4 trumpets 2 horns 3 trombones baritone tuba timpani

For violin viola cello

Choral part.

For clarinet trumpet timpani piano violin viola and double bass.

(1988) Daugherty is one of the most popular and most performed composers by bassoonists today. Bounce was his first work for bassoon and features one of Daugherty's compositional signatures - two like instruments spaced well apart from each other trading contrapuntal material. Bounce alternates magically between slow expressive soulful sections and rhythmic driving funky sections. Duration - ca. 8:30

4 Flutes or Flute and 3 Clarinets

Unison Choir and Piano 2-score set

For alto flute clarinet piano and percussion.

Piano and percussion: mar vib 3 tomt 2 bongo sn dr roto-tom/tamb agogo cowb mcas bottle clave conga 2 cachiche bamboo wind ch Indian bells mark tree b dr sus cym cachiche stick maraca stick. Piano and percussion: mar vib 3 tomt 2 bongo sn dr roto-tom/tamb agogo cowb mcas bottle clave conga 2 cachiche bamboo wind ch Indian bells mark tree b dr sus cym cachiche stick maraca stick.

Based on five panels from the 2004 graphic novel by Art Spiegelman Mohammed Fairouz's 35-minute Symphony No. 4 In the Shadow of No Towers for wind ensemble evokes the cataclysm of 9/11 and its repercussions - from thepersonal to the national - over the following years. Both haunting and courageous technically magnificent and deeply emotional In the Shadow of No Towers was premiered by the University of Kansas Wind Ensemble under itsmusic director Paul W. Popiel. Their recording of the work has been released on Naxos Records.

SATB and Piano-Poem by Dana Gioia written in memory of his infant son whose brief life was tragically ended by SIDS. Prayer may be paired with Sure on this Shining Night (HL00229069 SATB). A trio of these Theater songs also works well: Prayer followed by Where Have the Actors Gone (HL00229253 SATB; HL00119288 SATB Jazz choir) concluding with Sure on this Shining Night.

Score and Parts (8-8-4-4-4)-An orchestration of Serebrier's 1964 choral work Vocalise Adagio paints a portrait of desolation with the composer's characteristic Slavic dark touch and elegiac and nostalgic mood. Recording credit: St. Michel Strings José Serebrier conducting. Alba Records ABCD 341

For English horn 3 violins cello and piano/harp.

Straddling Eastern and Western idioms Mohammed Fairouz has emerged as a force on the musical scene. Intermediate Level. Straddling Eastern and Western idioms Mohammed Fairouz has emerged as a force on the musical scene. Intermediate Level.

Performance materials on rental.

For high voice and chamber ensemble (flute harp piano violin viola and cello).

A mainstay of the concert repertoire and a popular choice for contests and festivals. Featured in the medley are: Listen to the Mocking Bird; Dixieland; Camptown Races; John Brown's Body; Dixie; Battle Cry of Freedom; Maryland My Maryland; When Johnny Comes Marching Home; Just Before the Battle Mother; Marching Through Georgia; The Yellow Rose of Texas and Battle Hymn of the Republic.

This beautiful variant of the standard Ave Maria text has been only occasionally set to music throughout history most notably by the Renaissance composer Gesualdo. My setting is for men's chorus (with three brief solopassages to be sung by members of the choir) and one set of finger cymbals to be played by a chorister. Finger cymbals often formed part of the performance ritual of early music calling the singers and listeners to worship bysong. --Morten Lauridsen

Based on ideas from Marshall's Piano Quartet (In My End is my Beginning) Authentic Presence attempts to project a continuous state of mind or presence. Based on ideas from Marshall's Piano Quartet (In My End is my Beginning) Authentic Presence attempts to project a continuous state of mind or presence.

For 2 violins and cello