Four new Marches inspired by and suitable for playing at Weddings. Could make a refreshing change from the traditional Bridal March and Wedding March at a modern wedding. Includes registration for Hammond organs.

Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ‘prima prattica’ the polyphonic style which was dominant in the period music history has labelled the ‘renaissance’. Vol. 1 of these 52 motets for voice.

In early 1878 Peter Tchaikovsky had just sent his opera “Eugene Onegin” and his Fourth Symphony on their way but had no intention of taking a creative break. On the contrary he immediately took up his pen and composed his Twelve Pieces op. 40 for piano. This cycle features various genres including piano pieces typical of the epoch such as etudes waltzes and mazurkas but they are also joined by pieces presumably connected with Tchaikovsky’s biography. These bear titles like “Au village” “Marche funèbre” and “Rêverie interrompe”. For this Urtext edition it was possible to consult the autograph engraver’s copy in the Glinka Museum in Moscow as well as rare Russianprints from 1879 and 1890 as described in detail in the preface.

16 Studies by Paul Harris each one focussing on a specific facet of technique dedicated to the dentist and trombonist Duncan Edworthy. Fun pieces for beginner to intermediate players with pictures by Drew Hillier.

Inform parents administrators and school board members about the progress your students are making in your classroom. This valuable time-saver gives you several approaches to student evaluation and grading and specific texts forletters and other forms of communication. Charts graphics and outlines make your job easier and your music program more visible. All forms are professionally type-set and printed on single sheets to assemble your own customizedversion.Inform parents administrators and school board members about the progress your students are making in your classroom. This valuable time-saver gives you several approaches to student evaluation and grading and specific texts forletters and other forms of communication. Charts graphics and outlines make your job easier and your music program more visible. All forms are professionally type-set and printed on single sheets to assemble your own customizedversion.

Ed Hughes ' Sky Blue for solo Clarinet and Orchestra. A3 Conductor's score. ' This concerto for Clarinet and Orchestra is approximately eight minutes long. It was composed especially for Alison Hughes (clarinettist) and the University of Sussex Symphony Orchestra. Sky Blue is inspired by a painting of the same name made in 1940 by Wassily Kandinsky in which figures appear to float free across a clear blue sky. The painting has been described (by Mona Molarsky 2009) as 'an ethereal Miró-like confection with biomorphic squiggles that buzz like glimmering insects in the afternoon sun'. The music is a continuous single movement with moments of harmonic transparency contrastingwith sections of greater modal complexity. There are some sections which also feature soloists in the Orchestra perhaps like the free-floating figures in Kandinsky's painting. ' - Ed Hughes (June 2014) Ed Hughes ' Sky Blue for solo Clarinet and Orchestra. A3 Conductor's score. ' This concerto for Clarinet and Orchestra is approximately eight minutes long. It was composed especially for Alison Hughes (clarinettist) and the University of Sussex Symphony Orchestra. Sky Blue is inspired by a painting of the same name made in 1940 by Wassily Kandinsky in which figures appear to float free across a clear blue sky. The painting has been described (by Mona Molarsky 2009) as 'an ethereal Miró-like confection with biomorphic squiggles that buzz like glimmering insects in the afternoon sun'. The music is a continuous single movementwith moments of harmonic transparency contrasting with sections of greater modal complexity. There are some sections which also feature soloists in the Orchestra perhaps like the free-floating figures in Kandinsky's painting. ' - Ed Hughes (June 2014)

A setting of the Evening Canticles for SATB Choir and Organ.

Wolfgang Amadeus Mozart 's Sonatas . Volume 1 for Violin with Piano accompaniment.

Contents: Cantique de Noel (Adam) One sweetly solemn thought (Ambrose) My heart ever faithful (Bach) O Lord be merciful (Bartlett) The voice that breathed o'er Eden (Bartlett) Out of the deephave I called unto Thee (Bedell) Come to me (Beethoven) The Worship of God in Nature (Beethoven) Lamb of God (Bizet) Crossing the Bar (Buck) Christ be with me! (Chopin) Hold Thou my hand(Curran) When Jesus walked on Galilee (Edwards) Crucifix (Faure) The Palms (Faure) Trusting in Thee (Fichthorn) The Lord's Prayer (Forsyth) Gaul (Holy City): Eye hath not seen (Forsyth) My soul is athirst for God (Forsyth) These are they which came (Forsyth) O Saviour hear me! (Gluck) O divine Redeemer! (Gounod) Ring out wild bells (Gounod) There is a green hill faraway (Gounod) Hosanna! (Granier) Arm arm ye brave (Handel) He shall feed His flock (Handel) Honor and Arms (Handel) I know that my Redeemer liveth (Handel) I heard the voice of Jesus say(Harriss) Suffer the little children (Hausman) Be near me still! (Hiller) Arise O Lord (Hiffmeister) Because of Thy great bounty (Hiffmeister) I'm a Pilgrim (Johnson) If with all yourhearts (Mendelssohn) It is enough (Mendelssohn) O rest in the Lord (Mendelssohn) Jerusalem! Thou that killest the Prophets (Mendelssohn) O Lord on High (Mozart) Art Thou the Christ? (O'Hara) Thanks (O'Hara) Communion Hymn (Opie) God shall wipe away all tears (Peery) Lead kindly Light (Pinsuti) Calvary (Rodney) He that keepeth Isael (Schlosser) Ave Maria (Schubert) Evening and Morning (Spicker) My hope is in the everlasting (Stainer) And God shall wipe away all tears (Sullivan) The Lord is my shepherd (Tchaikovsky).A wide variety of Sacred Songs from both Classical Romantic and 20th Century composers. Includes 'Cantique De Noel' (Adam) and 'I know That My Redeemer Liveth' (Handel).

Soundtrack Highlights from-From the blockbuster movie Star Wars: The Last Jedi John Williams continues to display his mastery of music for film. This dynamic medley includes poignant new themes along with familiar older melodies as some of our favorite characters return for this episode. From the blockbuster movie Star Wars: The Last Jedi John Williams continues to display his mastery of music for film. This dynamic medley includes poignant new themes along with familiar older melodies as some of our favorite characters return for this episode.

The didgeridoo is an ancient instrument of the Aborigines of Australia but the discovery of its rhythmic and harmonic richness has only been in the West for a few years. This work gives all the essential advice needed to test appreciate and buy a didgeridoo. The many exercises and sound samples given in the audio lets you appreciate the acoustic qualities and playing potential of the didgeridoo. Includes access to online audio. The Didgeridoo is an ancient instrument of the Aborigines of Australia but the discovery of its rhythmic and harmonic richness has only been in the West for a few years. This work gives all the essential advice needed to test appreciate and buy a Didgeridoo. The many exercises and sound samples given in the audio lets you appreciate the acoustic qualities and playing potential of the Didgeridoo. Audio download available online.

For SATB Choir and Organ. For SATB Choir and Organ.

First performed by Ruth Nicholson on May 24th 2012 at Royal Holloway College London. First performed by Ruth Nicholson on May 24th 2012 at Royal Holloway College London.

The edition is part of the Trinity syllabus 2007 (grade 8)The edition is part of the ABRSM Summer 2006 syllabus (grades 5 8)

A fabulous suite of Guitar music by Betty Roe. The Omega Suite for Guitar Quartet is a terrific ensemble piece with layers and textures typical of Roe's consummate compositions. For convenience of study and practice a study score featuring all the parts is also included. A fabulous suite of Guitar music by Betty Roe. The Omega Suite for Guitar Quartet is a terrific ensemble piece with layers and textures typical of Roe's consummate compositions. For convenience of study and practice a study score featuring all the parts is also included.

Balulalow is a Christmas miniature that captures the intimacy and atmosphere of this well-loved 16th-century text. Through homophonic textures word-painting the use of extended harmonies and a lilting rhythm the piece has a subtlety that provides a challenge for established choirs while remaining musically accessible.

Contents: Brahms: Cardle Song Waltz in A b Op. 39 No. 15 J.S. Bach: Minuet Prelude in C Beethoven: Fur Elise Minuet in G Sonatina No. 1 in G Sonatina No. 2 in F Schumann: The Merry Farmer Soldiers' March The Wild Horseman Schubert: Serenade Mendelssohn: Venetian Boat-Song No. 2 Tchaikovsky: Christmas (December from The Seasons Op. 37a No. 12) None But the Lonely Heart Haydn: Gypsy Rondo Minuetto Giocoso Case: Around the Hills Godard: Au Matin Op. 83; Second Mazurka in B b Op. 54 Heller: L'Avalanche (Etude) Offenbach: Barcarolle Ijinsky: Berceuse(Lullaby) Strauss: Blue Danube Waltz Wagner: Bridal Chorus (Lohengrin) Bilbro: The Busy Sawmill Merkel: Butterfly Op. 81 No. 4 Richter: The Clock Thompson: Copy Cat Benda: DarkEyes (Russian Folk Song) Lively: Dreamland Grieg: Elfin Dance Bender: From a Birch Canoe Davis: Indian Drum Behr: In May In the Gypsy Camp Wright: Melody Waltz Veil Dance Mozart:Minuet No. 1 Hopson: Parade of the Midgets Fisher: Pipes of Pan Delibes: Pizzicati (Sylvia) Chopin: Preludes Op. 28 Nos. 6 and 7 Kolling: Prestissimo (from Flying Leaves Op. 147) Howell: Rustic Dance Thome: Simple Aveu Munn: The Snake Charmer Clementi: Sonatina Op. 26 No. 1 Ellmenreich: Spinning Song Eckstein: Spooks Adler: The Swimming Pool Two Butterflies Harker: Swinging in Fairyland Rameau: Le Tambourin Beaumont: Tarantella Paradies: Toccata in A Dutton: Under the Rose Arbor Hobson: The Waterfall Gwynn: Woodland Waltz.An outstanding collection of favourites by 48 American and European composers including Adler Beethoven Brahms Haydn Tchaikovsky and Wright. The book is arranged progressively with the easiest pieces first and gradually so that there is always a fresh challenge.

Friedrich Burgmuller 's 25 Etudes Op.100 .

In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Una Sanluqueña is considered by many a key work of 20th century Spanish chamber music. Turina was a frequent visitor to the seaside town of Sanlúcar in his youth and his love for the town shines through in these four movements. The work Is dedicated to the ‘muchachas’ the girls of Sanlúcar who it is said ‘don’t get married’ because the boys of Sanlúcar marry outsiders. Turina wrote the work for ‘those beautiful Andalusian girls living in a sad and never-ending dream.’ Unlike earlier works of Turina this one was not descriptive but rather suggestive of an emotional state. The piece requires thegreatest technical expertise of both Violinist and pianist as well as sensitivity and humour. Joaquin Turina is often contrasted with Albéniz and Granados those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms. In his work it is possible to hear the influence of Turina’s years studying in Paris as well as his native Spain combined with the composer’s own unique Voice. In the relatively sparse Spanish repertoire for Piano and Violin El Poema De Una Sanluqueña is considered by many a key work of 20th century Spanish chamber music. Turina was a frequent visitor to the seaside town of Sanlúcar in his youth and his love for the town shines through in these four movements. The work Is dedicated to the ‘muchachas’ the girls of Sanlúcar who it is said ‘don’t get married’ because the boys of Sanlúcar marry outsiders. Turina wrote the work for ‘those beautiful Andalusian girls living in a sad and never-ending dream.’ Unlike earlier works of Turina this one was not descriptive but rather suggestive of an emotional state. The piece requires thegreatest technical expertise of both Violinist and pianist as well as sensitivity and humour. Joaquin Turina is often contrasted with Albéniz and Granados those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms. In his work it is possible to hear the influence of Turina’s years studying in Paris as well as his native Spain combined with the composer’s own unique Voice.

Sadie Harrison 's Hantu for Double Bass and Piano. Composed 2013 and published 2016. Duration: 8 minutes. Hantu was written especially for Nick Lum as part of the first prize awarded for his performance in the Wells Double Bass Recital Competition in 2013. The title means ghost' in Malaysian (Lum is from Kuala Lumpar) with the piece taking its inspiration from the country's annual Festival of the Hungry Ghosts. The Piano is transformed into a westernised gamelan orchestra with gongs' kendang drums' and bamboo flutes'. The music is highly repetitive with rhythm and pitch cycles used toimitate the structure of much gamelan music. The piece is divided into three main sections. The first and last are dark and menacing marked a slow procession of spirits'. The central section entitled The ghost's dance' is a quirky virtuosic interplay between pizz and arco building to a wild crescendo before a return to the procession which gradually disappears into the night. The Double Bass is often used in its highest lyrical register singing out fragments from a Malaysian melody entitled Anak Indung. This tune is heard over the top of the procession music an attempt to dispel the evil spirits through the beauty of song. The piece was kindly commissioned by The Friends of Music at Wells Cathedral School and given its first performance by Nick Lum and Gemma Beeson at Wells Cathedral School on 23 June 2013. Sadie Harrison 's Hantu for Double Bass and Piano. Composed 2013 and published 2016. Duration: 8 minutes. Hantu was written especially for Nick Lum as part of the first prize awarded for his performance in the Wells Double Bass Recital Competition in 2013. The title means ghost' in Malaysian (Lum is from Kuala Lumpar) with the piece taking its inspiration from the country's annual Festival of the Hungry Ghosts. The Piano is transformed into a westernised gamelan orchestra with gongs' kendang drums' and bamboo flutes'. The music ishighly repetitive with rhythm and pitch cycles used to imitate the structure of much gamelan music. The piece is divided into three main sections. The first and last are dark and menacing marked a slow procession of spirits'. The central section entitled The ghost's dance' is a quirky virtuosic interplay between pizz and arco building to a wild crescendo before a return to the procession which gradually disappears into the night. The Double Bass is often used in its highest lyrical register singing out fragments from a Malaysian melody entitled Anak Indung. This tune is heard over the top of the procession music an a