24 Progressive Studies from the composer of the famous Associated Board 'Progressive Studies' series. 24 Progressive Studies from the composer of the famous Associated Board 'Progressive Studies' series.

A collection of fun and original pieces for grade 2-3 Pianists. For Piano or Keyboard the Bigger Picture series presents music in styles ranging from pop to jazz rock latin contemporary and classical. A collection of fun and original pieces for grade 2-3 Pianists. For Piano or Keyboard the Bigger Picture series presents music in styles ranging from pop to jazz rock latin contemporary and classical.

Suitable for grades 0-4. Includes companion backing CD. Carefully graded pieces to help pupils with reading and aural skills. Includes CD with backing tracks and chord symbols for a live keyboard or guitar accomp. Teacher's Notes: These carefully graded pieces have been designed to help your pupils with their reading skills from elementatry to grade 3 - 4. The scale melodies will help to develop a feeling for keys and tonality. The pieces have no performance markings and you and your pupils are encouraged to add these as part of the learning experience. The chord symbols throughout are in concert pitch and offer the opportunity to add a livekeyboard or guitar accompaniment. These pieces are designed to be both enjoyable performance material and a helpful teaching resource and the scale melodies will make preparation for examinations a more rewarding and musical experience. Student's Notes: Every piece has a full performance track and an accompaniment track on the companion CD. Listen to the performance tracks and try to copy what you hear - for example what do you notice about the quavers (eighth notes) in Pogo Stick and Swingin' - are they the same? Use your ears. Play along with the accompaniment tracks with as much style as you can and most importantly Have Fun! This book was originally published by Harlequin Music Cambridge in 2000.

School String Ensemble-Air from the Water Music Pastoral Symphony from the Messiah and Bouree from the Fireworks Music. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Kay Charlton 's Bollywood Blast - Clarinet is produced by the Bollywood Brass Band (BBB) and is designed to get you playing Clarinet in the Bollywood style. As you work your way through this book you will learn how to play like the BBB and also find out about Brass Bands in India and the UK Indian weddings and of course about Bollywood films the music and the stars.

Jazz Hands is a series of original jazz pieces for piano by Mark Tanner which covers all standards from grade one through to red hot. Jazz Hands is a series of original jazz pieces for piano by Mark Tanner which covers all standards from grade one through to red hot.

13 Duets For 4-Hand Piano- 13 duets by Barbara Arens for Piano 4-hands.

3 Jazzy Saxophone trios based on Scottish Folk Songs including Charlie is m' Darlin'. For 2 Alto Saxophones and 1 Tenor Saxophone with an extra Alto part to replace the Tenor if required. Grade 3-4 difficulty. 3 Jazzy Saxophone trios based on Scottish Folk Songs including Charlie is m' Darlin'. For 2 Alto Saxophones and 1 Tenor Saxophone with an extra Alto part to replace the Tenor if required. Grade 3-4 difficulty.

Open String parts for Flexible String ensembles by John Widger. 'As well as the careful choice of keys and the clear print bowings have also been added judiciously... the open string parts are actually given brief solos- something that would surely apeal to the young player'. Music Teacher Magazine. Grade: 0 - 1

Five popular extracts from Fireworks Water Music and the march from Scipio. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Three unique arrangements from Gilbert and Sullivan's 'The Mikado'. 'I am so Proud' 'Madrigal' and 'Here's a how-de-do!'. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Sympathetic arrangements with optional practice backing tracks and performances on the accompanying CD. All highly playable.

Fun original pieces for Grade 1 Pianists. For Piano or Keyboard the 'Bigger Picture' series presents music in styles ranging from pop to jazz rock latin contemporary and classical. Fun original pieces for Grade 1 Pianists. For Piano or Keyboard the 'Bigger Picture' series presents music in styles ranging from pop to jazz rock latin contemporary and classical.

Five Irish Folk Songs. Grade: 5

More Well Loved Classical-The second in this series of well-loved and naughtily arranged classical themes! The Primo part consists of an easy student part in freed hand positions while the secondo part contains spiced-up teacher accompaniments. Arranger John Widger has fashioned an interesting and effective volume that features versions of a Chopin Prelude Dvorak's Humoresque and a fabulous jazz harmonization of the Air from Handel's Water Music as well as half-a-dozen more gems! Classicool - Book 2 lets you play these classics like you've never heard them before! Suitable for students working at grade 1 with more challenging secondo parts for the teacher.

Woodwind Pack-Four pieces. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY. Four pieces. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Alexander Glazunov Trois Miniatures Op.42 - No.1 arranged for Clarinet with Piano accompaniment by Mark Tanner.

9 pieces in Latin Style-9 Latin style pieces for both study and performance plus notes on the scores & fingering glossary of chord symbols and notes on rasgueados. The A-B-A-C-A Choros form is used as a basic structure for all of the pieces and the styles and moods of the music vary from traditional and classical to Bossa Nova and jazz samba. In Brasil the Choros (diminutive Chorinho) owes its development to musicians performing either solo or in groups who often being obliged to play long hours during functions and festivals would improvise and create variations on popular and traditional themes. The compositions here are all based on this idea of stating a theme andthen creating variations & contrasts. Although the melodic harmonic and rhythmic content of the Choros/Chorinho has evolved greatly over time its underlying beat feel is traditionally 2 per measure and written with a 2/4 time signature. This generally makes comfortable reading for the guitar player because the beamed note groupings define clearly the rhythm patterns to be played. However much music that originally appeared in 2/4 time is now published in 4/4 with a cut time feel and which seems to be favoured by many musicians including guitarists who work in folk and popular idioms. For this edition the time signature which allows a clearer page presentation is chosen for each piece and no musical difference between the 2/4 and the Cut-time signatures is intended. 9 Latin style pieces for both study and performance plus notes on the scores & fingering glossary of chord symbols and notes on rasgueados. The A-B-A-C-A Choros form is used as a basic structure for all of the pieces and the styles and moods of the music vary from traditional and classical to Bossa Nova and jazz samba. In Brasil the Choros (diminutive Chorinho) owes its development to musicians performing either solo or in groups who often being obliged to play long hours during functions and festivals would improvise and create variations on popular and traditional themes. The compositions here are all based on this idea of stating a theme andthen creating variations & contrasts. Although the melodic harmonic and rhythmic content of the Choros/Chorinho has evolved greatly over time its underlying beat feel is traditionally 2 per measure and written with a 2/4 time signature. This generally makes comfortable reading for the guitar player because the beamed note groupings define clearly the rhythm patterns to be played. However much music that originally appeared in 2/4 time is now published in 4/4 with a cut time feel and which seems to be favoured by many musicians including guitarists who work in folk and popular idioms. For this edition the time signature which allows a clearer page presentation is chosen for each piece and no musical difference between the 2/4 and the Cut-time signatures is intended.