The Joy Of Classics contains seventy-one easy piano pieces as written by the masters. Brimming with melodic rhythmic and emotional interest this terrific volume is sure to stimulate young players and is suitable for pianists from grade 3 standard. The Joy Of Classics contains seventy-one easy piano pieces as written by the masters. Brimming with melodic rhythmic and emotional interest this terrific volume is sure to stimulate young players and is suitable for pianists from grade 3 standard.

Seven lively pieces for players at grades 2 - 3. Each piece helps with specific technical points - eg: Dim Dragon uses pauses and explores diminished chords while Ornamental Dragon uses various trills and mordents etc but all within an entertaining framework. The piano accompaniment is of the same grade as the solo part encouraging pupils to play together. AMEB (Australian Syllabus) 2004 Grade: 2 - 3

12 Duets KV487. 'The tunes have been simplified but not compromised and still carry the ever-popular Mozartian flavour. The classical harmony and phrase structures are an essential part of training a musical ear and these duets fit the bill perfectly.' Music Teacher Magazine. Grade: 3

This is the accompanying CD containing the Tape part for this work. Score available separately.

Samuel Pegg 's Bright Is The Ring Of Words for SATB mixed choir with Organ accompaniment.

This new edition of the Studies for Piano Duet Op. 751 is particularly useful as it facilitates tuition with precise and speedily achievable goals in mind incorporating all aspects of instrumental and musical instruction. The preparation for ensemble playing is an additional bonus and a potential enrichment of any lesson.

Twenty seven of the most popular carols laid out in a simple solo manner with optional chord symbols. Grade: 1 - 3

First performed in 1979 by Robert Winn. The first of the three movements is tense building from the depths of the piano. The middle movement evocative using slow glissandi in the bottom octave of the flute and the last movement is a naughty bi-tonal rondo. Duration: 7 - 8 minutes. Typeset and re-printed in 2010 on the occasion of the composer's 50th birthday. This was the very first work to be published by Spartan Press Music Publishers Limited in a 'low budget' facsimile format over twenty years ago in 1990.

Korsange Til Kirkeare er en samling korsaster til melodier i Den Danske Koralbog af Niels Moller & Mogens Woldike .

Many of these easy pieces owe their vitality to the treasure we have inherited in folk dances and songs. All the pieces except Good Friend Johnny can be played by two pupils at a similar level of training. This music is also published by Edition Tónar og Steinar Iceland.

Årstiderne 1 af Linda Lehun & Anne Lassen . Sangbogen som i tekster tegninger og sange beskriver årets gang de danske hellig- og mærkedage og historierne bag dem. Der fortælles også om gamle og nye traditioner i forbindelse med dem. Alle sangene er med danske tekster. Melodi med becifring. Årstiderne 1 af Linda Lehun & Anne Lassen . Sangbogen som i tekster tegninger og sange beskriver årets gang de danske hellig- og mærkedage og historierne bag dem. Der fortælles også om gamle og nye traditioner i forbindelse med dem. Alle sangene er med danske tekster. Melodi med becifring.

Eulenburg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Valse Pour Cello et Piano- Erik Satie 's charming fin-de-siecle waltz first appeared as a song in 1903. It was then transcribed by the composer for Piano solo and now is released for Cello and Piano by the talented pen of international soloist Mats Lidstrom .

The famous tune from Peer Gynt. Grade: 3.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

4 Easy Arrangements For F-Battle Song The King's Dance Bonny Sweet Robin and Bransle De Bourgogne. Grade: 3 - 5

For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698. The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author. The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.) The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart

Sommaire : Fugue en la mineur bwv 1000 - Prélude en ré mineur bwv 999 - Prélude fugue et allegro bwv 998 - Suite pour luth n° 1 en mi mineur bwv 996 - Suite pour luth n° 2 en la mineur bwv 997 - Suite pour luth n° 3 en la mineur (original en sol mineur) bwv 995 - Suite pour luth n° 4 en mi majeur bwv 1006a

Franz Liszt's Lieder Transcriptions for Piano.

Double Bass and Cello (1985). 'Pleasantly atmospheric'. Daily Telegraph London. A show work written for The Manchester Bass Week not too difficult but immediately pleasing. Grade: Moderate