Fueterrabia

Canciones Populares Valencianas for 3 o 4 V.I.

Mingote: Manojico De Coplas Y Estribillos

Civil: Sant Josep I La Mare De Deu 4 V.I

Heu Mihi Motete

Balance

Cuad.II

Espirituales Polifonicas

Opereta En Un Acto

De Coleccion de Bailes Espanoles

From Piezas Caracteristicas Op.92

De La Virgen De Montserrat

Del Libro De Venegas De Henestrosa S.XVI

French Horn and Piano

Gran Coleccion De Aires Regionales

From Luisa Fernanda

Azucarillos Y Aguardiente

Hilarion Eslava (1807-1878) was a Spanish priest musician and pedagogue. Although he was a prolific and well-known composer in his own time today he is primarily remembered for his 1846 work Metodo De Solfeo a successful Solfège Method which has been in constant use all over the world for more than 150 years. Having been a choirboy at Pamplona the method was published while Eslava was choirmaster at the Royal Chapel in Madrid and he undoubtedly used it as he was training the choristers there. Hilarion Eslava (1807-1878) was a Spanish priest musician and pedagogue. Although he was a prolific and well-known composer in his own time today he is primarily remembered for his 1846 work Metodo De Solfeo a successful Solfège Method which has been in constant use all over the world for more than 150 years. Having been a choirboy at Pamplona the method was published while Eslava was choirmaster at the Royal Chapel in Madrid and he undoubtedly used it as he was training the choristers there.

Enrique Granados (1867-1916) was a Spanish composer and pianist who studied in Barcelona and Paris and whose life was tragically cut short by the First World War. The nationalist style which dominated his early output is often seen to be epitomised by the 1890 work 12 Danza Española a collection of Spanish dances originally for the solo Piano. Andaluza is No. 5 from 12 Danza Española and has been transcribed here for Cello with Piano accompaniment. This high quality edition comes in a marbled cover and would be a perfect gift for any cellist interested in Spanish music.

La Maja De Goya from Tonadilla by Enrique Granados. A wonderfuil piece for Guitar solo transcribed from the original setting by Muiguel Llobet in 1994.