Sing! which has been offprinted from Sir David Willcocks: A Celebration in Carols . With its uplifting 7/8 time signature memorable melody rich and diverse textures and delightful orchestral accompaniment this carol is a fitting tribute to one of the great names synonymous with Christmas.

Duets for the developing guitarist-This fantastic duet collection is perfect for classical guitarists at Grades 1-3 level. You'll find an impressive range of repertoire including traditional tunes from across the globe arrangements of well-known orchestral works popular hits and new pieces by Debbie Cracknell. The latest addition to OUP's popular Enjoy Playing Guitar series Time For Two is a fantastic duet collection which is perfect for classical guitarists at Grades 1-3 level. You'll find an impressive range of repertoire including traditional tunes from across the globe arrangements of well-known orchestral works popular hits such as Jingle Bell Rock and new pieces by Debbie Cracknell. The collection also includes classic solo guitar repertoire arranged for two players making works by Fortea Carulli Tárrega and Sagreras accessible to players at this level for the first time. All the duets have parts of equaldifficulty making them ideal material for not only teachers and students but also two learners playing together. In addition the accompanying CD includes separate recordings of the primo and secondo parts allowing students to practise at home. With clear presentation and background notes for every piece Time for Two is an indispensable resource for all guitar teachers and students.

for SATB unaccompanied or with guitar harp or keyboard A delightful Spanish carol wonderfully evocative of the era with its very lively dance-like rhythms. Texts are in both the original Spanish and English. A delightful Spanish carol wonderfully evocative of the era with its very lively dance-like rhythms. Texts are in both the original Spanish and English.

An Irish air for SSA flute and piano Earlene Rentz's The Last Rose Of Summer An Irish air for SSA flute and piano.

for SATB and piano or orchestra Phyllis Tate Three Moravian Carols for SATB and piano or orchestra.

Paperback-for SATB unaccompanied to words from John 14:15-17 Roupen Shakarian's If Ye Love Me Keep My Commandments for SATB.

for SATB flute handbells and organ Howard Don Small A Blessing for SATB flute handbells and organ.

for SATB with organ or brass with timp perc and optional organ or full orchestra Words c.1500 anon. Material for brass and orchestral accompaniments is available on hire. William Mathias' Sir Christemas for SATB with organ accompaniment or (i)brass (3 tpt 3 tbn or 2 hn 2 tpt 3 tbn tuba) with timp perc opt organ or (ii) strings and organ or (iii) full orchestra Words c.1500 anon. Material for brass and orchestral accompaniments is available on hire.

Larsen's flowing meditation on the 'Veni creator' tune was written as the Pentecost entry for a multi-composer anthology based on the liturgical year. It was given one of the highest rankings in a survey of pieces that most strongly moved listeners to prayer.

for SABar flute oboe recorder violin cello and keyboard No. 1 of Four Carols of Christmas. The instrumental parts are printed in the back of the vocal score. No. 1 of Four Carols of Christmas. The instrumental parts are printed in the back of the vocal score.

for SATB and keyboard Ellen Gilson Voth An Advent Carol for SATB and keyboard.

A Celtic prayer for SSAA and piano A Celtic prayer for SSAA and piano

for SATB unaccompanied This is a powerful setting of one of the greatest American blues melodies. The tension in the piece climaxes in two cumulative waves. A devastatingly effective concert piece in the hands of accomplished adult groups it is also technically accessible to school choirs. This is a powerful setting of one of the greatest American blues melodies. The tension in the piece climaxes in two cumulative waves. A devastatingly effective concert piece in the hands of accomplished adult groups it is also technically accessible to school choirs.

A one movement work in three sections for clarinet violin and piano. The title refers to the use of both jazz and boogie slang and twentieth-century 'new music' slang throughout the composition.