Composed by Georges Hue for the Conservatoire Contest (1900) 1st Solo De Cornet à Pistons is a piece for Cornet and Piano accompaniment dedicated to J. Mellet. Quite difficult (6°) it would demonstrate well the skills acquired by an advanced player during a contest but can also be performed for a recital as it's eminently enjoyable. Written in Bb minor the piece starts with the succession of lyrical parts by the Bassoon accompanied by the Piano and of some quieter ones with a more predominant Piano and a slower Bassoon. The piece then continues with a more energetic part reminiscent of a march supportedby some chords on the Piano. It closes on a faster section in Molto Vivace. It is really important for the Cornet player to master his breathing to execute this piece effectively. Georges Hue (1858-1948) is a French musician and composer who composed numerous Operas including one created after the stories by Perrault.

The source of inspiration for the composer was the nuclear disaster in Chernobyl in Russia. The first movement Ostinato expresses desperation helplessness fear and anger. The themes from the first movement are further exposed in the second movement Fantasia which has a spectacular finale.

The edition is part of the Trinity syllabus 2007 (grades 4 & 5) A unique collection of exciting and varied music suitable for the early grades. None of the pieces in this book have been chosen purely for their educational value they have also been selected on their individual purely musical strengths. The book is more than a selection of performable pieces for each piece is roughly graded and varied in its demands so that any player who works through the book will have the chance to consolidate and polish their technique.

Daybreak song-SAB. Raminsh I

Features of the Barenreiter Urtext edition of Beethoven 's Mass In C Major : Score with realisation of the Organ part Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) Straight-forward Piano reduction Full score and performance material (BA9039) and Vocal score (BA9039-90) available for sale Amongst Beethoven ’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music. Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

Oper in 3 Akten-Study Score - Hawkes Pocket Score 1184. Delius F

The Chester Miracle Play-Study Score - Hawkes Pocket Score 761.

1.Plaza del Disco; 2.Trompette médiévale; 3.Playa tropicale; 4.Ballade en mi; 5.Brasilia Song

10 pieces in 10 styles from around the world-Musical Postcards features genuine ethnic bands form round the world the Mike has met over the years. Nearly 50 musicians were involved many of them world-famous recording artists. In addition a 12-piece string section has been added to some of the tracks. Musical Postcards is a unique collection of world music and an unrivalled opportunity for students of all abilities not only to listen to some of the world's leading ethnic bands but also to play along with them.The edition is part of the Trinity syllabus 2007 (grade 4 5)10 Pieces in 10 Styles from around the world. Brazil - Sambossa France - Riviera '62 Ireland - Dodd's Odd Job Mexico - Mucho Mariachi! Puerto Rico - Salsa con Moto Russia - Cossackaya! Scotland - Upland Fling Spain - Andalusia Mora USA - Flat Fives Cuba - Havana Cha Cha

Saxophone Piano. Cowan D

String Quartet. Keats D

No.2 from '6 Pièces'

The celebrated Austrian composer Josef Anton Bruckner (1824-1896) owes his fame predominantly to his symphonies his masses his Te Deum his string quintets and his devotional church music including numerous motets. One of these is the magnificent Ecce sacerdos which Bruckner composed in 1885. The trombones and organ support the choral parts and the harmonies are inventive and glorious. The Austrian composer and arranger Thomas Doss has made this delightful arrangement for concert band which does justice to the impressive original work.

Through time many composers have written music for their loved ones. This lovely piece features the alto saxophone.

Book 1- Violin Studies (Etudes Speciales) Op.36 is an invaluable resource for advancing violinists wishing to further develop their technical control. Composed by Jacques-Fereol Mazas these 30 studies cover a complete range of techniques including dynamics articulation and bowing techniques.

for Pianoforte and Orchestra op. 37- Urtext edition reflecting the latest musicological research. With many corrections in the solo part and orchestral parts. Piano reduction with a separate solo Piano part. A must for pianists orchestras and Beethoven scholars. Beethoven ’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care withwhich Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. In particular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.

Parts for Racconto Op. 25 by Jørgen Bentzon (1935). Instr: Flute Saxophone Bassoon and Double Bass. Parts for Racconto Op. 25 by Jørgen Bentzon (1935). Instr: Flute Saxophone Bassoon and Double Bass.

Study Score - Hawkes Pocket Score 842. Britten B

SS/A . Vigeland N

Transcribed for Clarinet in B-flat and Cello- Bernstein often used the octatonic scale also very popular in jazz music as a basis for his compositions. Inspired by Chopin's mazurkas Bernstein originally composed these 'Variations' for recorder and cello in 1988-89.