Never Seek To Tell

A Myriologue

My Papa'S Waltz

My Soul Longs For Thee

Musica Para Ninos

Music For Christopher

Modena Duets

March II: With The Air Son Of

Method For Trombone

Youth Is The Time When Hearts

Mass To St. Anthony

Macarena

Macarena

Love Is More

Little Bird Little Bird

For flute oboe harpsichord and double bass.

Contents: Witness • Passacaglia • love is a place • Words To Be Spoken • I Stop Writing the Poem • Lament • Nude at the Piano • San José Symphony Reception • Old Photograph • Flamenco • Sarah's Song • I Want • Triolet.

A grim commentary on the contemporary Middle East Lamentation and Satire is in the composer's words born out of a reaction to a part of the world that is over the edge. Advanced Level.

The primary purpose of this publication is to provide a working knowledge of the sitar to those people who wish to acquire the basic skills in tuning holding fingering and plucking techniques as well as general care of the instrument even if they do not intend to use it to play Indian music. The methods described in this publication can progressively be adapted to more advanced techniques of the instrument. The primary purpose of this publication is to provide a working knowledge of the sitar to those people who wish to acquire the basic skills in tuning holding fingering and plucking techniques as well as general care of the instrument even if they do not intend to use it to play Indian music. The methods described in this publication can progressively be adapted to more advanced techniques of the instrument.

For Bb Soprano (or Bb Tenor) Saxophone and Small Orchestra-This dance-driven saxophone concerto in miniature demonstrates how Villa-Lobos could integrate nearly any instrument into a Brazilian sound world while still composing a fully classical piece. Of the three short movements the first 'Animé ' is the longest clocking in at about four minutes. An agitated downward cascade for the strings ushers in the soloist playing an angular strongly rhythmic theme relying on quickly repeated notes. A second melody is much broader and more luxurious and spreads across half the movement before the opening rat-a-tat theme begins to insinuate itself very subtly into the proceedings again. Even then the more lyrical melody remains in control to the movement's end. The second movement 'Lent ' relies on a sexy chromatic melody that lingers in the soprano saxophone's high register. After only the briefest pause the finale 'Très animé ' arrives with an impulsive sometimes jittery theme over a firm beat. The solo part wanders off into trills while the small orchestra stretches out in long voluptuous chords. But soon the dance rhythm returns stronger than ever bouncing toward a conclusion in which the saxophone departs with an upward flourish seeming to vanish from the movement without providing a harmonic resolution. (James Reel All Music Guide) A fantasia in three movements by Heitor Villa-Lobos originally composed for Soprano or Tenor Saxophone with Chamber Orchestra and presented here with a Piano reduction of the orchestral material. Suitable for ABRSM exams.