Respected Canadian composer Mark Sirett masterfully juxtaposes English and Latin passages and men's and women's voices in this stunningly beautiful piece for concert festival and worship venues. Best for more accomplished choirs. Respected Canadian composer Mark Sirett masterfully juxtaposes English and Latin passages and men's and women's voices in this stunningly beautiful piece for concert festival and worship venues. Best for more accomplished choirs.

Steven Sametz's remarkable stylized treatment of this traditional spiritual with its powerful solo and haunting choral writing will leave audiences staggered. Requires an accomplished soloist (tenor or possibly alto) and a strong choir for college and beyond.

Latin and English texts. Available: SATB SSA TTBB.

For more ambitious choirs who would like to emulate the sound of the Anonymous 4. Uses chant-like singing and beautiful polyphonic vocal writing. Emphasizes the purity of the voice through the evocative Latin text by Hildegard von Bingen. For more ambitious choirs who would like to emulate the sound of Anonymous 4 this piece uses chant-like singing and beautiful polyphonic Vocal writing that emphasizes the purity of the voice through the evocative Latin text by Hildegard von Bingen .

With Jingle Bells words set to new music in a jazz waltz feel along with a playful flute part this song is easy to prepare with a rewarding result! Suitable for most mixed choirs this will be the piece to hum all winter long! Duration: ca. 3:10. With Jingle Bells words set to new music in a jazz waltz feel along with a playful flute part this song is easy to prepare with a rewarding result! Suitable for most mixed choirs this will be the piece to hum all winter long! Duration: ca. 3:10.

This work with text by the composer's father urges us to seek God within us. For college and advanced high school choirs it is sung in Creole with a full English translation provided in the program notes. Duration: ca. 7:00.

SATB-From Come Follow Me! Hosanna! is a jubilant and forceful celebration with a driving piano part. A fine opening piece for competition or festival high school choirs and beyond. Moderately easy. Available: SATB.

German and English texts. Available: SSATBB a cappella.

The Day You Were Born/Life-Give Me a Little More Time-A collection of three brief Hemberg songs composed over the last 20 years. English.

From Piae Cantiones (1582) this setting of Gaudete is in a progressive style yet well suited to the medieval melody. Its energy is derived from the accented rhythms and dance-like percussive elements all adding tothe joyous nature of this piece. With 4-player percussion accompaniment (score and parts available separately). Also available for TTBB divisi. Duration: ca. 4:45.From Piae Cantiones (1582) this setting of “Gaudete” is in a progressive style yet well suited to the medieval melody. Its energy is derived from the accented rhythms and dance-like percussive elements all adding to the joyous nature of this piece. With 4-player percussion accompaniment (score and parts available separately). Also available for TTBB divisi. Duration: ca. 4:45.

A great addition to any men's choir performance this Irish folk song tells how pretty Kitty's broken milk pitcher leads to romantic complications. Offers great opportunity for the singers to act out the story! A perfect concertcloser or encore with piano (four-hands) accompaniment. Duration: ca. 2:30.

Jo-Michael Scheibe Choral Series music by David Dickau-New accessible setting of Campion's well-known poem exploring joy and pain resolving in the anticipation of lovers reuniting. A wonderful concert selection for high school and beyond.

Composed for the Tapiola Choir the theme for this work is For The Peace describing in its three sections how provocation and violence are turned into understanding and peace. Available: SSAA a cappella. Performance Time: Approx. 3:55. (For the Peace). Composed for the Tapiola Choir the theme for this work is For The Peace describing in its three sections how provocation and violence are turned into understanding and peace. Available: SSAA a cappella. Performance Time: Approx. 3:55.

Opening with a beautiful chantlike verse this new arrangement of the familiar hymntune is a welcome addition to any choir's repertoire. The gently flowing musical line supports the worshipful first century text.

Tooma Laulukoor-Following the popular Estonian carols Ule Lume Lagedale and Skating this Christmas song celebrates the season's joy with children and animals. It is fun and quick to prepare for high school and beyond. In easy Estonian with pronunciation guide or English.

The contemplatively lyrical poem by Edna St. Vincent Millay finds a pefect match in Eric Barnum's evocative setting perfect for more sophisticated high school college or community choirs. Of medium difficulty it would make anespecially lovely feature item for a spring concert. Duration: ca. 5:10

Jubilant and rhythmic with a wonderful solo that soars above the choral accompaniment.

German and English texts. Available: SATB a cappella.

Aunu Aunu Balti Kajas-The second selection from a set of Five Latvian Folk Songs this song tells of a young woman picking the whitest of garden roses for a wreath. Its rhythmic 2/4 is playful with off-the-beat accents strewn in and the melody line weaving through the four-part women's arrangement. Featured in the 2001 National ACDA concert this makes a fine festival or competition selection. Moderately difficult. Available: SSAA a cappella.

A light-hearted choice for men's choir the extravaganza pokes gentle fun at the male chorus singing tradition. Echoing themes well-known to most men's choirs this is a singer's song. Moderately easy. A light-hearted choice for men's choir the extravaganza pokes gentle fun at the male chorus singing tradition. Echoing themes well-known to most men's choirs this is a singer's song. Moderately easy.