Exploiting the rich possibilities of the soprano saxophone Brian Kelly captures a range of moods in eight tuneful and distinctive vignettes that whether light-hearted or sad offer an abundance of musical enjoyment.

Thirty-Five Compositions By King Henry VIII is a unique collection containing King Henry VIII’s complete secular works. These works consist of part-songs and instrumental consorts and have been transcribed and edited by John Stevens. The collection is a mixture of instrumental pieces and pieces for vocal ensemble mostly in three parts with about half-a-dozen in four. Seventeen of the pieces are instrumental though it is perfectly possible (and historically accurate) to play the vocal pieces on instruments if preferred. In the instrumental pieces no instruments are stipulated. The top staff is treble the second is written in the trebleclef but sounds an octave lower as for vocal tenor and the lowest line is a for a bass clef melody instrument. Either flute or recorder would work well for the top line in most of these pieces which usually go no lower than around middle C. The bassoon could play either the second or third line. And the line left over could be played on keyboard. This is not harmonic music however. There are no chords nor would it be easy of idiomatic for the keyboard player to vamp or otherwise extemporise harmonies. The pieces are printed in score so two players might share one copy but two copies would be ideal if the keyboard player is also taking part and three of course if the players want to practise separately.

An attractive Epiphany carol to words written by the composer Follow The Star is based on a dynamic chorus in straight rock style interleaved with verses that might be taken as solo passages for one or more singers in a unison and Piano performance. For the concluding return of the refrain the music rises a semitone to F sharp major to clinch the mood of celebration. Teachers conductors and young performers may wish to exploit the possibilities for processional performance mime and acting to add to the fun.

Book 6-Written by Peter Lawson this book covers the ground for the Grade 6 level: everything likely to be found in the sight-reading section of the solo Piano examinations held by the Associated Board and similar examining bodies.

Chorus Part SATB Ba solo and orchestra. Settings of George Herbert ( Easter; I got me flowers; Love bade me welcome; The Call; Antiphon).

Arranged for Organ by Nigel Ogden Among the all-time classical favourites and an essential item in any church organist's library of service music Pachelbel's Canon in D receives a fresh and original makeover in this new arrangement by the celebrated recitalist and radio host Nigel Ogden. Scored by the composer for an ensemble of three violins and bass the piece adapts beautifully for performance on the organ. Ogden's treatment retains all the soothing melodious character of the original masterpiece while falling easily within the range of amateur players who are able to manage a simple pedal part.

A jaunty and interesting piece with a flip and a flap of penguin! Nigel Ogden's work for Organ is a pleasing and entertaining piece that will help warm you up at any time of year!

SSATBB unaccomapanied Edited by David Brown Walter Collins and Peter le Huray

Impro an exciting new introduction to improvisation in string playing is suited to absolute beginners as well as more advanced players. It can be combined with regular teaching methods or used as a source of relaxation and fun in lessons and all the material is interchangeable between violin viola cello and double bass. The skills of free improvisation are built up in stages using basic ideas and progressing to more complex patterns. There are guidelines all the way plus duets with improvisation for teacher and pupil - and any other string players wishing to enjoy this lively and original style of music-making! A teacher working in Holland Sarah Stiles leadsworkshops in her method of Free Improvisation and is also the composer of the unique Dual Band nine violin duos with improvisation.

Vocal duet edited by Alfred Moffatt Ranges D - F and C sharp - D.

SATB unaccompanied

Extra Violin part-Square Dance; Gavotte; Jig

Written to celebrate the 60th Anniversary of the Compton Organ at the Leicester Square Odeon London affectionately known as 'The Duchess'. Ogden once again conjures a marvellous and charming composition.

This delightful suite first published in 1952 is reprinted by popular demand of the many players who have enjoyed its tuneful baroque style. It begins with a stately Prelude followed by a vigorous Allegro. The slow movement explores the more soulful aspects of the trumpet's character. The finale is a lively jig.

Written by Peter Lawson this book covers the ground for the Grade 1 level: everything likely to be found in the sight-reading section of the solo Piano examinations held by the Associated Board and similar examining bodies.

Five Fantasias and Two Dances Of Three Parts-Set of Parts Edited by William Coates and Thurston Dart. Score available in Musica Britannica Volume 9 (MB9).

Grades 1 and 2-The rudiments and pieces for the London College of Music and Media's Tuned Percussion examinations for Grades 1 and 2.

Book 2-Compiled by Kenneth Bowen and Geoffrey Pratley CONTENTS Se povero il ruscello (from 'Ezio') D - A Tergi l'ingiuste lagrime (from 'Ezio') C - G La gloria in nobil alma (from 'Partenope') C - G Alzo al volo (from 'Radamisto') D - A Prigioniera hò l'alma in pena (from 'Rinaldo') E - A Pastorello d'un povero armento (from 'Rodelinda') D - F sharp Empio per farti guerra (from 'Tamerlano') C - A Forte e lieto a morte andrei (from 'Tamerlano') C - G

Dance Rhapsody No. 2 and Eventyr-Full Score. Revised Thomas Beecham (Complete Works Volume 15a) Orchestral material available for rental (Ref. HL74). Full Score. Revised Thomas Beecham (Complete Works Volume 15a) Orchestral material available for rental (Ref. HL74).

Compiled by Alan Borthwick and Robin Wilson CONTENTS County Guy (B - E) Distant Shore (B flat - E flat) Edward Gray (D - G) Mary Morison (D - E) Sigh no more (E - A).