Efter Tagore-Gitanjali-Hymner (Efter Tagore) . BVN149 Gitanjali-Hymner (Efter Tagore) . BVN149

Concerto in one movement Violin solo part for Koncert (i én sats) for violin og orkester / Concerto (in one movement) for Violin and Orchestra (1943-44) BVN 289. Full score: WH32410 Manuskopi / Manuscript copy

Allegorisk Opera Orig. Version-Antikrist (Allegorisk Opera opr. version). Instrumentation: Soli chor SATB orch . BVN170 Manuscript copy Antikrist / Antichrist (Allegorisk Opera Orig. version) 1923 BVN 170 . Instrumentation: Soli Chor SATB Orch Manuscript copy.

Symphony No.9 'Fra Dronning Dagmars By' ('From Queen Dagmar's Town') BVN 282 was composed by Rued Langgaard in 1942. Instrumentation: 3.2.2.2/2.2.2.2/timp/2 perc/org ad lib./str. Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition. Symphony No.9 'Fra Dronning Dagmars By' ('From Queen Dagmar's Town') BVN 282 was composed by Rued Langgaard in 1942. Instrumentation: 3.2.2.2/2.2.2.2/timp/2 perc/org ad lib./str. Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition.

Forbarm dig! / Have Mercy! BVN 337 for Organ solo by Rued Langgaard (1947). The Rued Langgaard Edition. Forbarm dig! / Have Mercy! BVN 337 for Organ solo by Rued Langgaard (1947). Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.

Fanfarer-Danmarks Radio. Instrumentation: 3.2.2.2/4.3.3.1/timp/2 perc/org/str. BVN351 Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard in 1948. Instrumentation: 3.2.2.2/4.3.3.1/timp/2 perc/org/str. Parts are available on hire: hire@ewh.dk This extremely short orchestral piece was composed 7 May 1948 in Ribe. Exactly between 5:45 and 6:45 in the morning (normal time). Rued Langgaard indicates the time of day in both the sketch for the composition and the fair copy of the score. Fair-copying of the score took place on 10 May 4:30 to 6:00 in the morning (summertime) after it should be noted Langgaard had taken his obligatory morning constitutional in Ribe (he suffered from insomnia and arose in the early morning hours). After the work's final measure Langgaard wrote: Short razor-sharp line of thought in music excluding all extraneous developmental' fussiness and with lightning fast movement in all the parts. The same day 10 May he sent the score as program suggestion to the State Broadcasting Service in Copenhagen under the title Denmark's Radio Fandfare for Grand Orchestra - fandfare as a sarcastically meant spelling mistake with an allusion to the Devil (fanden = the Devil in Danish). Langgaard had as is known an ambivalent relationship with the State Broadcasting Service. The work was not accepted and the score was therefore returned to Langgaard who nevertheless submitted it again. The State Broadcasting Service clearly regarded the piece as a joke from the composer's side. When Langgaard died in 1952 the unperformed score was to be found in broadcasting corporation's music

Symphony No.12 'Hélsingeborg' BVN 318 by Rued Langgaard (1946). Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition. Instrumentation: 3.3.3.3/4.3.3.1/timp/perc/str. Symphony No.12 'Hélsingeborg' BVN 318 by Rued Langgaard (1946). Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition. Instrumentation: 3.3.3.3/4.3.3.1/timp/perc/str.

Lenaustemninger / Lenau Moods for Mezzo-Soprano and String Quartet was composed by Rued Langgaard in 1917. BVN 138 Lenaustemninger / Lenau Moods for Mezzo-Soprano and String Quartet was composed by Rued Langgaard in 1917 (BVN 138). Text by Thor Lange. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.

Endelig Version-Antikrist Fortabelsen (endelig version). Instrumentation: 3S T Bar B soli + mixed choir + 4.3.3.4/4.7.7.1/2 timp/3 perc/org/str. BVN192 Antikrist / Antichrist 'Fortabelsen' (final version) - Opera in a prologue and six scenes. Composed 1921-23 BVN 192. Instrumentation: 3S T Bar B soli + mixed choir + 4.3.3.4/4.7.7.1/2 timp/3 perc/org/str.

Symfoni nr. 6 Det Himmelrivende. Instrumentation: 3.3.3.3/4.8.3.1/2 timp/2 perc/Tbells/2 hp/cel/org ad lib./str. Composed 1920. BVN165. 'Det Himmelrivende' / The 'Heaven-Rending' - Symphony No. 6 in one movement on one motif by Rued Langgaard . Composed in 1919-20 rev. 1928-30. BVN 165. Instrumentation: 3.3.3.3/4.8.3.1/2 timp/2 perc/Tbells/2 hp/cel/org ad lib./str. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition Symfoni nr. 6 'Det Himmelrivende' by Rued Langgaard . Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition

Sonate nr. 1 Viole. Instrumentation: Vn pf. BVN94 Sonate nr. 1 'Viole'. Instrumentation: Vn pf. BVN94

Symphony No.14 'Morgenen' ('The Morning') by Rued Langggard (1847-48/1951) BVN 336. Text: St. Matthew & Rued Langgaard Instrumentation: Mixed Choir 3.2.2.2/4.3.3.1/timp/2 perc/org/str. Critical Edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition. Parts are for hire: hire@ewh.dk Symphony No.14 'Morgenen' ('The Morning') by Rued Langggard (1847-48/1951) BVN 336. Text: St. Matthew & Rued Langgaard Instrumentation: Mixed Choir 3.2.2.2/4.3.3.1/timp/2 perc/org/str. Critical Edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition. Parts are for hire: hire@ewh.dk

Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Military Drum BVN 176 - was composed by Rued Langgaard in 1922-23. Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Military Drum BVN 176 - was composed by Rued Langgaard in 1922-23.

POD-Insektarium. BVN134 Insektarium. BVN134

Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BVN 133. Texts by Jenny Blicher-Clausen Ivan Turgenjev Thor Lange and Holger Drachmann. Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BVN 133. Texts by Jenny Blicher-Clausen Ivan Turgenjev Thor Lange and Holger Drachmann. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.

Rued Langgaard 's String Quartet No. 2 dating from 1931. BVN 145 Rued Langgaard 's String Quartet No. 2 dating from 1931. BVN 145

String Quartet No. 3 was composed by Rued Langgaard in 1924. BVN 183 String Quartet No. 3 was composed by Rued Langgaard in 1924. BVN 183

Endens Tid . Instrumentation: Soprano Tenor Baryton solo + mixed choir 3.3.3.4/4.4.3.1/2 timp/2 perc/2 hp/pf/cel/str. BVN243 Endens Tid . Instrumentation: Soprano Tenor Baryton solo + mixed choir 3.3.3.4/4.4.3.1/2 timp/2 perc/2 hp/pf/cel/str. BVN243

Collected Songs Vol. 1 - Songs to German texts (1907-15) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genre comprises 125 songs. Half of them were composed in the short span ofyears between 1914 and 1918 when the composer was in his early twenties. With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis. Collected Songs Vol. 1 - Songs to German texts (1907-15) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genre comprises 125 songs.Half of them were composed in the short span of years between 1914 and 1918 when the composer was in his early twenties. With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis.

I Blomstringstiden / In The Flowering Time for Soprano and String Quartet by Rued Langgaard (1917). Text by Alvilde Prydz. BVN 136 I Blomstringstiden / In The Flowering Time for Soprano and String Quartet by Rued Langgaard (1917) BVN 136. Text by Alvilde Prydz. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.