2 Vl 2 Va and Vc- Ralph Vaughan Williams's Phantasy Quintet for two Violins two Violas and Cello. Score and Parts.

Johann Sebastian Bach did not write any cello concertos. Or did he? Many of his music manuscripts disappeared after his death. Included in that lost treasure may have been a couple of cello concertos. Bach wrote six suites for cello and three sonatas for viola da gamba so yes why not a cello or a gamba concerto? Here is the Concerto In F Minor BWV1056 arranged for cello and piano.

Adapted and transcribed for English Horn by Robert Stanton these intermediate studies by Vaughn-Williams are interesting and melodic whilst introducing and honing the specifics of English Folk songs. Piano accompaniment: Cat. No. H47

There being no just cause or impediment to the contrary Christopher Maxim makes a daring liaison between the music-hall ballad 'Daisy Daisy' (on pedals) and the grand organ style of Vierne (on manuals) in his Toccata Nuptiale written for the wedding of a friend whose passions include cycling. The result which moves along way from the organ loft of Notre Dame is a splendid addition to the repertoire of wedding music and of light-hearted concert works - and is much simpler to play than a real Vierne toccata!

SATB unaccompanied.

Grades 1 - 4-This CD contains the piano accompaniments for grades 1 to 4 and may be used by candidates in their examination as an alternative to live accompaniment.

Aquarelle For Clarinet and Piano- Frensham Pond - Aquarelle for Clarinet and Piano is a beautiful miniature composed by William Lloyd Webber (1914-1982). The solo clarinet part is also included on a separate insert.

Edited by Thurston Dart. A critical edition of the famous book first published in 1612-13 with 21 pieces by Byrd Bull and Gibbons. CONTENTS BULL John (Galiardo in D (XIIII); Galiardo in D (XV); Galiardo: St Thomas Wake; Galiardo to Pavana 12; Pavana in G; Pavana: St Thomas Wake; Preludium in G) BYRD William (Galiardo: Mistress Mary Brownlo; Galiardo Secundo: The Earl of Salisbury; Galiardo: Sir William Petre; Galiardo: The Earl of Salisbury; Pavana: Sir William Petre; Pavana: The Earl of Salisbury; Preludium in C; Preludium in G) GIBBONS Orlando

Pastorale; Chosen Tune; Luchinuska. A welcome reprint of three delightful pieces by an outstanding English 20th-century composer. Set for the Guildhall School Examinations Grades 3 6 and 7.

SATB and organ.

A prolific editor and arranger for the organ Best also composed church music carols glees piano music orchestral pieces as well as works for the organ. Major works for the 'King of Instruments' include 'Four Concert Fantasias' of which 'Fantasia on a Welsh March' is number two in the set. Based on the Welsh tune 'Men of Harlech' it subjects the march to virtuosic treatment that makes demands on both player and instrument. It is a fine work and worthy of inclusion in any recital programme.

Music for SATB chorus occupies an important place in Rhian Samuel 's catalogue of works from the early carols written in the USA 'Jolly Wat the Shepherd' of 1970 and 'So Long Ago' (1st Prize Greenwich Festival 1979) to her most recent anthems for the Choir of New College Oxford. In her songs vocal chamber music and choral compositions she has explored an impressive range of poetry from anonymous 14th-century Welsh texts and traditional Japanese verse to Emily Dickinson Samuel Beckett and contemporary poets including Anne Stevenson. Samuel 's three 'Jacobean Lyrics' of 1979 included a simple canonic account of George Herbert's 'I got me flowers'. Thisnew a cappella setting returns to the poet's sublime devotional verse reflecting the dialogue structure of ' Love Bade Me Welcome ' through expressive contrasts of material and vocal ensemble.

John Ireland's Greater Love Hath No Man for SATB Choir with Organ accompaniment.

Thomas Tomkins: Madrigals in 3 4 5 and 6 parts (1622) Contents: Songs of three parts: Our hasty life away doth post No more I will thy love Sure there is no god of Love Fond men that do so highly prize How great delight Love cease tormenting Songs of four parts: O let me live for true love (the first part) O let me die for true love (the second part) Oyez! Has any found a lad? Weep no more thou sorry Boy (the first part) Yet again as soon revived (the second part) Was ever wretch tormented? Songs of five parts: To the shady woods Too much I once lamented Come shepherds sing with me Cloris whenas I woo See see the shepherds' Queen Phyllis now cease to move me When David heard Phyllis yet see him dying Fusca in thy starry eyes Adieu ye city-prisoning towers The fauns and satyrs tripping Songs of six voices: When I observe Music divine Oft did I marle Woe is me It is my well-beloved's voice Turn unto the Lord

SSATB unaccompanied Arranged by D F R Wilson. Words by Phineas Fletcher.

Violin part and Piano part-Foxtrot; Valse Triste; March; Beguine. Foxtrot; Valse Triste; March; Beguine.

Three movements for solo cornet in B flat. Ar y Mynydd Prydferth Cymreig (On The Beautiful Welsh Mountain) is a colourful programmatic piece in three short movements depicting scenes of Welsh mountains valleys caves and a hero armed only with his trusty cornet encounters a legendary red dragon. Ar y Mynydd Prydferth Cymreig was highly commended by the judges in the first Stainer & Bell Award for Brass Composition held at the Royal Welsh College of Music & Drama in Cardiff in May 2010.

Bwv 846-893 Book 1: Nos 1 To 24-The first part of Bach's J.S. Bach: 48 Preludes And Fugues from the Well-Tempered Clavier as edited by Carl Czerny.

Music from the early Fifteenth Century for 1 2 or 3 voices and instruments

Edited by Richard Platt An all-sung English opera that was completed in 1707 but which received its first London production only in 1972 Semele remains one of the great 'might have beens' of British music. Had it taken the stage as planned it could well have affected the development of English opera by showing that a native form in spirit Purcellian and English rather than Italian was indeed perfectly viable during the 18th century. Performing material available for rental. First Published 2000. Hardback.