Two solos in jazz idiom for pedal or non-pedal harp-Two solos in jazz idiom for Pedal or Non-Pedal Harp. New to the Trinity College Syllabus in 2015. Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green . Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart 's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House . Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

10 Fugues For String Quartet Vol. 2- The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets' Op. 20. The spirit and influence of J.S. Bach in particular his Well Tempered Clavier Book II courses through these three miraculous Haydn fugues. Like the viol consort the string quartet suits this kind of composition (the fugue) with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations there's little fugal writing for string quartet at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire - lightness of sound and rhythmic fluidity for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces mostly fast bright and in major keys show Bach at his most playful funny and mischievous composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues written by my favourite composer - a violinist and violist himself but above all a master

The island of Gozo in the Mediterranean has been a place of happiness for me since my first visit many years ago. This suite of pieces hopefully reflects my love of the place and its people.

Arranged specially for Karen Geoghegan the woodwind finalist in the BBC's Classical Music artists competition 2008. This arrangement is imaginative and sumptuously romantic. A great encore! Two Bassoon parts are included - 1) Treble Clef/Tenor/Bass clef 2) Tenor/Bass Clef only (for non-treble clef readers). The pitches are the same in each version so be prepared for some high notes whichever version you use....

The Occasional Organist's Survival Kit offers a series of volumes each of which features a range of essential Organ repertoire arranged for manuals only and in some cases slightly simplified yet maintaining the integral strength and effectiveness of the music. Ideal for the confirmed pianist called upon to act as organist! Grade: 5

Bach's Chorale harmonisations arranged for four bassoons. Also available in the Bach Chorale Collection - SP183. Grade: 6

Take a tour of the world with this fantastic selection of songs from all over the world all arranged for flexible String Orchestra. This pack contains: Full score 3 X Violin 1 parts 2 X Violin 2 parts 1 X Violin 3 parts 1 X Viola part 2 X Cello parts 1 X Bass part.

8 Flexible Woodwinds Duet-A delectable collection of eight original jazzy pieces by John Widger. They are relatively easy flexible woodwind duets - for any combination of Flute/Oboe/Recorder/Bb or C Clarinet with or without Piano support. As the title suggests the arrangement is completely up to you allowing for the greatest amount of felxibity adapting it to suit your players! All of the duets are suitable for Grade 1 and upwards. A delectable collection of eight original jazzy pieces by John Widger. They are relatively easy flexible woodwind duets - for any combination of Flute/Oboe/Recorder/Bb or C Clarinet with or without Piano support. As the title suggests the arrangement is completely up to you allowing for the greatest amount of felxibity adapting it to suit your players! All of the duets are suitable for Grade 1 and upwards.

Flexible Duets and Trios-Allegro K439 by Mozart and Allegro Moderato Op. 48 by Pleyel skilfully arranged for Sax duet or Trio by William McConnell. Allegro K439 by Mozart and Allegro Moderato Op. 48 by Pleyel skilfully arranged for Sax duet or Trio by William McConnell.

The Colne Edition Concert Series contains a range of Alan Bullard 's works for more advanced players all of which are suitable for recitals. Designed for the more experienced player Workout is an exciting single-movement work contrasting sections of sonorous drama with lively elements of jazz giving both players the opportunity to show off their skills.

Flexible jazz style duets with piano accompaniment and optional guitar chords for any combination of flute(s) oboe(s) Bb or C clarinet(s). This set combines with the saxophone version to provide maximum versatility! Grade: 4 - 6

An album with clear expressive aims which helps to develop specific strengths in tone and technique. These pieces can be played either with the Piano or practised unaccompanied by also playing the Piano cues that are printed in the Flute parts which complete the melody lines. Contents Berceuse Deebeedeebeedee Gymnopédie Hebridean Lament Russian Steppes The Octave Waltz The Sparrow The Woodpecker

Six pieces in varied jazz and rock styles with easy piano accompaniment. This book has since been republished to include a CD (see SP779).

As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Bb Or C Clarinet & Piano-A collection of short pieces in a jazz style. The music cleverly conceals the use of the AB scales and arpeggios within the music. Popular with festivals. Grade: 3 - 5. A collection of short pieces in a jazz style. The music cleverly conceals the use of the AB scales and arpeggios within the music. Popular with festivals. Grade: 3 - 5.

Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Flexible Wind Ensemble-Triumphal March from Aida La Donna e Mobile from Rigoletto Dance of the Hours from La Gioconda and Soldier's Chorus from Faust. Grade: 2 - 5

Sympathetic arrangements with optional practice backing tracks and performances on the accompanying CD. All highly playable. Presented here are four of Chopin's most playable and recognisable pieces sensitively arranged for piano duet. They are an ideal introduction to Chopin for the student pianist. Includes the Étude Opus 10 No. 3 Prelude in C minor Prelude (originally in A major) and the Waltz Op. 69 No. 1.

This bumper collection of nearly 50 easy to play tunes is for any instrument in B Flat and also includes chord symbols. An essential for any serious Busker!

Bach's glorious six part fugue from The Musical Offering made accessible in easy piano duet form by Mark Goddard.