This collection of 16 guitar duets offers professionals teachers or students a wide variety of styles from the Baroque to the Post-Romantic periods. Some of this music is unique to the guitar repertoire. For example the six Serenades introduce some of the most popular music of the late 19th century by Georges Bizet Franz Drdla Enrico Toselli Moritz Moszkowski Ricardo Drigo and Sigmund Romberg. The collection ends with selected works by Tchaikovsky and Brahms. These arrangements are skillfully crafted and will delight the intermediate student. This collection of 16 Guitar duets offers professionals teachers or students a wide variety of styles from the Baroque to the Post-Romantic periods. Some of this music is unique to the Guitar repertoire. For example the six Serenades introduce some of the most popular music of the late 19th century by Georges Bizet Franz Drdla Enrico Toselli Moritz Moszkowski Ricardo Drigo and Sigmund Romberg. The collection ends with selectedworks by Tchaikovsky and Brahms. These arrangements are skillfully crafted and will delight the intermediate student.

Fantasiestücke-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Vivaldi's Gloria along with The Four Seasons is one of his best-known works and is very popular among the repertoire of sacred choral works. This Vocal Score has been thoroughly edited by Alfredo Casella with piano reduction by Maffeo Zanon and an English translation of the Latin text by Joseph Machlis.

Combining these two Schumann bestsellers seemed very natural: both of the titles not only reflect their inner association but the technical demands on the pianist are for once not so great (see the levels of difficulty). And both works are collections of more-or-less short succinct pieces that ever since their publication (in 1839 and 1848) were to “profoundly influence middle-class musical culture in the second half of the 19th century. To this day they have lost hardly any of their appeal” (Ernst Herttrich in the preface).Scenes From Childhood Op.15 and Album For The Young Op.68

Ian Crawford 's Sussex Carol for SATB and Piano or Organ. This light-hearted arrangement of the Sussex Carol is a guaranteed crowd-pleaser and perfect encore. The familiar tune comes with a modern twist with a driving rock beat innovative harmonisations and playful imitation. Accessible for choir and accompanist alike Crawford's arrangement is suitable for all types of ensemble.

Two volumes of lovely new carols for SATB and piano/organ - a must-have for your christmas carols concerts. Written by Alan Taylor originally for the Chipperfield Choir resident choir at Chipperfield Church in Hertfordshire. Two volumes of lovely new carols for SATB and Piano/Organ - a must-have for your christmas carols concerts. Written by Alan Taylor originally for the Chipperfield Choir resident choir at Chipperfield Church in Hertfordshire. Alan was a chorister at St. Catherine's College Cambridge and graduated with an honours degree in Music followed by a post-graduate Diploma in Education. A first post as a Head of Music in Nottinghamshire was followed by his appointment in 1961 as Director of Music at The Haberdashers' Aske's Boys' School in Elstree where he spent the remaining 35 years of his teaching career. Out of school Alan worked with all the major conductors and his choirs were continually in demand for performances in the London concert halls especially at the Royal Opera House Covent Garden taking part in many broadcasts Promenade Concerts and recordings. His contribution to Music and Music Education was recognised in 1982 with the award of an MBE in the Queen's Birthday Honours.

POD-A Poison Tree is a work by composer Julian Marshall for Unaccompanied SATB Choir. A setting of a poem by William Blake from his 'Songs of Experience' a full performance lasts around 2 minutes. A Poison Tree is a work by composer Julian Marshall for Unaccompanied SATB Choir. A setting of a poem by William Blake from his 'Songs of Experience' a full performance lasts around 2 minutes.

for SATB with optional piano Inspired by the simple directness of William Chatterton Dix's vivid text the composer explores the breadth of the choral canvas in this expressive carol which is also available in a version for upper voices. Brian Chapple 's What Child Is This? for SATB choir with optional Piano accompaniment. Inspired by the simple directness of William Chatterton Dix's vivid pictorial text the composer explores the breadth of the choral canvas in this expressive and artful carol. The piece has a straightforward verse-chorus structure with gentle development of the verse material and an effective motif to close each verse making it accessible to and rewarding for choirs of all abilities. Also available in a version for upper voices.

Contents: Sarum Prayer œ I dream'd in a dream œ Christmas (H.M.S. Iron Duke 1914).

This collection contains twenty-four pieces from 18th and 19th century Scotland. Included are airs and dance tunes originally for voice or fiddle. These duet arrangements are perfect for student and teacher as well as cello colleagues. The music is presented in sets of two or three tunes ready for performance. The traditional music of Scotland has unique and beautiful qualities and is fun to play. This collection contains twenty-four pieces from 18th and 19th century Scotland. Included are airs and dance tunes originally for voice or fiddle. These duet arrangements are perfect for student and teacher as well as cellocolleagues. The music is presented in sets of two or three tunes ready for performance. The traditional music of Scotland has unique and beautiful qualities and is fun to play.

Eleven superb arrangements of classic and lesser-known spirituals covering a wide range of styles and moods from simple four-part settings to extended eight-part compostions. These stunning settings can be performed as a set or individually and are ideal choices for concerts festivals or even as suprising encores!

Seven Festive Trumpet Solos is a collection of powerful and sparkling settings for trumpet and organ. Several of the compositions are original. Others are new arrangements on well-loved sacred hymns. This text is the first in a two book series. The follow up is called Trumpet Praise! All selections in this book and in the companion book Trumpet Praise! may be heard in the companion free audio download. Seven Festive Trumpet Solos contains the organ and trumpet parts. A free download of the trumpet solo parts is also available. The solos in both this book and in Trumpet Praise! are ideal for church worship celebrations concerts festivals and recitals.Seven Festive Trumpet Solos is a collection of powerful and sparkling settings for trumpet and organ. Several of the compositions are original. Others are new arrangements on well-loved sacred hymns. This text is the first in atwo book series. The follow up is called Trumpet Praise! All selections in this book and in the companion book Trumpet Praise! may be heard in the companion free audio download. Seven Festive Trumpet Solos contains the organ andtrumpet parts. A free download of the trumpet solo parts is also available. The solos in both this book and in Trumpet Praise! are ideal for church worship celebrations concerts festivals and recitals.

Just as in his “Trout” Quintet (D 667) “Wanderer” Fantasy (D 760) and string quartet “Death and the Maiden” (D 810) in the flute variations on “Trockne Blumen” (D 802) Franz Schubert employs one of his songs as the thematic basis of an instrumental composition. “Trockne Blumen” (Dried Flowers) is the eighteenth song from the cycle “Die schöne Müllerin” (D 795) composed in autumn 1823. In January 1824 before publication of all of the Müller songs that summer the Theme and Variations in E minor for flute and piano were written prefaced by a weighty introductory section. The work remains Schubert’s single and singular virtuoso composition for flautists: tremendouslydifficult for the flute to play and incidentally sometimes very tricky for the piano to “accompany.” Schubert’s much-reworked autograph manuscript is the sole authoritative source for our Urtext as it demonstrably served as the engraver’s copy for the posthumously published first edition. One of the variations he crossed out entirely – the Henle Urtext edition reproduces it more for informational purposes than for performance in the appendix. A highly authoritative Urtext edition of Franz Schubert's Variations On 'Trockne Blumen' D.802 Op. post.160 for Flute and Piano as edited with critical commentaries by Wolf-Dieter Seiffert and fingered by Klaus Schilde.

The 'Consolations' are among the best-known piano works by Franz Liszt. Their popularity is due not only to their expressive and lyrical character but also to their relatively moderate pianistic demands. Having a long history the final version of the six pieces appeared in print for the first time in 1850. The Wiener Urtext Edition provides this version authorized by Liszt for publication the text of which is mainly based on the German first edition owing to the lack of extant autographs and engraver's copies. In addition the French first edition as well as separate editions of the Consolations Nos. 3 and 5 published in London or Paris were consulted as well. The edition iscomplemented by performance notes of the Liszt pupil Lina Ramann which are virtually first-hand records of Liszt's interpretational ideas. Furthermore a clear notation without page-turn problems makes it easier to study and perform the popular works. The Consolations are among the best-known Piano works by Franz Liszt . Their popularity is due not only to their expressive and lyrical character but also to their relatively moderate pianistic demands. Having a long history the final version of the six pieces appeared in print for the first time in 1850. The Wiener Urtext Edition provides this version authorized by Liszt for publication the text of which is mainly based on the German first edition owing to the lack of extant autographs and engraver's copies. In addition the French first edition as well as separate editions of the Consolations Nos. 3 and 5 published in London or Paris wereconsulted as well. The edition is complemented by performance notes of the Liszt pupil Lina Ramann which are virtually first-hand records of Liszt 's interpretational ideas. Furthermore a clear notation without page-turn problems makes it easier to study and perform the popular works.

Claude Debussy 's Syrinx (La Flute De Pan) for solo Flute.

Featuring tailored arrangements and original pieces by the authors of the award-winning Fiddle Time series Solo Time for Viola provides sophisticated repertoire from the Baroque to the modern age and introduces styles and techniques for the developing performer.

Gaelic Melodies Music Pictures - Group VI this work is for Piano Solo and was composed in 1924 by John Herbert Foulds. Gaelic Melodies Music Pictures - Group VI this work is for Piano Solo and was composed in 1924 by John Herbert Foulds.

Patrick Hawes ' My Bonnie Lies Over The Ocean for solo Soprano Flute Oboe Harp and Strings. Vocal score. Patrick Hawes ' My Bonnie Lies Over The Ocean for solo Soprano Flute Oboe Harp and Strings. Vocal score.

Commissioned by BBC Radio 3 for the 2012 BBC Proms. First performed on 5th August 2012 at the Royal Albert Hall London by the BBC Scottish Symphony Orchestra conducted by Donald Runnicles. Instrumentation 3 Flutes 3rd doubling Piccolo 3 Oboes 3rd doubling Cor Anglais 2 Clarinets in Bb Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bb 3 Trombones Tuba Harp Timpani Percussion (3 Players): Vibraphone Crotales 2 Suspended Cymbals (High Medium) Tam-Tam Chinese Bell Tree 5 Tom-Toms Bass Drum Strings (at least 16.14.12.10.8)Commissioned by BBC Radio 3 for the 2012 BBC Proms. First performed on 5th August 2012 at the Royal Albert Hall London by the BBC Scottish Symphony Orchestra conducted by Donald Runnicles. Instrumentation 3 Flutes 3rd doubling Piccolo 3 Oboes 3rd doubling Cor Anglais 2 Clarinets in Bb Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bb 3 Trombones Tuba Harp Timpani Percussion (3 Players): Vibraphone Crotales 2 Suspended Cymbals (High Medium) Tam-Tam Chinese Bell Tree 5 Tom-Toms Bass Drum Strings (at least16.14.12.10.8)

Method- Fundamental instructions for playing the Recorder are contained in Book I. The scope of that book however is limited to the lower tones of the instrument. Book II takes up the higher tones thus covering the Recorder's entire practical range. This book contains a selection of popular tunes for Soprano Recorder along with notes on range fingering and half-position.