Clarinet with piano accompaniment or play-along with the backing CD. On the CD each piece appears twice first with and then without the solo line. Here are tunes and melodies that have not just been churned out but have real character and charm. Contained within the eight tunes are a lovely variety of moods tempos styles and time signatures. The music more than depicts the various aspects of circus life which their title suggests. Simply written but so effective they really do help the pupil and teacher in learning the basics of dynamics. Grades 3-5.

A seasonal arrangement for 4 bassoons of 'The Twelve Days of Christmas' with excerts from 'Jupiter' (Holst) Beethoven's 8th Symphony and Arbeau's 'Ding Dong Merrily'! Grade: 5 - 6

Carefully graded pieces to help pupils with reading and aural skills. Includes CD with backing tracks and chord symbols for a live Keyboard or Guitar accompaniment. Teacher's Notes: These carefully graded pieces have been designed to help your pupils with their reading skills from elementatry to grade 3 - 4. The scale melodies will help to develop a feeling for keys and tonality. The pieces have no performance markings and you and your pupils are encouraged to add these as part of the learning experience. The chord symbols throughout are in concert pitch and offer the opportunity to add a live keyboard or guitar accompaniment. These pieces are designed to be bothenjoyable performance material and a helpful teaching resource and the scale melodies will make preparation for examinations a more rewarding and musical experience. Student's Notes: Every piece has a full performance track and an accompaniment track on the companion CD. Listen to the performance tracks and try to copy what you hear - for example what do you notice about the quavers (eighth notes) in Pogo Stick and Swingin' - are they the same? Use your ears. Play along with the accompaniment tracks with as much style as you can and most importantly Have Fun! This book was originally published by Harlequin Music Cambridge in 2000.

Flexible String Ensemble-This piece cleverly combines 'She'll Be Comin' 'Round The Mountain' with 'Oh When The Saints Go Marching In!' and can be performed by a minimum of Violins 1 & 2 Cello plus at least one of Harp Piano Bass or Cello 2. Parts are also available for Woodwind (see SP697). Grade: 3 - 5

Tunes from The American Civil War worked into a medley including Marching Through Georgia The Battle Hymn of the Republic and Dixie. Marching songs were sung to boost morale on both sides. On occasions when the armies of the North and South were camped within earshot they would sing songs in an attempt to demoralise the opposition before battle the following morning. Grade: 5

Strings Pack-Four pieces. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY. Four pieces. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

From the Colne Edition Church Music Series Grace Be Unto You is a besutifuly reflective piece and easy anthem for Soprano and Alto Voices with optional Men written by Alan Bullard. Revised 2005. From the Colne Edition Church Music Series Grace Be Unto You is a besutifuly reflective piece and easy anthem for Soprano and Alto Voices with optional Men written by Alan Bullard. Revised 2005.

3 Flexible Saxophone Trio- Sugar Plum Swing Out Dance of the Knock Kneed Fairy and Tango - three up-beat arrangements originating from Tchaikovsky's Nutcracker ballet re worked by Duncan Stubbs for Saxophone Trios. Flexible in its scoring this set contains a full score and four parts allowing performance on either 3 alto saxophones or 2 altos and a tenor Most suited to players at grades 4 and 5.

Six original educational duets in pop styles for Piano or Keyboard. Ideal concert pieces. Grades 0-3.

Grades 2-Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production. The inspiration for writing these pieces came from the wish to give young students music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the accompanuments is therefore to enable the teacher to underline theharmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example. Finally it is the author's belief that children enjoy the challenge of expressing different moods and emotions musically and it is hoped that the range of ideas implied by the keys and the titles of these pieces will fire their imagination. Contents: Almost Alone D Minor Along the Sunny Path F Major Dance of the Gnomes D Minor English Folk Song A Major Fisherman's Tale Bb Major Full Moon F Major Happy Song G Major Intermezzo Bb Major Lana's Song A Minor Ländler A Major Mountain Climb G Major Off to School C Major Overture G Major Quick March ! A Major Rustic Dance D Major Sad Song G Minor Sicilienne G Minor Sicilienne Variation G Minor Spring Song C Major Sunshine and Flowers C Major Virtuoso Variations G Major

Animal-inspired pieces for flute & piano. CD performances by Gillian Poznansky (flute) & Mark Tanner (piano). Recorded and Edited in Bristol by Nathan Roberts 2010. Promotional price during 2011!

Jack Brymer premièred this work originally called 'Sopsonare' in 1973 at the American School at St. John's Wood playing on Michael Krein's Selmer soprano saxophone. This Sonata the first composition for saxophone by Colin Cowles was inspired by the acquisition of a soprano saxophone whilst teaching in Hemel Hempstead in the early 1970s. Although having played on a simple system soprano as a boy (an instrument borrowed from and taught him by his father) this re-introduction to the instrument was to kindle a life-long love of the complete saxophone family and the composition of an almost endless 'library' of works for it at all levels. It was also at a time whenthe composers had made recent acquaintance with the eminent saxophonist Peter Ripper and had been introduced to the saxophone quartet by the recently formed London Saxophone Quartet whose leader Paul Harvey was to play this Sonata and the Elegy for Soprano Saxophone and String Orchestra. He in fact premiered the latter work which Jack Brymer then played in public on a number of occasions. It was recorded by Peter Ripper with the composer at the piano at the BBC Maida Vale Studios. It is a totally non-esoteric work but like so much of the composer's music it is fun and approachable bearing repetition without becoming tedious. The composer has always favoured the Bb saxophones (soprano and tenor) which is reflected by his output. Of particular note are: • Concerto for Tenor Saxophone and Orchestra • In Memoriam for Tenor Saxophone and String Orchestra • Sonata for Tenor Saxophone and Piano • Three Bala Sketches for Tenor Saxophone and Piano. This Sonata for Soprano Saxophone and Piano and the Elegy for Soprano Saxophone and Strings are particular favourites of the composer. Jack Brymer premièred this work originally called 'Sopsonare' in 1973 at the American School at St. John's Wood playing on Michael Krein's Selmer soprano saxophone. This Sonata the first composition for saxophone by Colin Cowles was inspired by the acquisition of a soprano saxophone whilst teaching in Hemel Hempstead in the early 1970s. Although having played on a simple system soprano as a boy (an instrument borrowed from and taught him by his father) this re-introduction to the instrument was to kindle a life-long love of the complete saxophone family and the composition of an almost endless 'library' of works for it at all levels. It was also at a time whenthe composers had made recent acquaintance with the eminent saxophonist Peter Ripper and had been introduced to the saxophone quartet by the recently formed London Saxophone Quartet whose leader Paul Harvey was to play this Sonata and the Elegy for Soprano Saxophone and String Orchestra. He in fact premiered the latter work which Jack Brymer then played in public on a number of occasions. It was recorded by Peter Ripper with the composer at the piano at the BBC Maida Va

For 'Flatpicking Guitar'. Includes TAB notation. An exciting and varied collection of 35 traditional tunes from around the world arranged for easy flatpicking guitar. All tunes are written clearly in standard notation as well as guitar tablature. An accompanying CD contains all the tunes played at a manageable speed accompanied by a backing band of guitars bass mandolin fiddle and percussion. The tunes come from Africa North and South America Europe The Middle East Asia and Australia and are specially arranged by the author with the beginning/intermediate guitarist in mind. On the CD the tunes are played 2 or 3 times so you can really get into thefeel of the tune when playing along. The speed of the tunes is quite slow but not so slow as to take away from the essential feel of the music. There is a mine of great music to be discovered from around the world a sample of which can be found in this unusual and stimulating selection which may well prove to be a springboard to further studies of traditional styles. For 'Flatpicking Guitar'. Includes TAB notation. An exciting and varied collection of 35 traditional tunes from around the world arranged for easy flatpicking guitar. All tunes are written clearly in standard notation as well as guitar tablature. An accompanying CD contains all the tunes played at a manageable speed accompanied by a backing band of guitars bass mandolin fiddle and percussion. The tunes come from Africa North and South America Europe The Middle East Asia and Australia and are specially arranged by the author with the beginning/intermediate guitarist in mind. On the CD the tunes are played 2 or 3 times so you can really get into thefeel of the tune when playing along. The speed of the tunes is quite slow but not so slow as to take away from the essential feel of the music. There is a mine of great music to be discovered from around the world a sample of which can be found in this unusual and stimulating selection which may well prove to be a springboard to further studies of traditional styles.

Tchaikovsky Symphony No.6- An abridged and simplified version that tries to give something of the flavour of all four movements of the original. The opening Adagio works well the second movement lies happily under the fingers with an effective sharing of material between the hands. The lively third movement is carefully scored with its staccato writing. Music Teacher Magazine

Brass Pack-'Brahms Three Sock it to Me'....has clearly set out to cut the boaring bits and only show the goals ... The arrangement itself is tastefully done and may well inspire young players to listen to the original'. Music Teacher Magazine. Grade: 3 - 6

Oh When The Saints Go Marching in-This piece cleverly combines She'll Be Comin' 'Round The Mountain with Oh When The Saints Go Marching In! and can be performed by a minimum of Violins 1 and 2 Cello plus at least one of Harp Piano Bass or Cello 2.

Irresistible Backing Trac-POP-START provides the beginner flautist with music to enjoy from their very first lesson. The fun of playing along with these high quality tracks is irresistible and the carefully devised progression of notes and skills gradually builds up confidence and aids motivation. These accessible music styles provide familiar idioms in which to introduce the skills of flute playing and an understanding of notation and rhythm. This lively album of music is appropriate for players up to Grade 2 standard. Hilary Taggart studied the flute with Trevor Wye Geoffrey Gilbert and Marcel Moyse. Her career has included work in many symphony orchestras ballet opera and WestEnd shows in London. She has written flute music for all standards ranging from beginner to advanced and is also an experienced teacher who has enjoyed coaching flautists of all ages and abilities. Rob Taggart. Since graduating from the Royal Academy of Music in 2002 Rob has performed with Katie Melua Bootyluv The Foundations Gareth Gates Tony Hadley Rick Astley David Jordan Chris Norman and Just Jack. He was also a member of the house band for three series of the Charlotte Church Show on Channel 4 and has played keyboards in several West End shows. Rob has composed and arranged music for TV advertising campaigns for Hewlett- Packard Subaru Ford Focus Hellmans. Save The Children Oasis British Gas and PC World.

Includes Circus Rock Sad Clown Acrobats Tightrope Walker Sentimental Serenade Trick Cyclist Dancing Dolls and Russian Galop. On the CD track 1 is a tuning note then each piece appears twice: first with and then without the solo line. Includes Circus Rock Sad Clown Acrobats Tightrope Walker Sentimental Serenade Trick Cyclist Dancing Dolls and Russian Galop. On the CD track 1 is a tuning note then each piece appears twice: first with and then without the solo line.

This piece was originally written for the trombonist Michael Skitt as the final 'prank' movement of a concerto for trombone and orchestra. By popular request the piece has been given a separate piano part and has since been proved equally entertaining for trombone bassoon or cello! Grade: 8

Satie: Gymnopedie No. 1 Tchaikovsky: Dance of the Cygnets (from Swan Lake) and Rossini: William Tell Overture (Allegro Vivace). Score with parts for Piccolo Flutes 1 (div.) Flutes 2 (div.) Alto Flute and Bass Flute.