Gabriel Jackson's is one of the most striking modern settings of this ancient text. The composer's trademark diversity of texture is much in evidence with passages of rich sonority giving way to intimate soloistic sections. The piece will be a very satisfying challenge for a proficient choir.

for SATB and piano or orchestra Well known as an orchestral piece Faure's 'Pavane' is here presented with the choir parts the composer himself provided. The vocal score was first published in 1891 the charmingly slight and musically apt text by Faure's acquiantance the witty Comte Robert de Montesquio-Fezensac. This edition has eradicated discrepancies in the voice parts between the existing vocal and full scores. Instrumental parts are available on hire. For SATB and piano or orchestra Well known as an orchestral piece Fauré's 'Pavane' is here presented with the choir parts the composer himself provided. The vocal score was first published in 1891 the charmingly slight and musically apt text by Fauré's acquiantance the witty Comte Robert de Montesquio-Fézensac.

The Fiddler-The Piano music of Jean Sibelius ranks among the greatest of Finnish music and his 1924 set Five Charactereistic mpressions demonstrates his importance. The second piece in this set The Fiddler has a dance-like theme and is an impressionist piece that captures the imagery of reality with tonality and colour.

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Chanson Française belongs to Ravel's larger work entitled Chants Populaires. Except for the Chanson hébraïque which was published separately in 1909 these song-settings were first published in a collection with harmonizations by three composers entitled Sept Chants Populaires by P. Jurgenson Moscow in 1910. This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Chanson Française belongs to Ravel's larger work entitled Chants Populaires. Except for the Chanson hébraïque which was published separately in 1909 these song-settings were first published in a collection with harmonizations by three composers entitled Sept Chants Populaires by P. Jurgenson Moscow in 1910.

El remanso del pitido has been commissioned by the London Sinfonietta for the London Sinfonietta Chorus who give the first performance this evening. It is a work of nostalgia a lament for the decline of steam engines - the stillness of the whistle. Based mainly on a poem by the Spanish writer Gregorio Corral. The setting is for twelve voices eight of them singing through close microphones. The work is fourth in a series of pieces derived from 13th Century homophonic Spanish cantigas and canciones. The final series of works will form a sort of song-book the composer's own accounts of early Spanish music. The idea of a song-book is contained in the title of the firstwork of the series Cancionero para una mariposa.

Full Score-Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watched and heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and unpitched sounds clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence. Duration approximately: 40 Minutes Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watchedand heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet Mass Observation ebbs and flows between various polarities (human voices and percussion instruments p

for SATB (with divisions) and piano This arrangement of Gruber's timeless carol is warm and gentle. It was recorded by the Cambridge Singers on the The John Rutter Christmas Album (Collegium Records CSCD510). Conductor's scores and instrumental parts are available from the publisher as is Rutter's alternative unaccompanied arrangement. John Rutter 's Silent Night for SATB choir (with divisions) and Piano accompaniment. This arrangement of Gruber's timeless carol is warm and gentle. It was recorded by the Cambridge Singers on the The John Rutter Christmas Album (Collegium Records CSCD510). Conductor's scores and instrumental parts are available from the publisher as is Rutter 's alternative unaccompanied arrangement.

A musical play for Unison Vocies by James Leisy and Joyce Merman based on Charles Dickens’ heart-warming classic as seen from Tiny Tim’s point of view. The three Spirits (Christmas Past Christmas Present and Christmas Future) are the comic catalysts of the action as they sprinkle Magic Dream Dust on Scrooge to change him from a crusty miser to a big-hearted benefactor. The 5 unison songs are: ‘A Boy Named Tim’ ‘Mr Scrooge’ ‘Find The Christmas Spirit In Your Heart’ ‘Isn’t It A Wonder?’ and ‘Bless Us Every One’.

Audiences will thrill to this exciting medley of Russian folk favorites. Available: TTB 2-Part 3-Part Mixed. Performance Time: Approx. 4:30. Audiences will thrill to this exciting medley of Russian folk favorites. Available: TTB 2-Part 3-Part Mixed. Performance Time: Approx. 4:30.

Written for a SATB choir and string orchestra. Words by Andrew Hawes.

Volume 2-Contents: Air from the 14th Suite * The Harmonious Blacksmith * Allemande * Capriccio * Chaconne * Courante * Gavotte with Variations * Gigue in D Minor * Gigue in G * Little Fugue No. 1 * Little Fugue No. 2 * Minuet I * Minuet II* Passacaglia from the 7th Suite * Prelude * Sarabande * Sonatina.Each volume contains a collection of the technically easiest compositions of the composer represented. Carefully edited and fingered by Edwin Hughes. This edition concentrates on some of the finest compositions by George Frederic Handel.

A Czech folk tune with words and arrangement by Malcolm sargent. For unison voices and piano. A Czech folk tune with words and arrangement by Malcolm sargent. For unison voices and piano.

Grade 7 concludes Mel Bay's Modern Guitar Method begins with a summary of the natural and artificial harmonics that can be achieved on each string. Addresses theory and notation of major and minor sixth chords plus ninth eleventh (with alterations) nine-six (9/6) and thirteenth chords- all explored through chord etudes including inside/outside and orchestral chord forms. Includes a wealth of well-developed studies and solos invarious keys for mastery of the plectrum style. Written in standard notation only. Grade 7 concludes Mel Bay's Modern Guitar Method . This volume begins with a summary of the natural and artificial harmonics that can be achieved on each string. It addresses theory and notation of major andminor sixth chords plus ninth eleventh (with alterations) nine-six (9/6) and thirteenth chords- all explored through chord etudes including inside/outside and orchestral chord forms. Includes a wealth of well-developedstudies and solos invarious keys for mastery of the plectrum style. Written in standard notation only.

Schoolwork choir rehearsal track practice plus my paper route?! How can I possibly get all of this done!?! I NEED A VACATION!! Whether it's a relaxing fishing hole or thrilling to the rides at your favorite theme park this30-minute all-school revue explores all the possibilities for the vacation of your life. With seven original songs it's ideal for one group or the entire school. Without a doubt this easy-to-learn easy-to-stage and easy-to-likeshow will make the director's job almost seem like a vacation. Available: Teacher's Manual Singer's Edition 5-Pak Performance/Accompaniment CD. Performance Time: 30 minutes. Grades K-6.Schoolwork choir rehearsal track practice plus my paper route?! How can I possibly get all of this done!?! I NEED A VACATION!! Whether it's a relaxing fishing hole or thrilling to the rides at your favorite theme park this30-minute all-school revue explores all the possibilities for the vacation of your life. With seven original songs it's ideal for one group or the entire school. Without a doubt this easy-to-learn easy-to-stage and easy-to-likeshow will make the director's job almost seem like a vacation. Available: Teacher's Manual Singer's Edition 5-Pak Performance/Accompaniment CD. Performance Time: 30 minutes. Grades K-6.

The A Dozen A Day Songbook series contains wonderful easy Christmas hits that may be used as companion pieces to the memorable technique exercises in the A Dozen A Day series. They are also suitable as supplements for use with any Piano method. This second book features 10 Christmas favourites including Deck The Halls Joy To The World In Dulci Jubilo and Wonderful Christmastime in arrangements for easy Piano. The included CD provides fully-orchestrated demonstration and backing tracks for a fun play-along experience.

Quintin Esquembre was born in Villena (Alicante) in 1885 and died in Madrid in 1965. The Playeras are gypsy seguidillas whose name comes from mournfulness according to the musician and philologist Sbarbi. This work was revised by Javier Suárez-Pajares in 2007. Quintin Esquembre was born in Villena (Alicante) in 1885 and died in Madrid in 1965. The Playeras are gypsy seguidillas whose name comes from mournfulness according to the musician and philologist Sbarbi. This work was revised by Javier Suárez-Pajares in 2007.

Tarik O’Regan 's Virelai - Douce Dame Jolie for Recorder quartet. This arrangement was commissioned by the 2014 Vale of Glamorgan Festival for i Flautisti. It is based on an original composition of the same title commissioned in 2007 by the Orlando Consort. This piece is dedicated to Danielle Jalowiecka Kerstin Kubitschek Jitka Konencá and Ilona Veselovská.

Ensemble-Commissioned by the European Composers' Professional Development Programme and dedicated to Karien Kruger. Instrumentation: Flutes: Piccolo (sounds an octave higher than written); Alto Flute Clarinets: Clarinet in Bb Bass Clarinet in Bb Percussion: Vibraphone Glockenspiel (sounds two octaves higher than written) Quarter-tone Glockenspiel; Timpani; Cymbals; Kick Drum; Bass Drum;. Percussionist requires a bow and hard and soft mallets Electric Guitar Bass Guitar Piano: Score is in CCommissioned by the European Composers' Professional Development Programme and dedicated to Karien Kruger. Instrumentation: Flutes: Piccolo (sounds an octave higher than written); AltoFlute Clarinets: Clarinet in Bb Bass Clarinet in Bb Percussion: Vibraphone Glockenspiel (sounds two octaves higher than written) Quarter-tone Glockenspiel; Timpani; Cymbals; Kick Drum; Bass Drum;.Percussionist requires a bow and hard and soft mallets Electric Guitar Bass Guitar Piano: Score is in C

Written for clarinet and piano.

This innovative new anthem from Joseph Martin celebrates the diversity of the world's peoples and honors the unity we all share in the love of Christ. The south of the border style; optional Spanish and English text and the easy-to-sing mixed meters of this anthem create a joyful call to unity anytime believers gather as one to worship the risen Lord!