
14.95 £
Alphonse Leduc
7.Chanson gaillarde; 8.Chanson violente; 9.Chanson satirique

22.99 £
Boosey and Hawkes
Chamber opera in nine scenes-Study Score - Hawkes Pocket Score 1141. Davies Pm.

135.00 £
De Haske Publications
Jan Van der Roost originally composed each and every note of ‘Slavia’ (as in case in ‘Puszta’ ‘Rikudim’ and ‘A Highland Rhapsody’). Consequently ‘Slavia’ does not contain any arrangement of existing tunes but is an original composition ‘in the style of…’. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza there is a second movement in a fast and fiery tempo. The tempi increase gradually culminating in an exciting final climax making this ‘Slavonic Rhapsody’ a spell-binding experience to the very last note.

9.25 £
Mitropa Music
in memoriam Anton Bruckner-Le couvent de Saint-Florian a été le lieu de travail du compositeur autrichien Anton Bruckner qui y composa plusieurs de ses grandes symphonies. Ce couvent et sa superbe église sont situés au centre d’un paysage champêtre idyllique. St. Florian Choral (“Choral de Saint-Florian”) est un hommage à Anton Bruckner dont la musique a profondément marqué Thomas Doss.

1.20 £
Carus Verlag
Choralkantate-Also contains an arrangement for organ. In 1840 Schumann remarked: The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. Together with the orchestral version an version for choir and organ is available. Mendelssohn's Verleih uns Frieden gnädiglich for SATB and Orchestra. Also contains an arrangement for organ. In 1840 Schumann remarked: 'The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long.' Together with the orchestral version an version for choir and organ is available.

17.50 £
Bärenreiter-Verlag
“From the Bohemian” Forest a set of six character pieces for piano duet was written at the turn of the year 1883-84 at the instigation of Dvorák’s publisher Fritz Simrock and appeared in print in the spring of 1884. After the “Slavonic Dances” and “Legends” this was already his third cycle of piano duets to be inspired by much-loved locations. This edition presents the musical text from the “Complete Edition of the Works of Antonín Dvorák” Series V/6. It includes a new Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen assessing the latest findings in Dvorák scholarship. • Popular piano miniatures which can be played individually and are ideal as encore pieces • NewForeword by Ivana Rentsch and Hans-Joachim Hinrichsen (Ger/Cz/Eng) • Well-presented division of Primo and Secondo parts printed on facing pages From The Bohemian Forest a set of six character pieces for Piano duet was written at the turn of the year 1883-84 at the instigation of Dvo ák ’s publisher Fritz Simrock and appeared in print in the spring of 1884. After the Slavonic Dances and Legends this was already his third cycle of piano duets to be inspired by much-loved locations. This edition presents the musical text from the Complete Edition of the Works of Antonín Dvo ák Series V/6. It includes a new Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen assessing the latest findings in Dvo ák scholarship. - Popular Piano miniatures which can be played individuallyand are ideal as encore pieces. - New Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen (Ger/Cz/Eng). - Well-presented division of Primo and Secondo parts printed on facing pages. Contents: 1. In the Spinning-Room (Na p ástkách) 2. By the Black Lake (U erného jezera) 3. Walpurgis Night (Noc filipojakubská) 4. In Wait (Na ekání) 5. Silent Woods (Klid) 6. From Troublous Times (Z bou livých dob)

21.00 £
Bärenreiter-Verlag
Louis Vierne (1870-1937) was a student of César Franck and got nominated in 1900 as titular organist at Notre-Dame (Paris). Numerous concert-tours through Europe and the US made him famous all over the world.

4.00 £
Bärenreiter-Verlag
Full score performance material and Vocal score available for sale. Suitable for smaller-scale performances. Straightforward Piano reduction in the Vocal score. Antonio Caldara (1670–1736) is primarily known for his numerous oratorios and operas which brought him great popularity during his lifetime. Besides these large-scale compositions Caldara also wrote smaller Vocal works of which his “ Stabat Mater ” is the best known. This publication is based on Eusebius Mandyczewski’s edition of the “ Stabat Mater ” which has until now been the definitive edition. The notation and key signatures havebeen adapted to today’s standards. The effective instrumentation with two Trombones and Strings supports the solemn character of the work and enables smaller-scale performances.

1.99 £
Boosey and Hawkes
This setting's reassuring words bidding a peaceful night of rest are especially welcome in an increasingly hectic modern age. SSAATTBB. Rogers W

94.00 £
Music Sales
Wolfgang Wössner has created yet another energetic and exciting medley for concert band following in the footsteps of his previous successful medley Bryan Adams - The Best of Me. This time Wössner has moulded four hits by the American rock band Bon Jovi into one sensational work. Combining Runaway It’s My Life Livin’ On a Prayer and You Give Love a Bad Name creates an incredibly fun medley that will rock your next concert!

22.99 £
Boosey and Hawkes
(Full score). Spinner L

25.90 £
Edition Compusic
Piano and wind ensemble

13.00 £
Bärenreiter-Verlag
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773. New straightforward Piano reduction (BA4863-90) with: - Violin solo part with the Urtext of the New Mozart Edition - Additional violin solo part with fingerings bowings and performance comments - Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaye M. Wulfhorst This collection offers players a spectrum of styles available in no other publication.

15.95 £
Jasemusiikki
Work for six percussionists composed in 1992. Work for six percussionists composed in 1992.

1.99 £
Boosey and Hawkes
This playful song was modelled after folk songs that play with our imagination and make us laugh. Like many songs passed along over generations the words range from far-fetched to absurd. So don't be surprised to find dogs sheep and hens singing along in this song! This playful song was modelled after folk songs that play with our imagination and make us laugh. Like many songs passed along over generations the words range from far-fetched to absurd. So don't be surprised to find dogs sheep and hens singing along in this song!

2.50 £
Boosey and Hawkes
The edition is part of the ABRSM syllabus (grade 7) Unison voice with Piano accompaniment.

79.99 £
Boosey and Hawkes
Hawkes School Series 85 (score & parts). Haydn J

5.00 £
Bärenreiter-Verlag
Johannes Brahms ' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms ' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown's edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms ' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale

1.50 £
Banks Music Publications
Vocal score for Thomas Hewitt Jones' This Little World for SATB choir and Piano accompaniment. Thomas Hewitt Jones is an award-winning composer of contemporary classical and commercial music. Winner of the 2003 BBC Young Composer Competition his music has been published by Boosey & Hawkes Oxford University Press Banks Music the RSCM Encore Publications Universal Music and is frequently heard on radio TV and the cinema in the UK and abroad.

9.25 £
Mitropa Music
Always Look on the Bright Side of Life est la célèbre chanson extraite de La Vie de Brian troisième film culte de la troupe des Monty Python. Ce long-métrage offre une vision parfaitement corrosive des mécanismes de la passion religieuse ou politique. L’humour noir y règne en maître particulièrement dans la scène finale où Brian crucifié par erreur entonne un joyeux refrain invitant ses co-crucifiés à voir les bons côtés de la vie ! L’arrangement de Stefan Schwalgin reste fidèle au message (positif) de la chanson.