Instrumental Play-Along-Who needs a singer? With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca and Turandot .Who needs a singer? With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca and Turandot .

Vocal Score to Giacomo Puccini's Messa Di Gloria for mixed voice choir and Piano accompaniment.

Per Mezzozoprano E Pianoforte

per sole voci (con guida per l'accompagnamento)

Ed. Tradizionale - Opera Completa (Testo Cantato In Italiano)

Vocal Score

Testo Cantato In Italiano

Testo Cantato In Italiano

Ed. Critica G. Carli Ballola P. B. Brauner P. Gossett - Riduzione Per Canto E Pianoforte

Ed. Tradizionale - Opera Completa (Testo Cantato In Italiano-Inglese)

Opera Completa (Testo Cantato In Italiano-Giapponese)

Per Voce E Pianoforte

raccolte ed elaborate da A. Parisotti

Ludovico Einaudi's popularity keeps going from strength to strength and people continue to love to play his music! The twelve ballads contained in this edition can either be played individually or in various combinations grouped around the two main titles Le onde and Questa notte . The CD presents the original soundtracks played by the composer Enrico Einaudi himself.

Jazz Master Method

Piano Vocal Score and 2 CDs with instrumental and vocal versions-A new collection from Ricordi of Verdi arias produced for Verdis bicentenary in a reduced version for soprano voice and piano together with a brief synopsis and the original lyrics in Italian with an English translation. Each Cantolopera book comeswith two CDs with recordings of the orchestral accompaniment played by the compagnia d`Opera Italiana. an ideal collection for singing teachers and students. Arias from: AIDA; UN BALLO IN MASCHERA; LA BATTAGLIA DI LEGNANO; ERNANI; FALSTAFF; LA FORZA DEL DESTINO; I LOMBARDI ALLA PRIMA CROCIATA; LUISA MILLER; MACBETH; I MASNADIERI; MESSA DA REQUIEM; OTELLO; RIGOLETTO; SIMON BOCCANEGRA; LA TRAVIATA; ILTROVATORE as well as the AVE MARIA.

Revisione didattica con note di stile e prassi esecutiva a cura di Cinzia Barbagelata

Edizione critica di Italo Vescovo (M.S. 44)-Paganini’s Capriccio “In cor più non mi sento” M.S. 44 for solo violin is a work that is practically unknown in its original form consisting of two movements respectively Andante and Presto. The first (Andante) is a variation based on Paisello’s theme (notated on two staffs to differentiate the bowed and pizzicato effects): while the second (Presto) is a virtuosic variation. It is much less famous than Carl Guhr’s version entitled Introduction et Variations sur le Thème «Nel cor più non mi sento» pour le violon seul de Nicolo Paganini which he included in his “treatise”. Guhr’s version for which we have no surviving original source has been published repeatedly. It is much longer and has got many more variations than the original Capriccio the latter often considered a kind of “first sketch” of the longer work. Guhr’s version has in many ways overshadowed Paganini’s so that the originality of the latter’s composition and its integrity as a self-standing piece have not been sufficiently appreciated. The present critical edition is based upon an autograph manuscript found in the Berlin Staatsbibliothek. It is compared to both the Zimmermann edition (1960) rather unreliable from a philological point of view: and the “Tema” and “Settima variazione” (which “correspond” to the two movements of the Capriccio) from B. Schott’s Söhne (1829) edition.

Sistema Rapido. Dall'Impostazione Del Suono All'Esecuzione Musicale

Trascrizioni F. Concina