Parte Ii - V Corso Pratico

Per Pianoforte

Per Voce E Pianoforte

for tenor and piano

E Degli Strumenti Elettronici A Tastiera

Per Voce E Pianoforte

Per Pianoforte

Ed. K.A. Fortunatov - Accompagnamenti Pianistici

Per Pianoforte

Per Pianoforte A 4 Mani - Fascicolo I

Per Pianoforte - Volume II: Media Difficolt

Riduzione Per Canto E Pianoforte - Versione Inglese

Full Score

Trascrizioni F. Concina

Sheets for a piano solo lost in space - vol. 1-This collection features 9 piano pieces by Italian cross-over music composer Dardust. Edition enriched with Guido Salto’s illustrations.

Voci d'Opera - Voices of the Opera

Trascrizioni F. Concina

Sistema Rapido. Dall'Impostazione Del Suono All'Esecuzione Musicale

Edizione critica di Italo Vescovo (M.S. 44)-Paganini’s Capriccio “In cor più non mi sento” M.S. 44 for solo violin is a work that is practically unknown in its original form consisting of two movements respectively Andante and Presto. The first (Andante) is a variation based on Paisello’s theme (notated on two staffs to differentiate the bowed and pizzicato effects): while the second (Presto) is a virtuosic variation. It is much less famous than Carl Guhr’s version entitled Introduction et Variations sur le Thème «Nel cor più non mi sento» pour le violon seul de Nicolo Paganini which he included in his “treatise”. Guhr’s version for which we have no surviving original source has been published repeatedly. It is much longer and has got many more variations than the original Capriccio the latter often considered a kind of “first sketch” of the longer work. Guhr’s version has in many ways overshadowed Paganini’s so that the originality of the latter’s composition and its integrity as a self-standing piece have not been sufficiently appreciated. The present critical edition is based upon an autograph manuscript found in the Berlin Staatsbibliothek. It is compared to both the Zimmermann edition (1960) rather unreliable from a philological point of view: and the “Tema” and “Settima variazione” (which “correspond” to the two movements of the Capriccio) from B. Schott’s Söhne (1829) edition.

Revisione didattica con note di stile e prassi esecutiva a cura di Cinzia Barbagelata