Set work for Isle of Man Competition 1982 by an important British composer '...uses the bass in a dramatic and colourful way... a fine piece...' The Strad. Grade: Advanced

Out of print for most of the 20th century this method comprises some 200 valuable progressive studies newly edited for a four stringed instrument with revised fingering and modern notation. ABRSM Double Bass Syllabus.

Yorke Edition-Born in Oxford in 1917 Francis Baines was a well-known and much respected professional double bass player. He studied at the Royal College of Music in London with Claude Hobday where he later taught. Something of an eccentric he immersed himself in early music at a time when few people were taking it seriously. He owned a beautiful Amati bass that he had restored as a violone which it probably was originally and he was a regular fixture as a principal player in a number of orchestras and ensembles that dedicated themselves to period performing including those directed by Denys Darlow with whom he broadcast and recorded frequently. Besides playing the doublebass Francis Baines was an exponent of the treble viol and led the Jaye Consort of Viols which he founded. He also played several kinds of bagpipe and the hurdy-gurdy. As a composer he dabbled in many styles one of his greatest claims to fame being that of writing for the popular Hoffnung concerts in the 1960s. He was the author of a number of papers about the history of the double bass sometimes arriving at scholarly conclusions that were colourful if not always entirely accurate. He discovered the Giovannino del Violone sonatas subsequently published by Yorke Edition although today it is thought that they were probably not written for a 16' pitch instrument at all. His edition of the Capuzzi double bass concerto published by Boosey & Hawkes was for many years one of the few solo works available for the instrument. This however he largely re-composed because he thought it could be improved: towards the end of his life he confessed that with hindsight he probably should have treated it differently. Grounds was written in 1969 as a sort of party piece and was given to Yorke Edition in support of a drive to enlarge the repertoire for the instrument in a wide variety of styles. It was set on the syllabus of the Associated Board of the Royal Schools of Music for many years. Francis Baines died

'A difficult work... very effective... well contrasted in tempo and dynamic direction'. Music Making. Duration c.8'. Grade: Advanced 'A difficult work... very effective... well contrasted in tempo and dynamic direction'. Music Making. Duration c.8'. Grade: Advanced

Commissioned by Cheshire Libraries and Museums Services for Gary Karr. Benstead is an English composer who has written much music for Janet Smith and Dancers. The four movements Prelude Conversation Piece Lament and Finale are rhythmic and melodic. Duration c. 15'. Grade: 8

for Cello (or Double Bass) and Piano. Very easy approachable pieces written in an appealing melodic style.

A good arrangement of a beautiful operatic melody; useful as an introduction to advanced playing particularly in legato. Grade: 8

A light six-movement suite with popular French flavour. Moderate difficulty. The Habanera is recorded by Walter (Liben) the entire work by Goilav with the composer (Christophorus). AMEB (Australian Syllabus) 2004 Grade: Moderate