for SATB (with divisions) and optional organ Alan Bullard's first Magnificat and Nunc Dimittis written for the choir of Selwyn College Cambridge can be performed a cappella or with organ. Both movements feature pleasing tonal contrasts and have a distinctly folk-like feel. Alan Bullard's first Magnificat and Nunc Dimittis written for the choir of Selwyn College Cambridge can be performed a cappella or with organ. Both movements feature pleasing tonal contrasts and have a distinctly folk-like feel. In this lyrical and expressive setting the voices are often offset against each other in pairs focussing the listener's attention on the text and highlighting by contrast the rich powerful passages for full choir. The Selwyn Service is included on a CD by Selwyn College Cambridge (Regent Records).

Subject to the Weather uses the Welsh folk song The Blackbird as its inspiration but also references Wesley's hymn tune Aurelia: The Church's one Foundation. The music evokes country life and birdsong in a charming and engaging style.

Sonata In D (K. 119) and Sonata In E (K. 215)- These arrangements of two keyboard sonatas by Scarlatti are stylish and approachable. The first sonata is vivacious and dance-like and the second is slower more restrained and melodic in character with equally varied writing for all instruments.

for SATB unaccompanied This Christmas miniature sets the popular Latin text rejoicing in the birth of the Saviour. A 'vivace' tempo marking and offset rhythms combine with Pott's uniquely striking harmonies and undulating polyphony to form a joyous piece that will contrast well with more traditional carols. This Christmas miniature sets the popular Latin text rejoicing in the birth of the Saviour. A 'vivace' tempo marking and offset rhythms combine with Pott's uniquely striking harmonies and undulating polyphony to form a joyous piece that will contrast well with more traditional carols.

for SATB and organ or brass and organ or orchestra This colourful Christmas work brings together several carols from the 1582 Piae Cantiones collection in a modern and refreshing through-composed medley. Using largely familiar tunes this is a very singable concert suite. This colourful Christmas work brings together several carols from the 1582 Piae Cantiones collection in a modern and refreshing through-composed medley. Using largely familiar tunes this is a very singable concert suite with interest provided through use of texture and festive flourishes in the accompaniment. Texts are in English Latin and German with English singing translations throughout.

for unison voices and piano This setting of a mysterious and amusing poem by Rudyard Kipling for Unison Voices and Piano Accompaniment composed by Christpher Le Fleming.

Vocal Score Piano Reduction-for soprano and tenor solo SATB chorus and orchestra or small ensemble. Bob Chilcott's solemn yet uplifting Requiem sets words from the 'Missa pro defunctis' and the Book of Common Prayer giving a new slant on established texts. Requiem is an elegy for the modern day. The vocal scores available on hire (9780193376724) Conductor's score and parts on hire - ensemble version (9780193369023) - Small ensemble: fl ob cl hn timp org Conductor's score and parts on hire - orchestral version (9780193376724) - Orchestra: 2fl 2ob 2cl 2bsn 2hn 2tpt timp str Following the success of Salisbury Vespers Bob Chilcott further explores the large-scale liturgical genre with his solemn yet uplifting Requiem . Setting words from the Missa pro defunctis and the Book of Common Prayer the work gives a new slant to established texts: a beautiful setting of 'Thou knowest Lord' sits alongside the powerful 'Offertorio' driving 'Sanctus' and enchanting 'Pie Jesu' . Deserving of a place among the canon of previous settings Chilcott's Requiem is an elegy for the modern day.

for SSAA unaccompanied Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs the captivating melody and warm harmonies perfectly complement the uplifting theme of the text. Morning Light will be a welcome addition to the upper-voice repertoire. Sarah Quartel 's Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs the captivating melody and warm harmonies perfectly complement the uplifting theme of the text. Scored for unaccompanied SSAA Choir Morning Light will be a welcome addition to the upper-voice repertoire.

for SATB and organ For this joyous piece McDowall set a text from the Ambrosian Rite celebrating the Virgin Mary's recent motherhood. The lively organ accompaniment and strong rhythmic drive create an instantly celebratory mood making the piece an ideal conclusion for any Christmas service. For this joyous piece McDowall set a text from the Ambrosian Rite celebrating the Virgin Mary's recent motherhood. The lively organ accompaniment and strong rhythmic drive create an instantly celebratory mood making the piece an ideal conclusion for any Christmas service.

for SATB organ and optional handbells Through luminous choral harmonies images of a winter night and echoes of scripture Advent Moon evokes deep human longing and the promise of the coming of light. The delicate organ accompaniment and optional handbells underscore both the haunting opening and the radiant conclusion of this piece. Through luminous choral harmonies images of a winter night and echoes of scripture Cecilia McDowall 's Advent Moon evokes deep human longing as well as the promise of the coming of light. Advent Moon is scored for SATB with Organ and optional Handbells which underscore both the haunting opening and the radiant conclusion of this piece.

Rigwreck sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions a wide range of dynamic expression spoken lines and powerful word-painting highlight the poem's emphasis on humanity's responsibility for the natural world and make this piece an exciting challenge for choirs. Rigwreck sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions a wide range of dynamic expression spoken lines and powerful word-painting highlight the poem's emphasis on humanity's responsibility for the natural world and make this piece an exciting challenge for choirs.

Vaughan Williams's earliest known piece for solo instrument with orchestra written 1896-1904 and rediscovered in 2010. Showing influences of late 19th-century composers but also hallmarks of Vaughan Williams's later style it offers a fascinating glimpse into the composer's development. Vaughan Williams began this work - his earliest known piece for a solo instrument with orchestra - in 1896 shortly after returning to the Royal College of Music to study composition with Stanford and completed it in 1904. After his death the manuscript was donated to the British Library and it was here that the pianist Mark Bebbington rediscovered it in 2010 subsequently recording it for Somm Records. The work shows influences of late nineteenth-century composers but also hallmarks of Vaughan Williams's later style and maturity. As such it offers a fascinating glimpse into the composer's development as well as being a powerful work in its own right. This isits first publication; a reduction for two pianos is also available on sale. Orchestral material is available on hire/rental.

for SSAA unaccompanied This piece was originally published in a version for mixed voices. With lush harmonies moments of dynamic intensity and an overriding sense of awe it would make an ideal centrepiece for a Christmas or Epiphany concert or service. Originally published in a version for mixed voices this heartfelt upper-voice arrangement begins with a pianissimo drone over which the sopranos introduce the expressive melody. With lush harmonies moments of dynamic intensity and an overriding sense of awe it would make an ideal centrepiece for a Christmas or Epiphany concert or service.

for SATB and piano or brass quintet timpani and organ Chilcott's four-movement setting of the Latin Gloria will be welcomed by choirs looking for an uplifting and jubilant concert work. It features a driving 'Gloria' a tender yet majestic 'Domine Deus' a lyrical 'Qui tollis' and a dancing and upbeat 'Quonium tu solus sanctus'. Chilcott 's four-movement setting of the Latin Gloria will be welcomed by choirs looking for an uplifting and jubilant concert work. It features a driving 'Gloria' a tender yet majestic 'Domine Deus' a lyrical 'Qui tollis' and a dancing and upbeat 'Quonium tu solus sanctus'.

for SATB and organ Archer's jubilant setting of a traditional Polish text (in translation) features changing metres textural contrasts and compelling shifts between major and minor. Strophic in form and with a catchy refrain characterized by a sprightly dotted rhythm this carol will fill the audience with the spirit of rejoicing! Malcolm Archer 's God Is Born Among Us for SATB and Organ. Archer 's jubilant setting of a traditional Polish text features changing metres textural contrasts and compelling shifts between major and minor. Strophic in form and with a catchy refrain characterized by a sprightly dotted rhythm this carol is the perfect way to ensure that the congregation or audience will be filled with the spirit of rejoicing.

for SS and piano Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting and enigmatic medieval poem. The style is akin to folk ballad lyrical with just a hint of melancholy which will draw in singers and listeners alike. This is beautiful and seductive upper-voice music. A version for SATB is also available. A poignant and beguiling setting of an enchanting medieval poem The Lily And The Rose by Bob Chilcott. In a style akin to folk ballad lyrical with a hint of melancholy both singers and listeners will be drawn in. For upper voices and Piano.

Book 3-This five-volume graded series of organ music by J. S. Bach provides a wonderful selection of pieces for all players.The whole is an authoritative and fully practical introduction to this cornerstone of the organ repertoire with pieces presented in highly practical form for teachers and students. Oxford Bach Books For Organ is a 5-volume graded series of Organ music composed by J. S. Bach and arranged by Anne Marsden Thomas. This varied collection includes the essential pieces in all genres including choral preludes fugues toccatas and trio sonata movements alongside several of the composer’s lesser known works. Each volume contains a general introduction for players with advice on registration tempo ornamentation touch and articulation fingering pedalling and more. There are also concise notes on each piece by the renowned Bach scholar Professor Russell Stinson - addressing source issues structure and symbolism and forthe chorale preludes information on the original hymn melody and text on which the piece based. An authoritative introduction to this cornerstone of the Organ repertoire Oxford Bach Books For Organ presents pieces in a highly practical format that is perfect for teachers and students. This third volume contains 11 pieces for the manual or pedal Organ suitable for musicians at a Grade 7-8 level.

for soloists SATB chorus baroque orchestra (oboe trumpet bassoon keyboard and strings) or keyboard Both full and vocal scores make clear distinction between original and editorial markings. They are supplemented by a full critical apparatus and continuo realization and information on performance practice is relevant without being prescriptive. This edition is also unique in including a transcription of the 'Cum sancto spirito' from Ruggieri's Gloria which formed the basis of Vivaldi's own setting. All material is also available on hire. Antonio Vivaldi 's Gloria In D RV589 for soloists SATB chorus baroque Orchestra (Oboe Trumpet Bassoon Keyboard and Strings) or Keyboard. Both full and vocal scores make clear distinction between original and editorial markings. They are supplemented by a full critical apparatus and continuo realization and information on performance practice is relevant without being prescriptive. This edition is also unique in including a transcription of the 'Cum sancto spirito' from Ruggieri's Gloria which formed the basis of Vivaldi 's own setting. All material is also available on hire.

5 arrangements of Chinese songs-for SATB accompaniment and unaccompanied Mo li hua (Jasmine) is a tri-language publication suitable for Chinese- or English-speaking choirs. A collection of five well-known traditional Chinese songs depicting the simplicity and beauty of everyday life it includes simplified and traditional Chinese scripts and English singing translations. Mo Li Hua (Jasmine) is a tri-language publication suitable for Chinese- or English-speaking choirs. A collection of five well-known traditional Chinese songs depicting the simplicity and beauty of everyday life it includes simplified and traditional Chinese scripts and English singing translations.

for SSAATTBB and organ This edition by Richard Lyne retains the original Latin text and is based on the fair copy that Wesley left to his son Samuel Sebastian Wesley. This edition by Richard Lyne retains the original Latin text and is based on the fair copy that Wesley left to his son Samuel Sebastian Wesley.