Favorite Latin Classics- Favorite Latin Classics for Mandolin Orchestra. Score.

Manhã De Carnaval is the title of the popular song by Brazilian composer Luiz Bonfa and lyricist Antônio Maria . Manhã De Carnaval appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro (Black Orpheus). Manhã De Carnaval became one of the first compositions identified with Bossa Nova to gain popularity outside Brazil. The title was particularly popular in the United States where the song is considered to be one of the most important Brazilian Jazz/Bossa songs that helped establish the Bossa Nova movement in the late1950s. Here it has been arranged for Mandolin Orchestra.

Salzburger Sinfonie- W. A. Mozart 's Salzburger Sinfonie for Mandolin Orchestra. Part for Guitar.

Enric Madriguera - Adios- Enric Madriguera 's Adios for Mandolin Orchestra. Part for Mandola.

Gabriel Ruiz - Amor Amor Amor- Gabriel Ruiz 's Amor Amor Amor for Mandolin Orchestra. Part for Bass.

Zequinha Abreu - Tico Tico- Zequinha Abreu 's Tico Tico for Mandolin Ensemble. Part for Mandolin no.2.

Arrangement fur Männerchor a cappella. Musik: Jean Villard; Chor-Bearbeitung: Ralph Paulsen-Bahnsen. Mit Gitarrengriffen. 1946 - Deutschland liegt in Trummern und in weiten Teilen Europas sind die Folgen des 2. Weltkriegs noch unverkennbar da wird ein Lied durch Edith Piaf weltberuhmt das in seiner Art neu und vollig anders ist: 'Les Trois Cloches'. Eine ans Herz gehende Ballade im Hintergrund ein Männerchor Orchester. Die Musik von 'Les Trois Cloches' stammt von Marc Herrand der franzosische Originaltext von Jean Villard. Mit dem englischen Text 'The Three Bells' der von Bert Reisfeld stammt konnte dieGesangsformation Les Compagnons de la Chanson 1951 weitere Erfolge verbuchen. So kam der Titel nicht nur in die englische Hitparade sondern auch in die damals sehr beruhmte Ed Sullivan-Show in USA. In Deutschland wurde der Titel mit dem Text 'Wenn die Glocken hell erklingen' von Horst Winter bekannt. Nana Mouscouri Gerhard Wendland Vico Torriani Wolfgang Sauer u.v.a. deutsche Interpreten nahmen den Titel in ihr Repertoire auf. Unter dem selben Titel kam 1959 ubrigens auch ein Film in die Kinos; in den Hauptrollen Willi Birgel und Ellen Schwiers. Die Ausgabe Wenn die Glocken hell erklingen beinhaltet ein Arrangement fur vierstimmigen Männerchor a cappella. Zur Begleitung finden sich Akkordsymbole fur Gitarre.

John Kincade 's 1972 hit Dreams Are Ten A Penny for Voice and Piano with chord symbols. English text.

Arrangement des Evergreens und Klassikers fur gemischten Chor SATB und Klavier. Musik: Jimmie Davis und Charles Mitchell; Chor-Bearbeitung: Thorsten Kuhn.

Hubert Giraud 's Oui Oui Oui Oui as sung by the 1959 Eurovision winner Jean Philippe arranged for Piano and Voice. Watch Jean Philippe 's Eurovision performance:

Toccatissimo- Toccata (from the Italian toccare 'to touch to hit') is one of the oldest names for instrumental pieces and describes a musical form that is usually comprised of several parts. Each part is constructed from a musical idea such as for example chords runs or imitations of a short motive. Toccatissimo is a composition that consists of several parts executed in different tempos. The main key is G-major. The work begins with fast runs that move in upward and downward sequences. After this a quiet motive follows with fast interjections following from the first part this time however in A-major. The next theme in A minor alternates between 4/4and 3/4 measures. After a short cadence a merry waltz sounds which is then followed once again by the first part in G-major. After a short cadence a blues is performed that is interrupted by a rhythmic block. The quiet section that now follows segues to the first motive as a fiery finale.

Sea Of Love- Never Never Never by Tonyrenis and Sea Of Love by Philip Baptiste and George Khoury . Arranged by Rene Mense for the following instruments: Cast - Standard: C-part (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text).

Favourite Christmas Classics- Favourite Christmas Classics for Mandolin Orchestra. Part for Mandolin no.1.

La Cucaracha- The traditional Mexican folk song arranged for Mandolin Orchestra. Part for Mandola.

Im Arrangement fur Gemischtchor SATB mit Klavier ad lib von Thorsten Kuhn.

Mandolin 1- Manhã De Carnaval is the title of the popular song by Brazilian composer Luiz Bonfa and lyricist Antônio Maria . Manhã De Carnaval appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro (Black Orpheus). Manhã De Carnaval became one of the first compositions identified with Bossa Nova to gain popularity outside Brazil. The title was particularly popular in the United States where the song is considered to be one of the most important Brazilian Jazz/Bossa songs that helped establish the Bossa Nova movement in the late1950s. Here it has been arranged for Mandolin Orchestra. This is the part for Mandolin no.1.

Francois Revaux - My Way- Francois Revaux 's My Way for Mandolin Orchestra. Part for Accordion.

Der swingende Titel aus dem Erfolgsalbum als Einzelausgabe. Arrangiert fur Männerchor von Carsten Gerlitz. Tenor Bariton Bass und Klavier. Chorpartitur.

Quizas Quizas Quizas- Von Peermusic gibt es Arrangements beruhmter Klassiker diverser Genres fur Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern fur Combo. Unterschieden wird dabei in Besetzungen bis 3 Saxophone/Blechbläser (Standard) bis 5 Sax./6 Blechbläser (Standard + Ergänzer) und den Ergänzer-Stimmensatz. Hier der Standardsatz plus Ergänzerstimmen. Die Besetzung - Standard: C-Stimme (Akkordbezifferung und Text); Gitarre/Melodie (Akkordbezifferung und Text); Drums/Melodie (mit Text); 1./2. Violine; 1./3. Stimme Altsax; 2. Stimme Tenorsax; 1./2. Stimme Trompete; 1. Stimme Posaune; Bass;Klavier (Akkordbezifferung und Text). Ergänzer: 3. Stimme Violine; 4. Stimme Tenorsax; 3. Stimme Trompete; 2. Stimme Posaune; Bariton-Saxophon; Cello. Hier der Doppelband mit Angelitos Negros (Maciste) und Quizas Quizas Quizas (Farres).

Manhã De Carnaval is the title of the popular song by Brazilian composer Luiz Bonfa and lyricist Antônio Maria. Manhã De Carnaval appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro (Black Orpheus). Manhã De Carnaval became one of the first compositions identified with Bossa Nova to gain popularity outside Brazil. The title was particularly popular in the United States where the song is considered to be one of the most important Brazilian Jazz/Bossa songs that helped establish the Bossa Nova movement in the late1950s. Here it has been arranged for Mandolin Orchestra. This is the Bass part.