Set on the ABRSM Guitar syllabus.

Score and parts for James Rae's Jazz Trios for flute clarinet and piano

Recorder Quartets - Volume 1 - Vocal Music of the Renaissance Contents: Now o now I need must part - John Dowland (SATB) Fair Phyllis I saw sitting alone - John Farmer (SATB) Come lovers follow me - Thomas Morley (AATB) I will no more come to thee - Thomas Morley (AATB) Motet 'Ecce iam venit plenitudo' - Gioseffo Zarlino (ATTB) Si el pastorcicos es neuvo - Juan Vasquez (ATTB) Dizen a mi que los amores é - Jaun Vasquez (ATTB) Par amores lo maldixo - JuanVasquez (SATB) Zagaleja de lo verde - Juan Vasquez (SATB) Quando? quando? - Juan Vasquez (SATB) Il est bel et bon? - Passereau (SATB) Allon gay gay gay bergerès - Guillaume Costeley (SATB) Orsus orsus vous dormez trop - Clement Jannequin (AATB) El grillo - Josquin des Préz (AATB)

This collection of easy jazzy duets has been written entirely in the low register to enable players of very modest abilities to tackle them without difficulty. Arranged for Clarinet duet with chord symbols.

Eine Auswahl originaler Klaviermusik aus dem 17. bis 20. Jahrhundert-A selection of original piano music from the 17th to the 20th Centuries providing exciting repertoire for the pianist of today. Book two is suitable for Pianists at Associated Board grades 3-5.

Ballade for Flute and Orchestra by Frank Martin. Piano reduction by Gerhard Braun. Published by Universal Edition (UE18034). This Ballade written in 1939 has become an integral part of the modern Flute repertoire showcasing Frank Martin's style of mixing various contemporary compositional trends.

The Traditional Nativity Play presented in mime with narrator piano and recorder group. Suitable for Junior Schools. Optional speaking parts provided. CD of piano accompaniment included if required in rehearsal performance or as a useful guide. Includes notes on staging and costumes. No performance fee is necessary for the staging of this play. Duration - approximately 20 minutes.

The pieces in this collection are all of moderate difficulty and will provide good concert material for the serious Saxophonist. They are all in true eccentric Satie style and indeed two of the Gnossiennes in this collection were originally written without bar-lines! Arranged for Alto Saxophone with Piano Accompanient.

The present sheet music edition of Johann Friedrich Fasch's C major bassoon sonata is edited by Milan Turkovic.

This collection of 12 pieces for solo clarinet was composed to develop 'positive playing' at an advanced level. They incorporate many elements of modern music such as atonality serialism minimalism and of course jazz. The pieces can be performed individually or grouped together to form 'suites' of three or more movements.

Jazzy Clarinet For Young Players 1 is an ideal introduction to the rhythms and syncopation for a variety of contemporary styles such as Rock Jazz and Pop. All six of the pieces here are in the bottom register with embellishment firmly rooted on basic chords so as to give a sound basis for more sophisticated improvisation later. Also this Clarinet book is perfect practice to enhance scales and arpeggios for examination purposes.

ABRSM Guitar Examination Grade 8.

Duets 1 to 25 of Bartok's celebrated set for two Violins that exhibit all the hallmarks of the composer's love of Hungarian folk music. All the duets are concise and straight-forward to play making this ideal material for two confident Violin students and an excellent resource for some entertaining and thought-provoking concert repertoire. Arranged in order of progressive difficulty each melody is derived from a peasant folktune and may be performed in any order or combination.

Eine Auswahl originaler Klaviermusik aus dem 17. bis 20. Jahrhundert-A selection of original piano music from the 17th to the 20th Centuries providing exciting repertoire for the pianist of today. Book one is suitable for Pianists at Associated Board grades 1-3.

Blue Saxophone has been composed with the aim of introducing Saxophonists to music in the blues idiom. The pieces are of moderate length and in varied styles. The accompaniments have been written in such a way as to encourage the correct interpretation of the music. Basic chord symbols have also been added to the middle section of each piece to allow freedom for improvisation. Parts have been included for both B-flat and E-flat Saxophones. Selected for the ABRSM Alto and Tenor Saxophone examinations grades 3 and 4.

This collection of 12 Modern Etudes was composed to develop 'positive playing' at an advanced level They inorporate many of the musical elements encountered by players today including those found in jazz and rock. The pieces can be performed indivually or grouped together to form 'suites' of three or four movements. For ABRSM exams.

James Rae presents accessible arrangements of ten popular melodies ranging from Bach to Bacharach to give the early Clarinet soloist experience in a wide variety of musical styles. Includes full Piano accompaniments.

Works 26-44 from a set of 44 duets all based around the peasant folk melodies of Bartok's native Hungary rich in Bartok's characteristic harmonic invention and arranged in progressive order of difficulty. Edited by Peter Bartok.

18 studies written to develop familiarity with the main types of scales and arpeggios in Jazz. More enjoyable than the scales themselves James Rae has deliberately chosen keys that give a comfortable user-friendly introduction to the various tonalities. Each section describes a particular type of scale and includes studies based on it. Included are: the major scale the dorian mode the mixolydian mode the minor pentatonic scale the jazz melodic minor scale the blues scale the chromatic scale the whole tone scale and the diminished scale. Studies in each of these volumes have been set as an alternative to scales for all grades on the Jazz Flute JazzClarinet and Jazz Saxophone syllabuses of the new Trinity Guildhall Examinations 2007.

Teachers seeking further material for their pupils to relish and enjoy without searching through quantities of music that is technically inappropriate for the pupil's level need look no further. James Rae has carefully selected a variety of pieces from classical to modern and studies of all kinds for each of grades 1 2 and 3 keeping in mind the technical requirements at each level. These books present an opportunity for pupils to broaden their musical experiences and explore the wide variety of music that is within their grasp.