for Oboe and Saxophone-Long established as one of the centerpieces of study repertoire for both the oboe and saxophone. In addition to the 48 famous Ferling studies it includes 3 Duos Concertants for two instruments and Trio for two oboes and english horn by Beethoven. Long established as one of the centerpieces of study repertoire for both the oboe and saxophone. In addition to the 48 famous Ferling studies it includes 3 Duos Concertants for two instruments and Trio for two oboes and english horn by Beethoven.

Composed while Bernhard Heiden served as Assistant Bandmaster for the 445th US Army band during World War II this first-ever print edition has been carefully edited and adapted with modern instrumentation. The influence of the composer's mentor Paul Hindemith is evident in the tonal yet nondiatonic harmonies paired with Heiden's own light and tuneful melodic writing. (Grade 4) Dur: 7:00

Each of these four instructional sonatas for solo clarinet (transcribed from Barret's famous oboe studies by David Hite) includes a complete accompaniment part for second clarinet making them suitable not just for intermediate toadvanced solo study but also as contest pieces for two clarinets. Also included in this volume are five melodious studies by Delphin Alard.Each of these four instructional sonatas for solo clarinet (transcribed from Barret's famous oboe studies by David Hite) includes a complete accompaniment part for second clarinet making them suitable not just for intermediate toadvanced solo study but also as contest pieces for two clarinets. Also included in this volume are five melodious studies by Delphin Alard.

The band method that teaches music reading The band method that teaches music reading

This book the first in the series of three is the result of the need expressed by percussion educators for repertory for the student who is making the big step from the snare drum to the drum set. All of the etudes are based on one of the standard flam exercise. This book the first in the series of three is the result of the need expressed by percussion educators for repertory for the student who is making the big step from the snare drum to the drum set. All of the etudes are based on one of the standard flam exercise.

Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

The band method that teaches music reading

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on I Call to Thee Lord Jesus Christ; Final Chorus from St. Matthew Passion ; Chorale Prelude on We All Believe in One God( Giant Fugue )

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on I Call to Thee Lord Jesus Christ; Final Chorus from St. Matthew Passion ; Chorale Prelude on We All Believe in One God( Giant Fugue )

Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

A beginning band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

A beginning band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

Appropriately titled this collection provides a great foundation of daily exercises for the development of the serious clarinet player. Edited by renowned woodwind teacher and specialist David Hite. Appropriately titled this collection provides a great foundation of daily exercises for the development of the serious clarinet player. Edited by renowned woodwind teacher and specialist David Hite.

Compiled from the celebrated Victor Method and useful for both full ensembles and individual study the 167 exercises in this book cover virtually every aspect of technical study for bands and wind ensembles from thebasics of intonation and tone quality to increased fluency. Exercises include rehearsal letters every 2-4 measures to save rehearsal time and allow for easy practice loops. (Includes additional material by Tom C.Rhodes and Donald Bierschenk)

Includes: 16 Caprices (Gambaro); 14 Etudes from Op. 37 (Dont); 6 Studies for the Development of the Tongue; 4 Expressive Studies; 3 Studies for Nimble Speed; 3 Chromatic Studies; 6 Studies for Flexibility; 2 Studies on Trills Includes: 16 Caprices (Gambaro); 14 Etudes from Op. 37 (Dont); 6 Studies for the Development of the Tongue; 4 Expressive Studies; 3 Studies for Nimble Speed; 3 Chromatic Studies; 6 Studies for Flexibility; 2 Studies on Trills

Compiled from the celebrated Victor Method and useful for both full ensembles and individual study the 167 exercises in this book cover virtually every aspect of technical study for bands and wind ensembles from thebasics of intonation and tone quality to increased fluency. Exercises include rehearsal letters every 2-4 measures to save rehearsal time and allow for easy practice loops. (Includes additional material by Tom C.Rhodes and Donald Bierschenk)

Snare drum solo for concert contest or recital performance written by the Professor Emeritus of Percussion at the University of Texas. Snare drum solo for concert contest or recital performance written by the Professor Emeritus of Percussion at the University of Texas.

One of the most important collections of flute repertoire available today. It contains six of the most widely performed Sonatas composed by Johann Sebastian Bach (1685-1750). They have been skillfully edited by Jean Albert de la Tournerie and John Wummer. One of the most important collections of flute repertoire available today. It contains six of the most widely performed Sonatas composed by Johann Sebastian Bach (1685-1750). They have been skillfully edited by Jean Albert de la Tournerie and John Wummer.