for SATB with some division in T unaccompanied A rare nineteenth-century English example of an alternatim office hymn setting. The glorious Gregorian melody for Passiontide and feasts of the Holy Cross alternates with spacious harmony of noble simplicity. Wingham was Director of Music at the London Oratory from 1882 until his death in 1893. A rare nineteenth-century English example of an alternatim office hymn setting. The glorious Gregorian melody for Passiontide and feasts of the Holy Cross alternates with spacious harmony of noble simplicity. Wingham was Director of Music at the London Oratory from 1882 until his death in 1893.

for SSATB unaccompanied This expressive Wedding anthem sets an extract from William Blake's Auguries of Innocence. With chromatic inflections and gently arching vocal lines the music perfectly reflects the text's emphasis on the relationship between pleasure and sorrow. This expressive Wedding anthem sets an extract from William Blake's Auguries of Innocence . With chromatic inflections and gently arching vocal lines the music perfectly reflects the text's emphasis on the relationship between pleasure and sorrow. Joy and Woe are woven fine will make a striking addition to the repertory of more experienced choirs looking to try something new. For SSATB unaccompanied.

for SA and piano I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition and is underpinned by a gently flowing piano accompaniment. I Remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition and is underpinned by a gently flowing piano accompaniment. The middle section brings a contrast of tonality with the altos accompanying the sopranos' melodic line before the beguiling melody of the opening returns to bring the setting to a poignant close. The Songbird series presents new and exciting original material for upper voices. Showcasing the work of today's most innovative names in choral writing the series includes songs in a variety of scorings from SA voices with piano to SSAA and percussion. With well-crafted and characterful pieces in a range of distinctive styles Songbird represents upper-voice choral music at its best.

for SATB and piano or orchestra This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. The melody weaves between different voices and scorings while the piano part complements the vocal lines with rich luscious harmonies. An accessible and enjoyable option for mixed choirs. Orchestral material is available on hire. This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. The melody weaves between different voices and scorings while the Piano part complements the vocal lines with rich luscious harmonies. An accessible and enjoyable option for mixed choirs.

Paperback-for SATB and organ or chamber orchestra This lovely arrangement of Bortniansky's tuneful hymn is an ideal choice for services throughout the year. Gentle and warming this anthem opens and closes with women's voices only then introduces male voices and fuller harmonies in the middle section. This lovely arrangement of Bortniansky's tuneful hymn is an ideal choice for services throughout the year. Gentle and warming this anthem opens and closes with women's voices only then introduces male voices and fuller harmonies in the middle section. A charming arrangement that will have wide appeal around the world.

English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music of the past five centuries. The first volume dedicated to anthems and motets presents both favourite and lesser-known works from Renaissance polyphony to the works of the great 19th- and 20th-century composers. Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music of the past five centuries. The first volume dedicated to anthems and motets presents both favourite and lesser-known works from the exceptional Renaissance polyphony of Taverner Tallis and Byrd through the Restoration led by Purcell to the glorious works of the great nineteenth- and twentieth-century composers including Wesley Elgar Stanford Vaughan Williams and Howells. The volume contains a number of more substantial works including Mendelssohn's Hear my prayer Stainer's I saw theLord and Naylor's Vox dicentis: Clama as well as a wonderful selection of shorter pieces from Gibbons's O Lord in thy wrath to Walton's Set me as a seal upon thine heart . With the second companion volume of canticles and responses this bipartite collection presents a comprehensive survey of English sacred music at its best.

As recorded by QUEEN-Since their formation in 1971 Queen’s hits have defined entire generations. Thijs Oud has created an excellent arrangement of a Queen-classic Crazy Little Thing Called Love that is sure to be a guaranteed smash hit!

Set of Parts-A modern sacred classic has been carefully edited to singable SATB voicing making it accessible to a wide variety of choirs for the first time. The new orchestration (or ChoirTrax CD) is majestic and dynamic. This is the Brass Sextet accompaniment for the SATB Choral work Upon This Rock which is also available on Musicroom under item code GS31379.

French composer Vincent Paulet (b. 1962) studied at the Paris Conservatoire. His Antiphone for Alto Saxophone and Piano is a challenging yet exciting addition to the repertoire. A typical performance of Paulet 's Antiphone lasts around four minutes and fifteen seconds. It is a highly modern work addressing features of fast semiquaver passages exploited tonality extended techniques chromaticim and complex rhythms among other aspects. The extended techniques include multiphonic sounds flutter tonguing and slap notes. For all advanced saxophonists Paulet 's Antiphone is an essential modern addition to the repertoire.

Publisher: Schott Composer: Don Banks Name: Prologue Night Piece and Blues for Two (1968) - Clarinet and Piano Pages : 16 UPC : 073999844467

Joplin was the undisputed master of ragtime and this is one of the best-known examples of the genre arragend in this edition for flute trio.

This is one of the finest of the six great Haydn masses in an edition prepared from Haydn's autograph which fully integrates both the original Eisenstadt and expanded Viennese orchestrations. The specially prepared piano reduction provides a full and practical representation of the instrumental textures. Orchestral material is available on hire. This is one of the finest of the six great Haydn masses in an edition prepared from Haydn 's autograph which fully integrates both the original Eisenstadt and expanded Viennese orchestrations. The specially prepared Piano reduction provides a full and practical representation of the instrumental textures. Orchestral material is available on hire.

6 Pieces-These attractive pieces are aimed at the younger player cover a wide variety of styles. Grade: 2 - 5

A collection of seven pieces mainly from Vivaldi's violin concerti arranged for Oboe and Piano by Trevor Wye. Grade: 5 - 6 A collection of seven pieces mainly from Vivaldi's violin concerti arranged for Oboe and Piano by Trevor Wye. Grade: 5 - 6

Volume 4 Advanced-for solo piano The fourth volume in this series includes seven advanced pieces that are longer in duration than those in the first three volumes making them excellent options for recitals. These are wonderfully entertaining for both the listener and performer and will appeal to pianists looking for fun and expressive repertoire. The fourth volume in this series includes seven advanced pieces that are longer in duration than those in the first three volumes making them excellent options for recitals. These are wonderfully entertaining for both the listener and performer and will appeal to pianists looking for fun and expressive repertoire.

An imaginative retelling of the traditional story of Little Red Riding Hood with some very innovative twists and appealing pantomime routines. The Teachers book contains background notes on the origins of folklore and myths placing the tale in the context of a long European tradition. Easy-to-play piano part with optional percussion and panto sound effects. The choir performs songs action and dance routines. Duration: 50 mins. Scriptavailable in student book. You will require a license to perform this work at your school/youth theatre; please click here for more information and ourapplication form. Professionally recorded demonstration and backing tracks are available to purchase and download here .

Masquerade - Ouverture by Carl Nielsen .

Piano. Wolf- Ferrari E

for SATB double choir and piano or guitar This enticing choral arrangement of the well-known first 'Polovtsian Dance' from Borodin's Prince Igor juxtaposes the music of a Russian Romantic with text from Act 4 of The Tempest - 'Our revels now are ended'. Chilcott masterfully combines the SSAATTBB forces with wordless upper-voice solos and an optional guitar line in a calm yet powerful evocation of the text. This enticing choral arrangement of the well-known first Polovtsian Dance from Borodin's Prince Igor juxtaposes the music of a Russian with text from Act 4 of The Tempest - 'Our revels now are ended'. Chilcott masterfully combines the SSAATTBB forces with wordless upper-voice solos and an optional guitar line in a calm yet powerful evocation of the text. A featured song on the album Into The Light with Kaori Muraji(guitar) and The Sixteen conducted by Harry Christophers.

A graded anthology-This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. With extended historical information and a wonderful array of varied pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities. This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres with Cornet and Trumpet Voluntaries Echo Voluntaries fugal works with slow introductions and Full Voluntaries; as such the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction with information on instruments of the period registration ornamentation and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; thesecomplete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities.