An exciting and varied collection of 35 traditional tunes from around the world arranged for easy fiddle (violin). All tunes are written clearly in standard notation along with bow directions. An accompanying CD contains all the tunes played at a manageable speed accompanied by a backing band of guitars bass mandolin and percussion. The tunes come from Africa North and South America Europe The Middle East Asia and Australia and are specially arranged by the author with the beginning/intermediate fiddle player in mind. On the CD the tunes are played 2 or 3 times so you can really get into the feel of the tune when playing along. The speed of the tunes isquite slow but not so slow as to take away from the essential feel of the music. There is a mine of great music to be discovered from around the world a sample of which can be found in this unusual and stimulating selection which may well prove to be a springboard to further studies of traditional styles.

Flexible Brass Ensemble-Five jazz pieces including potential for audience participation! Grade: 4 - 5

Flexible String Ensemble-These spooky pieces are enormous fun for kids: Special effects include creaky doors ghostly moaning and unison shouts of 'Boo!' to frighten the unsuspecting school concert audience! Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Includes three solid piano Sonatas and a Bach Prelude and Fugue. Ideal teaching material from the masters. See www.spartanpress.co.uk for more information... Grade: 8 Includes three solid piano Sonatas and a Bach Prelude and Fugue. Ideal teaching material from the masters. See www.spartanpress.co.uk for more information... Grade: 8

Habanera And Canzonetta-Toreador Song Habanera & Canzonetta from Carmen. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Fresh and energetic pieces in which the piano part has been kept fairly simple while allowing gifted pianists potential for improvisation. Swingin' Hornpipe Charleston Blues Ragamuffin Boogie and Daydreams. Grade: 2 - 5 Fresh and energetic pieces in which the piano part has been kept fairly simple while allowing gifted pianists potential for improvisation. Swingin' Hornpipe Charleston Blues Ragamuffin Boogie and Daydreams. Grade: 2 - 5

Seven evocative piano solos minimalist in style. Easy to play film music style. Composer's Notes: The Promise A promise of unconditional love between two people. Although dynamics are marked they are a guide. Please play freely. After The Rain The rain has stopped the air is fresh leaves glisten in the sun. Play simply with an initial air of stillness taking care with articulation and left hand note placement. Moonlit Dance A waltz with some rubato. This piece was written for a young friend who was experiencing a great loss to convey to her a sense that all will be well. Night Kiss Imagine a romanticmoonlit walk with a little flirtation and a stolen kiss here and there. A Celtic Dream Loch Lomond was enchanting. I hardly slept a wink because of the spectacular view from our room window. When I play this I am transported there. A New Day Written November 14th 2015 following devastating news headlines from Paris. 'A new day' is about new beginnings. Mia Bella (Beautiful Light) Playful but sensitive. Mia Bella brightens any darkness with love and joy. When her work here is done she returns to the light. I really hope you enjoy playing these pieces as much as I have enjoyed writing them.

A comprehensive Bassoon tutor that is designed to help children gain the greatest pleasure possible from the development of their musical potential. Blow The Bassoon! comes in two volumes for the Bassoon student with two further volumes of piano accompaniments for the teacher. 2004 Grade: 0-5 A comprehensive Bassoon tutor that is designed to help children gain the greatest pleasure possible from the development of their musical potential. Blow The Bassoon! comes in two volumes for the Bassoon student with two further volumes of piano accompaniments for the teacher. 2004 Grade: 0-5

Saxophone Duets-Suitable for either 2 altos or 2 tenors or 1 of each (cunning three stave system). 'Tricks and Games' comprises of a series of fifteen short and contrasting pieces in a light yet essentially modern idiom. Parts are intended to be played by two pupils of similar abilities. Including: Chinese Chequers Draughts Cowboys Indians Rag-Time etc. 'The pieces are tuneful and gratifying to play... excellent sight reading practice.' Clarinet and Saxophone Magazine. Grade: 3 - 6

Grades 0-3-A wonderful set of three very easy Blues numbers for beginner bands and ensembles. They are designed to be as flexible as possible including optional parts for Keyboard instruments guitrars drums and percussion depending on availability of performers and instruments. Simple arrangements of fantastic original tunes make these pieces suitable for Grades 0 - 3.

Tuba (bass clef) & piano. A new series for brass comprising: Rumba Stomp Soliloquy Hymn and Good News. Grade: 3 - 5

Fiddle Faddle-31 traditional Welsh fiddle tunes arranged for Violin duet or Violin and Viola with optional cello part to convert to a mixed trio. 31 traditional Welsh fiddle tunes arranged for Violin duet or Violin and Viola with optional cello part to convert to a mixed trio.

I was asked by the Ebony Saxophone Quartet to write something for them. I composed this suite and named it in honour of Monsieur Buffet of saxophone fame - Laurie Holloway. I was asked by the Ebony Saxophone Quartet to write something for them. I composed this suite and named it in honour of Monsieur Buffet of saxophone fame - Laurie Holloway.

Three favourites fomr Bizet's Carmen arranged by Edward Vincent and Mark Goddard. Toreador Song Habanera and Canzonetta for Flexible String Ensemble. Grade: 3 - 5

Twenty five carefuly graded sightreading arrangements of folk tunes from Scotland to Africa Paraguay to Finland! Grade: 2

Open Strings To Grade 1- Easy Latin String Orchestra offers players of an elementary level experience their first taste in ensemble performance with seven great pieces suitable for open strings to grade 1 standard. These super pieces all feature and addictive Latin flavour and are ideal repertoire for the early String ensemble.

Two solos in jazz idiom for pedal or non-pedal harp-Two solos in jazz idiom for Pedal or Non-Pedal Harp. New to the Trinity College Syllabus in 2015. Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green . Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart 's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House . Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

10 Fugues For String Quartet Vol. 2- The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets' Op. 20. The spirit and influence of J.S. Bach in particular his Well Tempered Clavier Book II courses through these three miraculous Haydn fugues. Like the viol consort the string quartet suits this kind of composition (the fugue) with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations there's little fugal writing for string quartet at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire - lightness of sound and rhythmic fluidity for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces mostly fast bright and in major keys show Bach at his most playful funny and mischievous composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues written by my favourite composer - a violinist and violist himself but above all a master

The island of Gozo in the Mediterranean has been a place of happiness for me since my first visit many years ago. This suite of pieces hopefully reflects my love of the place and its people.

Arranged specially for Karen Geoghegan the woodwind finalist in the BBC's Classical Music artists competition 2008. This arrangement is imaginative and sumptuously romantic. A great encore! Two Bassoon parts are included - 1) Treble Clef/Tenor/Bass clef 2) Tenor/Bass Clef only (for non-treble clef readers). The pitches are the same in each version so be prepared for some high notes whichever version you use....