A wonderful SATB setting of the Robert Burns text that captures the beauty of this amazing lyric.

From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He was very fond of fantastical and magical tales: his immediately preceding work was the Piano Concerto Op. 39 BV247 which included music from an unfinished adaptatioon of Adam Oehlenschläger's Aladdin. In 1904 Busoni began sketching incidental music for Gozzi's Chinese fable. He also arranged a concert suite which was first performed in 1905 and published in 1906. A production of Gozzi's play with Busoni's music was mounted by Max Reinhardt in Berlin in 1911 and for the second and last time in London in 1913. This transcription of the first movement of Busoni's Turandotsuite was created for George A. Treviño and his superb Lopez High School Band of Brownsville Texas. The piece was premiered in February 2017 at the Texas Music Educators Association convention on the occasion of the Lopez band's 6A Honor Band performance.

Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

The band method that teaches music reading

A beginning band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

An intermediate advanced band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

An intermediate band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

Compiled from the celebrated Victor Method and useful for both full ensembles and individual study the 167 exercises in this book cover virtually every aspect of technical study for bands and wind ensembles from thebasics of intonation and tone quality to increased fluency. Exercises include rehearsal letters every 2-4 measures to save rehearsal time and allow for easy practice loops. (Includes additional material by Tom C.Rhodes and Donald Bierschenk)

Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempiSixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

Six suites originally written by Johann Sebastian Bach (1685-1750) for unaccompanied cello. The suites have been transcribed for baritone/trombone by Robert Marsteller. Six suites originally written by Johann Sebastian Bach (1685-1750) for unaccompanied cello. The suites have been transcribed for baritone/trombone by Robert Marsteller.

An intermediate band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

Thirty easy level sight reading pieces for first- and second-year bands. - Time signatures: 4/4 3/4 2/4 cut time - Keys: Concert F Concert Bb Concert Eb - Note/rest values: Whole half quarter eighth dotted half - Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio - Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine

Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

Six suites originally written by Johann Sebastian Bach (1685-1750) for unaccompanied cello. The suites have been transcribed for baritone/trombone by Robert Marsteller. Six suites originally written by Johann Sebastian Bach (1685-1750) for unaccompanied cello. The suites have been transcribed for baritone/trombone by Robert Marsteller.

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on I Call to Thee Lord Jesus Christ; Final Chorus from St. Matthew Passion ; Chorale Prelude on We All Believe in One God( Giant Fugue )

Thirty easy level sight reading pieces for first- and second-year bands. - Time signatures: 4/4 3/4 2/4 cut time - Keys: Concert F Concert Bb Concert Eb - Note/rest values: Whole half quarter eighth dotted half - Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio - Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine

Condensed Score-Compiled from the celebrated Victor Method and useful for both full ensembles and individual study the 167 exercises in this book cover virtually every aspect of technical study for bands and wind ensembles from thebasics of intonation and tone quality to increased fluency. Exercises include rehearsal letters every 2-4 measures to save rehearsal time and allow for easy practice loops. (Includes additional material by Tom C.Rhodes and Donald Bierschenk)

This extraordinary collection of wedding favorites is the perfect solution for wedding planners looking for just the right music for that upcoming wedding ceremony. The arrangements are appropriate for the string quartet of forstrong orchestra. The optional contrabass part provides additional flexibility. Selections include: Aria (Handel); Bridal Chorus (Wagner); Wedding March (Mendelssohn); Trumpet Voluntary (Clarke); Largo from Winter (Vivaldi); Rigaudon (Campra); Theme from 1st Symphony (Brahms); March (Mozart); Trumpet Tune (Purcell); Canon (Pachelbel); Jesu Joy of Man's Desiring (Bach); Allegro from Winter (Vivaldi).This extraordinary collection of wedding favorites is the perfect solution for wedding planners looking for just the right music for that upcoming wedding ceremony. The arrangements are appropriate for the string quartet of forstrong orchestra. The optional contrabass part provides additional flexibility. Selections include: Aria (Handel); Bridal Chorus (Wagner); Wedding March (Mendelssohn); Trumpet Voluntary (Clarke); Largo from Winter (Vivaldi); Rigaudon (Campra); Theme from 1st Symphony (Brahms); March (Mozart); Trumpet Tune (Purcell); Canon (Pachelbel); Jesu Joy of Man'sDesiring (Bach); Allegro from Winter (Vivaldi).

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on I Call to Thee Lord Jesus Christ; Final Chorus from St. Matthew Passion ; Chorale Prelude on We All Believe in One God( Giant Fugue )

Thirty easy level sight reading pieces for first- and second-year bands. - Time signatures: 4/4 3/4 2/4 cut time - Keys: Concert F Concert Bb Concert Eb - Note/rest values: Whole half quarter eighth dotted half - Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio - Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine