This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) While not as overtly demanding as Apres un reve perhaps the most difficult of Faure's songs this composition requires not only a sense of line and of delicacy but rarely supplies the exact pitch to the singer before he or she embarks on the highly exposed vocal lines. The accompaniment often does supply the pitch right after the singer which makes it easy for the singer to correct any misteps--and for the audience to notice problems. The accompaniment is typical Faure with almost constant use of arpeggios and almost no heavy chords giving the feeling of transparency thatcharacterizes so many of his songs. The vocal lines are equally graceful and typically Faure in flowing descending phrases. This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) While not as overtly demanding as Apres un reve perhaps the most difficult of Faure's songs this composition requires not only a sense of line and of delicacy but rarely supplies the exact pitch to the singer before he or she embarks on the highly exposed vocal lines. The accompaniment often does supply the pitch right after the singer which makes it easy for the singer to correct any misteps--and for the audience to notice problems. The accompaniment is typical Faure with almost constant use of arpeggios and almost no heavychords giving the feeling of transparency that characterizes so many of his songs. The vocal lines are equally graceful and typically Faure in flowing descending phrases.

Arnold Cooke 's Quartet arranged for Oboe Violin Cello Viola.

An important and significant work written in London in 1942 and now published for the first time: 60 years later! The first movement is tuneful and full of those surprises Malcolm loves to introduce in his music. There are no shortage of jazz inspired ideas coloured always by that Arnold 'edge'. The second movement is a fiendish scherzo - full of amazing cross rhythms and of immense energy. The final movement is a March and the most emotionally charged. Clearly very strongly anti-war - severe and angry dissonances mocking fanfares angular and brutal melodic and rhythmic shapes. 'A very playable work...with plenty of interest for all the players. A greataddition to the repertoire!' AWT Grade: 8

Published for the first time this charming work has been selected for the new ABRSM flute syllabus for grade 4. Beautiful and gentle this piece will captivate and inspire the intermediate flautist and is a perfect selection for festivals contests and recitals.

Volume 4-Including some of Ernest John Moeran’s most attractive and characteristic pieces this is the fourth collection in the Centenary Edition series of solo songs by the great Anglo-Celtic composer. The pieces in this collection are all written for Baritone voice with Piano. Moeran wrote sixty original songs for solo voice and piano and Volume four features 16 glorious pieces including the settings of texts by James Joyce Robert Bridges Shakespeare and W.B. Yeats plus shanties ballads and dances.Including some of Ernest John Moeran’s most attractive and characteristic pieces this is the fourth collection in the Centenary Edition series of solo songs by the great Anglo-Celtic composer. The pieces in this collection are all written for Baritone voice with Piano. Moeran wrote sixty original songs for solo voice and piano and Volume four features 16 glorious pieces including the settings of texts by James Joyce Robert Bridges Shakespeare and W.B. Yeats plus shanties ballads and dances.

For two clarinets-A delightful set of 6 clarinet duets ideal for concerts and playing for pleasure. Zebra Crocodile Ostrich Monkeys Giraffe and Cheetah. On Safari Again is a delightful collection of six Clarinet duets on a 'safari' theme by Paul Harris . Named after six different animals the pieces in this collection are ideal for both concerts and playing for pleasure.

This book and audio set teaches 16 different rock solos for the beginning rock guitarist. Learn the fundamentals of playing rock solos including vibrato hammer-ons pull-offs string bending arpeggios unison bends pedal tones playing over the changes and much more. Includes tablature standard notation as well as play-along tracks with a full band in the keys of C Em G and Am. Includes access to online audio. This book and online audio set teaches 16 different rock solos for the beginning rock guitarist. Learn the fundamentals of playing rock solos including vibrato hammer-ons pull-offs string bending arpeggios unison bends pedaltones playing over the changes and much more. Includes tablature standard notation as well as play-along tracks with a full band in the keys of C Em G and Am. Includes access to online audio.

Scored for Organ Harp and Percussion. The organ score is a reduction of the full orchestral score arranged for mixed choir (SATB) boy soloist organ harp and percussion. In three movements. Harp and percussion are included as separate parts.

Frederick Viner's Selene's Reverie for Chamber Orchestra. Commissioned by St Peter's Chamber Orchestra. Duration: 5 minutes

For Tenor solo SSA Chorus Piano Harp Percussion and Strings. For Tenor solo SSA Chorus Piano Harp Percussion and Strings.

George Nicholson's Launch for Bass Clarinet String Quartet and Piano. Composed May 2018. Duration: 1 minute Premiered 26 April 2018 by Sarah Watts Jonathan Ayerst and the Ligeti Quartet. Programme Note: This piece was composed to mark the inauguration of the Centre for New Music at Sheffield (CeNMaS). It was one of several 'microcosmic' pieces written by postgraduate students and staff composers of the University of Sheffield for that occasion to be presented as a continuous sequence of very brief instrumental and electroacoustic works. The beginning of any new venture impliespotential and possibility; borne of optimism it invokes hope for the future. It was with these thoughts in mind that I set out in Launch to fill a minute of playing time with as much activity as possible.

(Full score). Schleiermacher

for SATB (with divisions) unaccompanied This powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatonic but never plain and textures that encompass the blazingly sonorous and the expressively intimate. Gabriel Jackson 's All Shall Be Amen for unaccompanied SATB choir (with divisions). First performed by the Choir of St Luke's Episcopal Church Evanston Illinois in 2016 this powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson 's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatonic but never plain and textures that encompass the blazingly sonorous and the expressively intimate.

The Miracle Masque is a morality play with music set in mediaeval Italy and follows in the tradition of Morality plays stretching back to the Middle Ages when they were a much need mixture of satire drama comedy and tragedy. In both the words and music the aim has been to balance with robust humour the more serious questions which trouble mankind. The play is not confined to one season or festival and is suitable to be performed throughout the year and can easily be adapted to fit and suit the number of performers and the abilities of those involved. This script to this versatile play contains all the text and lyrics for all the songs.

for SATB and piano A bright and optimistic benediction contrasting passages of unison writing with homophonic chordal sections. The piece builds to a triumphant conclusion. A lively and uplifting hymn arranged for SATB choir and Piano Accompaniment.

A fascinating and profound work for all accomplished and aspiring oboists. Contemporary in idiom this highly effective work will intrigue and indeed delight audiences. A fascinating and profound work for all accomplished and aspiring oboists. Contemporary in idiom this highly effective work will intrigue and indeed delight audiences.

Handel's Sonata in B Flat arranged for Viola with Piano accompaniment by Watson Forbes. Handel's Sonata in B Flat arranged for Viola with Piano accompaniment by Watson Forbes.

The Menuett the Deutscher Tanz the Kontretanz and the Ecossaise were extraordinarily popular social dances during Beethoven’s lifetime. Thus along with sonatas and variations Beethoven on numerous occasions composed easy-to-play dances and dance collections for solo piano which are brought together in their entirety for the first time in our volume. Beethoven did not give these occasional pieces an opus number so today they are numbered only as WoO (Werke ohne Opus or works without opus). A few dances are piano arrangements of orchestral dances since piano reductions for home music-making were indispensable at that time. As is to be expected from a substantial Urtextedition the preface and Critical Notes for this important collection deal with the complex source situation of the individual pieces along with the question of the authenticity of these piano arrangements. This accurate and authoritative Henle Urtext edition contains the complete Dances for Piano by Ludwig van Beethoven.

For Soprano and Piano. Also available as part of the UYMP volume 'Finding Ursula Vaughan Williams'. For Soprano and Piano. Also available as part of the UYMP volume 'Finding Ursula Vaughan Williams'.

A piano piece in E flat major with the simple title ‘Lied’ (song) was Felix Mendelssohn’s surprise present to his sister Fanny on her birthday on 14 November 1828. Shortly afterwards she referred to the work as ‘Song without Words’ and probably coined the phrase under which her brother’s lyrical piano pieces numbering nearly 50 are known today. The present edition contains in addition to the 48 well-known ‘Songs without Words’ a number of individual compositions which because of their title or character seem to fit the classification ‘Song without Words’. These and the above mentioned first example of 1828 are united in this essential compilation of works in a genre favouredby the composer. An enriching addition to the piano repertoire of interest for teaching as well as for recital purposes. A Piano piece in E flat major with the simple title Lied' (song) was Felix Mendelssohn 's surprise present to his sister Fanny on her birthday on 14 November 1828. Shortly afterwards she referred to the work as Song without Words ' and probably coined the phrase under which her brother's lyrical Piano pieces numbering nearly 50 are known today. The present edition contains in addition to the 48 well-known Songs without Words ' a number of individual compositions which because of their title or character seem to fit the classification Song withoutWords '. These and the above mentioned first example of 1828 are united in this essential compilation of works in a genre favoured by the composer. An enriching addition to the Piano repertoire of interest for teaching as well as for recital purposes.