for SATB unaccompanied The composer has combined a single line of Latin 'O virgo splendens' with an earthy late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qualities of the Virgin Mary. Beginning and ending with plainchant-style passages Hevene Quene is by turns restrained sparkling pensive and pleading. Suitable for the Feast of the Blessed Virgin Mary and for concert use this is an approachable and rewarding anthem.The composer has combined a single line of Latin 'O virgo splendens' with an earthy late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qualities of the Virgin Mary. Beginning and ending with plainchant-style passages Hevene Quene is by turns restrained sparkling pensive and pleading. Suitable for the Feast of the Blessed Virgin Mary and for concert use this is an approachable and rewarding anthem. For SATB a cappella. This piece was first performed by the Temple Church Choir directed by Stephen Layton at Temple Church Fleet Street London on 10 July 2005.

Easy classical arrangements of well-known carols transposed to keys suitable for solo guitar. Original harmonizations are retained if possible but chords are sometimes structured to sound full and complete on the guitar. Christmas Songs For Classical Guitar features easy classical arrangements of well-known carols transposed to keys suitable for solo Guitar. Original harmonization are retained if possible but chords aresometimes structured to sound full and complete on the Guitar.

from Symphony No. 9 in E minor From the New World-Organ. Dvorak A

For ensemble Instr: 1(afl).0+ca.1(Ebcl.cbcl).0+cbn /1111/perc/pf.epf.syn/str 1.1.1.1.1 Lessons In Darkness for Ensemble by Eivind Buene (2017). Commissioned by Donaueschinger Musiktage for Ensemble Musikfabrik. First performance: Donaueschingen Oct. 22 2017 with Ensemble Musikfabrik and Enno Poppe.

With Piano reduction of orchestral work.

Maja S. K. Ratkje's Genier I Lysflommen for SSSAAA.

Concerto For Cello And Orchestra Op.56 was composed by Herman D. Koppel in 1952 and dedicated to Erling Bløndal Bengtsson. Concerto For Cello And Orchestra Op.56 was composed by Herman D. Koppel in 1952 and dedicated to Erling Blondal Bengtsson.

for SATB and jazz trio or piano solo This exciting collection gives a jazzy twist to nine favourite folk songs from around the world. The spiral-bound edition is accompanied by a fantastic backing CD allowing choirs to perform with jazz-trio accompaniment. This exciting collection for SATB and Jazz Trio (or Piano solo) by Bob Chilcott gives a jazzy twist to nine favourite folk songs from around the world including Scarborough Fair À la Claire Fontaine and Waltzing Matilda . The spiral-bound Leader's Book includes a fantastic backing CD allowing choirs to perform with jazz trio accompaniment even if they have no live band. The CD also includes pronunciation guides for the pieces in different languages.

Oboe and Piano reduction

A setting of the Mass in Latin written for the Truro Cathedral Choir.

Work for Organ dating from 1920.

Two songs -selected for the Lili and Nadia Boulanger Voice-Piano Competition 2019 - by the French composer music critic and theatre director Louis Beydts. Version for low voice. Two songs -selected for the Lili and Nadia Boulanger Voice-Piano Competition 2019 - by the French composer music critic and theatre director Louis Beydts. Version for low voice.

A virtuosic work for solo viola which employs a number of advanced techniques including quarter tones harmonics and double-stopping.

16 Concert Pieces For Violin And Piano-Solo Time is a three-volume series of concert pieces for the intermediate to more advanced violinist featuring arrangements and original pieces by the authors of Fiddle Time. Solo Time For Violin is a three-volume series of concert pieces for the intermediate to the more advanced level violinist. Featuring arrangements or original pieces by these award-winning authors each volume introduces styles and techniques from the Baroque to the modern age. They cover keys and technical challenges suited to the level while providing sophisticated repertoire for the developing performer.A graded series of pieces ranging from intermediate to more advanced levels. 16 pieces in each book displaying an exciting variety of styles and techniques and drawn from the Baroque to the modern era. Carefully selected and arrangedby the award-winning authors of the Fiddle Time series. Helpful fingering and bowing suggestions plus informative notes on the pieces and performance techniques. Idiomatic Piano part and CD backing tracks with each book. A selection of full performances available online.

For descant two treble two tenor and bass recorders. Can be with 3 trebles and 1 tenor.

This set of Preces and Responses was commissioned by the London Festival of Contemporary Church Music for their 2010 festival. The work is uplifting beautifully crafted and perfect for those seeking new material for the liturgy.

Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote many books on harmony counterpoint and musical form.

for SATB and organ A collection of twentieth-century chant settings with varied harmonies for singers and organist and verbal texts integral to the music. The works are ideal for choral festivals or theme-services. This wonderful collection brings together four eminent cathedral organist composerrs. These twentieth-century chant settings of four Psalms is for SATB voices with verbal texts integral to the music. Ideal for special events and services uch as the joining of choirs in celebration.

for SATB accompanied and unaccompanied This anthology of ten anthems combines new material written specially for the collection with established favourites from the Oxford catalogue some of which appear here for the first time with SATB scoring. This anthology of ten mixed-voice anthems by Alan Bullard combines new material written specially for the collection with established favourites from the Oxford catalogue some of which appear here for the first time with SATB scoring. Including the joyful Cantate Gloria and the beautiful From the break of the day Alan Bullard Anthems contains an attractive selection of works suitable for a variety of liturgical seasons and will appeal to all mixed-voice choirs.

A four-part collection of songs for female vocalists as sung by some of the great female artists of the last 50 years arranged for piano and voice complete with lyrics and guitar chord boxes.