Giuseppe Sammartini who was considered to be one of the most important composers of instrumental music of his time maintained in this concerto a conventional framework; however he used the instrumental possibilities - particularly in the dialogue between the solo instrument and the orchestra - with imagination and in an unusual way. The movements: Allegro - Siciliano - Allegro assai

“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)The edition is part of the Trinity syllabus 2007 (grade 1 2 3)

A Madrigal from A Garland for The Queen-A Madrigal from 'A Garland for The Queen'

for middle-fiddle (viola) solo-1908 composition for Viola by Percy Aldridge Grainger. 1908 composition for Viola by Percy Aldridge Grainger.

Quiet sustained chords accompany this tender melody which is arranged with Bonsor's usual devoted care. Very easy. (The Recorder)

The Schott Viola Album includes 11 transcriptions in the 1st postition for Viola and Piano as arranged by Raymond H. Dodd.

First solo pieces for violin. 1st book in the series for violin and piano (schott edition) D. Gabrieli: Ploughman's Song J. Brahms: Folk Song J. Brahms: The Hunter A.T. Gretchaninoff: Morning Stroll A.T. Gretchaninoff: The Jester E. Humperdinck: Sleep Song J.A. Hasse: Bourée and Menuet E. Grieg: Watchman's Song E. MacDowell: To a Wild Rose F. Schubert: Andante F. Schubert: Waltz J. Danbé: Minuet in D F. Schubert: Country Dance F. Schubert: Minuet and Trio (Symphonie No.5) L.v. Beethoven: Menuetto and Trio J.P. Kirnberger: Carillon G.P. Telemann: Andante and Allegro W.A.Mozart: Minuet and Trio

For SATB quartet

Irish Reel-Grainger. Molly on the Shore no 1. Piano Published by Schott. Grainger. Molly on the Shore no 1. Piano Published by Schott.

for brass band arranged by Dennis Wright-Irish Tune from Country Derry. Composer: Percy Aldridge Grainger. Arranger: D. Wright. Brass Band Score and Parts. Irish Tune from Country Derry. Composer: Percy Aldridge Grainger. Arranger: D. Wright. Brass Band Score and Parts.

and other Pavans and Galliards- For SATTB ensemble

A Sonata in G Minor by Luigi Merci for Bassoon or Cello and Basso Continuo edited by Nancy Hadden.

Christopher Edmunds: Sonatina for Descant Recorder and Piano

Peter Racine Fricker joined the faculty at the University of California Santa Barbara in 1964 as a visiting professor and became a regular faculty member in 1970. In 1979 he was appointed Faculty Research Lecturer and remained an active professor at the University until his death in 1990. In 2008 he arranged for his estate to be used to fund an endowment for the graduate program in Composition at UCSB. The Peter Racine Fricker Fellowship for Studies in Composition provides fellowships for graduate students as well as postdoctoral students in the Composition Program of the Music Department at the University of California at Santa Barbara. Fricker's substantial output of symphonies concertos and string quartets formed an important contribution to the growth of a more progressive European outlook among British composers in the immediate postwar years. A contrapuntalist he was influenced by the examples of Bartok and Hindemtih though using serial methods as well. His vocal and choral works were few in number though the oratorio The Vision of Judgement remains highly regarded.

For Descant treble and tenor recorder trio

from the Opera Persee- Also suitable for flute or oboe

Fifteenth-Century Music-The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios as well as five- and six-part pieces.The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances fantasias and arrangements of expressive madrigals catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources editorial technique and interpretation. Volume I contains avaluable introduction to the series and to the art of consort playing. 2-6 recorders: Descant Treble Tenor Bass in various combinations.

Originally published in the 1940s Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians these were produced by a man who could play every instrument of the orchestra could compose a satisfying piece for almost every kind of ensemble and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.

For up to 8 recorders

The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios as well as five- and six-part pieces.The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances fantasias and arrangements of expressive madrigals catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources editorial technique and interpretation. Volume I contains avaluable introduction to the series and to the art of consort playing. 2-6 recorders: Descant Treble Tenor Bass in various combinations.