Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement which features the original solo line as part of a string sextet. Perfect as a rehearsal tool in preparation a larger-scale orchestral concert the arrangement is also ideal for performance in a chamber recital.

for SATB and piano or brass and percussion This gentle and enchanting carol set to a poem by Elizabeth Jennings began life as the fourth movement of Chilcott's Christmas cantata 'And Peace on Earth'. Chilcott's sublime melodic writing and subtle harmonic shifts capture perfectly both the naivety and wisdom reflected in Jennings' text. This is classic Chilcott: a beautiful and approachable carol. Instrumental parts for both the full cantata and this movement are available on hire.This gentle and enchanting carol for SATB and Piano set to a poem by Elizabeth Jennings began life as the forth movement of Chilcott's Christmas cantata And Peace On Earth . Chilcott's sublime melodic writing and subtle harmonic shifts capture perfectly both the naivety and wisdom reflected in Jennings' text to create a wistful beautiful carol.

Arranged for SATTB and piano accompaniment. Includes Awake Sweet Love composed by John Dowland for SATB.

Another witty and engaging work from the pen of the inimitable James Rae. Two delightful movements evoking the era of the cinema organ for three clarinets and bass clarinet.

For SATB unaccompanied Locus Iste has become a popular text for church dedication services. This simple and beautiful linear setting by O'Regan provides a stylish alternative to other over-familiar settings. For SATB unaccompanied Locus Iste has become a popular text for church dedication services. This simple and beautiful linear setting by O'Regan provides a stylish alternative to other over-familiar settings.

You need only minimal playing skills and three chords: G C and D7 to accompany the beautiful songs of faith in this innovative book. If you are a beginning or casual player on a chording instrument this is the book for you. The book is bursting with a great variety of timeless standards your entire family will enjoy. An outstanding collection of innovative arrangements made playable for folks who play for their own enjoyment. Melody and lyrics are included with all songs.Guitar ukulele and five-string banjo diagrams are included for the three chords along with tips on strumming. Transposing and use of capo tips are included for singers.You need only minimal playing skills and three chords; G C and D7 to accompany the beautiful songs of faith in this innovative book. If you are a beginning or 'casual' player on a chording instrument this is the book for you.The book is bursting with a great variety of timeless standards your entire family will enjoy. An outstanding collection of innovation arrangements made playable for folks who play for their own enjoyment. Melody and lyrics areincluded with all songs. Guitar ukulele and five-string banjo diagrams are included for the three chords along with tips on strumming. Transposing and use of capo tips are included for singers.

James Weeks ' Stacking Weaving Building Joining for any number of pitched instruments (at least six). Performing score. Stacking Weaving Building Joining was first performed by The Hola with CoMA Sussex Brighton March 2007. James Weeks ' Stacking Weaving Building Joining for any number of pitched instruments (at least six). Performing score. Stacking Weaving Building Joining was first performed by The Hola with CoMA Sussex Brighton March 2007.

The quintessential 70s soft rock song Feelings' first became a big hit for its Brazilian co-writer Morris Albert and French composer Louis Gasté in 1974. It was later recorded by many artists from Ella Fitzgerald to Engelbert Humperdinck and acquired a variety of lyrics in different languages over the years. Here the very definition of an international hit song has been arranged for SATB choir with piano accompaniment.

Thirteen arrangements for unaccompanied SATB of folk-songs from the British Isles Thirteen masterly arrangements of folk-songs from the British Isles. Some of the songs are new others are classics of their kind but they will all delight today's choirs throughout the world.

This Dedicatoria from 'Cuentos De La Juventud' was written by Enrique Granados - the Catalan composer and pianist (1867 - 1916).

Betty Roe's Conversation Piece scored for Horn and Piano accompaniment.

Set of parts for the brass accompaniment to John Rutter's I will worship the Lord.

Musik zu Goethe-Soprano Clarinet (also Bass Clarinet) Cello (Playing-Score) . Schluenz A

An American Folk Song-A traditional American Folk Song arranged for SSA choir and piano by Cristi Cary Miller.

The Opus 210 by Louis Kohler is a delightful collection of 32 pieces ranging from very easy to medium-difficult. Kohler like many of his contemporaries Robert Schumann Peter Tchaikowsky and later Claude Debussy wrote collections of character pieces for beginning students to play.The pieces in this collection are lighthearted in spirit with simple harmonic progressions and straight- forward rhythms. They can be categorized as character pieces (short pieces with programmatic titles) which are typical of the Romantic period. Not only do the pieces provide opportunities to stimulate creativity and imagination within each individual player they also provide excellentopportunities to build technique musicality and rhythmic skills from the very beginning. Kohler proves that one can build technical skills and musicianship skills while at the same time enjoying the music. The pieces are not overly difficult or lengthy which adds to their charm. The Opus 210 by Louis Kohler is a delightful collection of 32 pieces ranging from very easy to medium-difficult. Kohler like many of his contemporaries Robert Schumann Peter Tchaikowsky and later Claude Debussy wrotecollections of character pieces for beginning students to play. The pieces in this collection are lighthearted in spirit with simple harmonic progressions and straight- forward rhythms. They can be categorized as characterpieces (short pieces with programmatic titles) which are typical of the Romantic period. Not only do the pieces provide opportunities to stimulate creativity and imagination within each individual player they also provideexcellent oportunities to build technique musicality and rhythmic skills from the very beginning. Kohler proves that one can build technical skills and musicianship skills while at the same time enjoying the music. Thepieces are not overly difficult or lengthy which adds to their charm.

Jules Massenet was born in Montaud France May 12 1842. He was one of the best-respected French composers of his day and a member of the Academy and a professor of composition at the Paris Conservatoire. Massenet was very influential on other French composers in France. His students were also successful due to Massenet's tutelage. Though he was principally an opera composer he also wrote ballets orchestral works and several oratorios. Massenet died in Paris on August 13 1912. This is the Meditation from Massenet's famous opera Thais and has been transcribed for solo Viola with Piano accompaniment by Alan Arnold.

Brief tuneful melodies arranged for intermediate flutists and guitarists from early American (1817) popular music. Written in standard notation these delightful arrangements feature collections of popular melodies from that era as well as airs and dances. In keeping with performance practice of the traditional music played during this time these arrangements are organized into sets of pieces as they may have been performed during this era. The sets include jigs slow airs and marches as well as melodies that were popular from the continent.These arrangements are appropriate both for background music as well as public concert performance. The arrangements are derived from abook of flute melodies entitled 'Riley's Flute Melodies.' Published in 1816 and 1817 this book was possibly used as jazz musicians use lead sheets to develop spontaneous arrangements of pieces depending upon the occasion and the musicians at hand. The guitar arrangements were modeled upon existing guitar practice during that time and use idiomatic guitar devices such as pizzicato and harmonics to provide an imaginative underpinning for the melodies. Many of the arrangements give equal treatment to both the guitar as a harmonic and melodic instrument. Brief tuneful melodies arranged for intermediate flutists and guitarists from early American (1817) popular music. Written in standard notation these delightful arrangements feature collections of popular melodies from that eraas well as airs and dances. In keeping with performance practice of the traditional music played during this time these arrangements are organized into sets of pieces as they may have been performed during this era. The setsinclude jigs slow airs and marches as well as melodies that were popular from the continent. These arrangements are appropriate both for background music as well as public concert performance. The arrangements are derived froma book of flute melodies entitled “Riley’s Flute Melodies.” Published in 1816 and 1817 this book was possibly used as jazz musicians use lead sheets to develop spontaneous arrangements of pieces depending upon the occasion andthe musicians at hand. The guitar arrangements were modeled upon existing guitar practice during that time and use idiomatic guitar devices such as pizzicato and harmonics to provide an imaginative underpinning for the melodies.Many of the arrangements give equal treatment to both the guitar as a harmonic and melodic instrument.

Voices and classroom instruments.

Novello Voices Choral Suite Arranged by Barrie Carson Turner. Contains: 'Good Day Sunshine' 'For No One' 'Eleanor Rigby' 'Here There And Everywhere' and 'Got To Get You Into My Life'. Fabulous SATB arrangements of popular modern songs from West End shows jazz and pop.

A set of six songs for Voice with elaborate Piano and Guitar accompaniments - words are provided in both Spanish and Catalan.